31 October 2025

The Highly Anticipated Canon EOS R7 Mark II

A Deep Dive into Rumored Features and Market Positioning of the Canon EOS R7 Mark II as an APS-C Action Camera (Independent Report)

The Highly Anticipated Canon EOS R7 Mark II
Top View of Canon EOS R7 : Canon EOS R7 Mark II Top View Should Look Similar

Rumoured Canon EOS R7 Mark II Release Date

Index:
  1. Executive Summary
  2. Introduction: Setting the Stage
  3. Official Launch and Availability
  4. Anticipated Key Features and Specifications
  5. Performance Expectations Based on Rumors and Predecessor Analysis
  6. Market Positioning and Target Audience
  7. Competitive Landscape
  8. Potential Improvements Over the Original Canon EOS R7
  9. Conclusion
  10. Works cited / References
  11. Report Compiler
  12. Disclaimer
  13. Image
1. Executive Summary

The Canon EOS R7 Mark II stands as a highly anticipated addition to the APS-C mirrorless camera market. Building upon the foundation laid by its predecessor, the original EOS R7, the Mark II is generating considerable excitement among photography enthusiasts and professionals alike. Rumors circulating within the industry suggest a significant leap forward in terms of technology and performance, with key anticipated features including a potentially cutting-edge stacked backside-illuminated (BSI) sensor, a sophisticated and enhanced autofocus system, and notable advancements in video recording capabilities. These upgrades point towards Canon positioning the EOS R7 Mark II in a more premium segment of the market, potentially as a spiritual successor to the renowned EOS 7D series of high-performance APS-C DSLRs 1. While official confirmation from Canon remains pending, the current information indicates a likely release in the latter half of 2025, with pricing expected to reflect its enhanced feature set and market placement 1.

The Canon EOS R7 Mark II To Be More Robust

2. Introduction: Setting the Stage

The APS-C mirrorless camera segment continues to be a vibrant and competitive arena within the broader photography market. Canon's initial foray into this space with the EOS R7 marked a significant step, offering a compelling blend of performance and features. However, the impending arrival of the EOS R7 Mark II has ignited considerable speculation and anticipation, fueled by expectations of substantial upgrades designed to elevate its standing within this competitive landscape. The Canon EOS 7D series, known for its robust performance and suitability for action and wildlife photography, serves as a notable benchmark. The rumors surrounding the EOS R7 Mark II suggest that Canon is aiming to capture a similar audience, offering a high-performance APS-C mirrorless camera capable of meeting the demands of serious enthusiasts and professionals 1.

3. Official Launch and Availability

Currently, there has been no official announcement from Canon regarding the launch of the EOS R7 Mark II. The information available at this time stems primarily from industry rumors and leaks, which should be considered with a degree of caution 1. Nevertheless, a consistent timeframe for the camera's release points towards the second half of 2025 1. Sources suggest that Canon is planning to introduce two versions of the next EOS R7, one geared towards video production, potentially named the EOS R7 V, and a photography-focused model, the EOS R7 Mark II 2. The lack of any specific details regarding the launch and availability of the EOS R7 Mark II in South Africa suggests that this information is not yet part of the public discourse. Typically, regional availability follows global announcements, and further details regarding the South African market will likely emerge closer to the official unveiling of the camera.

4. Anticipated Key Features and Specifications
  • 4.1 Sensor:
A significant aspect of the rumors surrounding the Canon EOS R7 Mark II revolves around its sensor. There is strong speculation that Canon will incorporate a new sensor technology, potentially opting for a stacked CMOS or a backside-illuminated (BSI) design 3. Stacked sensor technology offers several advantages, including notably faster readout speeds, which can significantly reduce the phenomenon of rolling shutter often encountered with electronic shutters, and improved overall image quality, particularly in challenging low-light conditions 5. The resolution of the sensor, however, remains a subject of varying rumors. Some sources suggest that Canon might retain a similar 32.5-megapixel resolution as found in the original EOS R7 5. Conversely, other reports hint at a lower resolution of around 24.1 megapixels 4, which, if true, would be an unusual move for a successor model unless accompanied by substantial gains in other performance areas, such as enhanced video capabilities and high-speed shooting. Adding another layer to the speculation, there are also rumors suggesting a potential resolution increase to approximately 40 megapixels 14, which would position the camera to directly compete with high-resolution APS-C offerings from other manufacturers. It has also been mentioned that the sensor might be a "partially stacked sensor," though the specifics of this configuration remain unclear 8.

  • 4.2 Processor:
It is widely anticipated that the Canon EOS R7 Mark II will feature the latest DIGIC X image processor, or potentially even a newer iteration 4. This upgrade in processing power is expected to contribute to faster overall camera performance, including quicker continuous shooting speeds, more efficient image processing algorithms leading to improved dynamic range and noise reduction, and enhanced responsiveness of the camera's various systems.

  • 4.3 Autofocus System:
A significant upgrade is expected in the autofocus system of the EOS R7 Mark II. Rumors strongly suggest that Canon will incorporate its advanced AI-driven subject tracking technology, similar to the sophisticated systems found in the higher-end EOS R3 and EOS R6 Mark II cameras 5. This would translate to improved detection and tracking of a wider range of subjects, including human eyes, faces, heads, and bodies, as well as various animals (such as dogs, cats, and birds) and vehicles (like racing cars and motorcycles) 5. Photographers can likely anticipate faster focusing speeds and greater accuracy, even in challenging and complex shooting scenarios, making the camera particularly well-suited for capturing dynamic action in wildlife, sports, and event photography 5.

  • 4.4 Video Capabilities:
The video features of the Canon EOS R7 Mark II are expected to see substantial enhancements. A highly anticipated upgrade is the inclusion of 4K video recording at 120 frames per second 4, which would allow for capturing detailed slow-motion footage. There is also speculation about the possibility of 6K RAW video recording, although it remains unclear whether this will be an internal recording option or via an external recorder 4. Furthermore, the camera is likely to support Canon's advanced log profiles, such as C-Log 2 and C-Log 3, providing filmmakers with greater flexibility in post-production for achieving optimal dynamic range and color grading 4. The implementation of a newer sensor with faster readout speeds is also expected to contribute to a reduction in rolling shutter artifacts during video recording 5.

  • 4.5 Continuous Shooting Speed:
The Canon EOS R7 Mark II is expected to offer impressive continuous shooting speeds, catering to photographers capturing fast-paced action. Rumors suggest the camera could achieve up to 30 frames per second when using the electronic shutter 4. When utilizing the mechanical shutter, the continuous shooting rate will likely be slightly lower, potentially around 15 frames per second, which is consistent with the capabilities of the original EOS R7 5.

  • 4.6 In-Body Image Stabilization (IBIS):
The in-body image stabilization (IBIS) system in the Canon EOS R7 Mark II is also anticipated to see refinements. While the original R7 already offered a capable IBIS system, the Mark II is rumored to provide further improvements, potentially reaching a stabilization effectiveness of 7 to 8 stops 5. This enhanced stabilization would be particularly beneficial for photographers and videographers shooting handheld in low-light conditions or when using longer focal length lenses.

  • 4.7 Viewfinder and LCD:
The electronic viewfinder (EVF) on the Canon EOS R7 Mark II is expected to receive an upgrade, with rumors suggesting a higher resolution, possibly around 3.69 million dots 6. This would offer a more detailed and immersive viewing experience for users. The rear LCD monitor is likely to remain a 3.0-inch vari-angle touchscreen with a resolution of approximately 1.62 million dots, similar to the excellent display found on the original EOS R7 12.

  • 4.8 Connectivity and Storage:
In terms of connectivity, the Canon EOS R7 Mark II is expected to feature modern wireless options, including both Wi-Fi and Bluetooth, for seamless image transfer and remote control capabilities 4. For storage, the camera will likely include dual SD card slots, supporting the faster UHS-II standard, mirroring the setup of its predecessor 4. There has also been some speculation about the potential inclusion of a faster CFexpress Type A card slot alongside the SD card slots, which would cater to the demands of high-bitrate video recording and rapid continuous shooting 7.

  • 4.9 Battery Life:
Improvements in battery efficiency are anticipated in the Canon EOS R7 Mark II, potentially stemming from a more power-efficient image processor and sensor design 6. This could lead to longer shooting times on a single charge. Additionally, there is speculation about the availability of a dedicated battery grip for the camera, which would allow users to utilize two batteries simultaneously, further extending the shooting duration, particularly beneficial for extended photography sessions or video recording 13.

5. Performance Expectations Based on Rumors and Predecessor Analysis

Based on the rumored specifications, the Canon EOS R7 Mark II is expected to deliver significant improvements in several key areas. The potential implementation of a stacked BSI sensor 3 would likely result in enhanced image quality, particularly with reduced noise levels at higher ISO sensitivities, providing cleaner images in low-light environments. The anticipated upgrade to an AI-driven autofocus system 5 promises a notable boost in autofocus performance, offering faster and more accurate subject acquisition and tracking, crucial for capturing dynamic subjects. The rumored video capabilities, including 4K 120p and potential RAW recording 4, suggest a substantial leap in video performance, making the camera a more versatile tool for content creators. Furthermore, the faster readout speed associated with a stacked sensor is expected to effectively minimize rolling shutter effects in both still images and video footage 5, a known limitation in the original EOS R7 5. The combination of a stacked sensor and a more powerful processor 4 is anticipated to provide a significant overall performance increase compared to the original R7, potentially addressing buffer limitations and enhancing the speed and responsiveness of various camera functions.

6. Market Positioning and Target Audience

The consistent rumors pointing towards an "upmarket" positioning for the Canon EOS R7 Mark II 1 suggest that Canon is aiming to appeal to a more discerning segment of the market. The camera is likely to target advanced photography enthusiasts and semi-professional users who demand high levels of performance and a comprehensive feature set within a relatively compact APS-C body. Based on the anticipated specifications, the EOS R7 Mark II appears to be particularly well-suited for wildlife and sports photographers who can benefit from the reach of the APS-C sensor and the expected improvements in autofocus and continuous shooting speeds 5. Furthermore, the enhanced video capabilities are likely to attract hybrid shooters who require a camera that excels in both still photography and high-quality video production. The recurring comparison of the EOS R7 Mark II to the EOS 7D series, with some even suggesting it could be a "baby EOS R1" with an APS-C sensor 1, indicates that Canon intends to offer a near-flagship level of performance and features in a more accessible format. This positioning would cater to users who desire professional-grade tools without necessarily stepping into the full-frame market.

7. Competitive Landscape

The Canon EOS R7 Mark II is expected to enter a highly competitive market segment, facing strong rivals from Sony and Fujifilm.

● Sony a6700: This camera features a 26-megapixel APS-C Exmor R CMOS sensor and a BIONZ XR processor 26. It offers UHD 4K video recording at up to 120p and boasts an advanced autofocus system with AI-powered subject recognition 27.

● Fujifilm X-T5: The X-T5 is equipped with a 40.2-megapixel X-Trans CMOS 5 HR BSI sensor and an X-Processor 5 31. It offers 6.2K video recording and a sophisticated autofocus system with subject detection 34.

● Fujifilm X-H2S: This model features a stacked 26.16-megapixel X-Trans CMOS 5 HS sensor, enabling high-speed burst shooting up to 40fps 36. It also offers advanced video features, including internal ProRes RAW recording 39.

The success of the Canon EOS R7 Mark II will likely hinge on its ability to strike a compelling balance between resolution, speed, video capabilities, and price, effectively differentiating itself from these established competitors 5.

8. Potential Improvements Over the Original Canon EOS R7

The Canon EOS R7 Mark II is expected to offer several key improvements over the original EOS R7 3. These potential upgrades include the implementation of a new stacked BSI sensor, which should lead to faster readout speeds and enhanced low-light performance. The autofocus system is rumored to receive a significant overhaul with the incorporation of AI-driven subject tracking, promising more accurate and reliable focus. Video capabilities are also expected to see a major boost with the addition of 4K 120p recording and the potential for RAW video capture. The faster sensor readout should also mitigate the rolling shutter effect. Furthermore, the EVF might feature a higher resolution for a clearer viewing experience. There are also expectations of subtle refinements in the camera's ergonomics and build quality, and improvements in battery efficiency could extend shooting times. The possibility of a dedicated battery grip also addresses a common request from users of the original model 13. These anticipated enhancements directly address some of the limitations and feedback received from users of the original EOS R7 23, such as the rolling shutter effect and the desire for a more robust set of video features.

Canon PowerShot Cameras to be Released 2025 - 2026

9. Conclusion

Based on the currently available information and industry rumors, the Canon EOS R7 Mark II is shaping up to be a compelling offering in the APS-C mirrorless camera market. With anticipated advancements in sensor technology, autofocus performance, and video capabilities, the camera has the potential to be a strong contender for advanced enthusiasts and professionals seeking a high-performance yet compact APS-C solution. Its expected "upmarket" positioning and the analogy to the EOS 7D series suggest that Canon aims to deliver a camera capable of meeting the demands of action, wildlife, and hybrid photography. However, it is crucial to remember that the information presented in this report is based on unofficial sources, and the final specifications, pricing, and availability will only be confirmed upon an official announcement from Canon. The ultimate success of the EOS R7 Mark II will depend on how accurately these rumors reflect the final product and how competitively it is positioned against its formidable rivals in the market.

10. Works cited / References

1. Canon May Announce The EOS R7 V & EOS R7 Mark II Somew, accessed March 30, 2025, https://www.canonwatch.com/canon-may-announce-the-eos-r7-v-eos-r7-mark-ii-somewhen-in-2025/

2. Canon EOS R7 V & Canon EOS R7 Mark II Coming ... - Canon Rumors, accessed March 30, 2025, https://www.canonrumors.com/canon-eos-r7-mark-ii-canon-eos-r7-v/

3. Is the R7 Mark II coming? And will it be the long-awaited 7D replacement?, accessed March 30, 2025, https://focus-on-photography-forum.net/threads/is-the-r7-mark-ii-coming-and-will-it-be-the-long-awaited-7d-replacement.4297/

4. Canon EOS R7 Mark II - RELEASE Imminent - YouTube, accessed March 30, 2025, https://www.youtube.com/watch?v=Ft6Ub1-rzgg

5. Canon EOS R7 Mark II LEAKS- Specs, Price, Release Date ..., accessed March 30, 2025, https://www.youtube.com/watch?v=RyPVq7fgRws

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8. Canon R7 Mark II to be released in 2025, accompanied by new RF-S lenses, accessed March 30, 2025, https://www.kfconcept.com/blog/canon-r7-mark-II-to-be-released-in-2025-accompanied-by-new-rf-s-lenses.html

9. Canon EOS R7 V & Canon EOS R7 Mark II Coming in 2025? - Canon Rumors, accessed March 30, 2025, https://www.canonrumors.com/forum/threads/canon-eos-r7-v-canon-eos-r7-mark-ii-coming-in-2025.44346/

10. Canon EOS R7 Mark II Review: The Ultimate APS-C Camera? - YouTube, accessed March 30, 2025, https://www.youtube.com/watch?v=BARE_Vy7uWo

11. R7 Mark II: Game-Changer? | Canon FINALLY COPYING Nikon? | R6 III confirmed!, accessed March 30, 2025, https://www.youtube.com/watch?v=xGQ_LGK0VCY

12. Canon EOS R7 Mark II - Better Than EOS R5 Mark II ? - YouTube, accessed March 30, 2025, https://www.youtube.com/watch?v=StBo-2peJVY

13. My Canon R7 Mark II wishlist - Reddit, accessed March 30, 2025, https://www.reddit.com/r/canon/comments/1h60e80/my_canon_r7_mark_ii_wishlist/

14. Canon EOS R7 Mark II Review: Release Date, Price & All Specs! - YouTube, accessed March 30, 2025, https://www.youtube.com/watch?v=8yDcEH-AkY8

15. Canon EOS R7 Mark II - Canon's Stacked Sensor Loading? - YouTube, accessed March 30, 2025, https://www.youtube.com/watch?v=TbnmndVec84

16. Is a Canon EOS R7 Mark II coming this year? [CR2] | Page 2, accessed March 30, 2025, https://www.canonrumors.com/forum/threads/is-a-canon-eos-r7-mark-ii-coming-this-year-cr2.43271/page-2

17. Canon News - Do we now have the specs for the R7 mkii? - Episode 5 - YouTube, accessed March 30, 2025, https://www.youtube.com/watch?v=Y6ozPnU6cdo

18. Canon R7 Mark II Rumors and Speculations! Stacked Sensor? - YouTube, accessed March 30, 2025, https://www.youtube.com/watch?v=Kg_bAFSUhe0

19. Specifications & Features - Canon EOS R7 - Canon Cyprus, accessed March 30, 2025, https://www.canon.com.cy/cameras/eos-r7/specifications/

20. Specifications & Features - Canon EOS R7 - Canon Central and ..., accessed March 30, 2025, https://en.canon-cna.com/cameras/eos-r7/specifications/

21. Specifications & Features - Canon EOS R7, accessed March 30, 2025, https://www.canon-europe.com/cameras/eos-r7/specifications/

22. Canon EOS R7 Mark II New LEAKS – Specs, Price & Release Date REVEALED Confirmed!, accessed March 30, 2025, https://www.youtube.com/watch?v=C4_phGSuMzM

23. Canon EOS R7 Full Review – quality with quirks - Amateur Photographer, accessed March 30, 2025, https://amateurphotographer.com/review/canon-eos-r7-review/

24. Canon EOS R7 Mirrorless Camera - B&H Photo, accessed March 30, 2025, https://www.bhphotovideo.com/c/product/1707911-REG/canon_eos_r7_mirrorless_camera.html

25. Canon EOS R7 for Wildlife Photography - Hands on test - Pangolin Photo Safaris, accessed March 30, 2025, https://www.pangolinphoto.com/canon-eos-r7-for-wildlife-photography

26. ILCE-6700 Specifications | Sony USA, accessed March 30, 2025, https://www.sony.com/electronics/support/e-mount-body-ilce-6000-series/ilce-6700/specifications

27. Sony a6700 Mirrorless Camera - B&H Photo, accessed March 30, 2025, https://www.bhphotovideo.com/c/product/1776281-REG/sony_a6700_mirrorless_camera.html

28. Sony a6700 Mirrorless Camera - Omega Broadcast & Cinema, accessed March 30, 2025, https://www.omegabroadcast.com/sony-a6700-mirrorless-camera/

29. Sony A6700 Camera Specifications | Sans Mirror | Thom Hogan, accessed March 30, 2025, https://www.sansmirror.com/cameras/camera-database/sony-mirrorless-cameras/sony-a6700.html

30. Sony Alpha 6700 Specifications - The-Digital-Picture.com, accessed March 30, 2025, https://www.the-digital-picture.com/Reviews/Camera-Specifications.aspx?Camera=1661

31. Specifications | Cameras | FUJIFILM X Series & GFX - USA, accessed March 30, 2025, https://www.fujifilm-x.com/en-us/products/cameras/x-t5/specifications/

32. Fujifilm X-T5 - Wikipedia, accessed March 30, 2025, https://en.wikipedia.org/wiki/Fujifilm_X-T5

33. FUJIFILM X-T5 Mirrorless Camera (Black) - B&H Photo, accessed March 30, 2025, https://www.bhphotovideo.com/c/product/1731281-REG/fujifilm_16782301_x_t5_mirrorless_camera_black.html

34. Fujifilm X-T5 Review - SheClicks, accessed March 30, 2025, https://www.sheclicks.net/reviews/fujifilm-x-t5-review

35. Fujifilm X-T5 full specifications: Digital Photography Review, accessed March 30, 2025, https://www.dpreview.com/products/fujifilm/slrs/fujifilm_xt5/specifications

36. Specifications | Cameras | FUJIFILM X Series & GFX - USA, accessed March 30, 2025, https://fujifilm-x.com/en-us/products/cameras/x-h2s/specifications/

37. Specifications | Cameras | FUJIFILM X Series & GFX - Global, accessed March 30, 2025, https://www.fujifilm-x.com/global/products/cameras/x-h2s/specifications/

38. FUJIFILM X-H2S Mirrorless Camera - B&H Photo, accessed March 30, 2025, https://www.bhphotovideo.com/c/product/1708265-REG/fujifilm_16756924_x_h2s_mirrorless_camera.html

39. Fujifilm X-H2S review: Fujifilm's affordable ProRes 6.2K beast - Videomaker, accessed March 30, 2025, https://www.videomaker.com/reviews/cameras/fujifilm-x-h2s-review-fujifilms-affordable-prores-6-2k-beast/

40. Specifications - FUJIFILM Camera Remote, accessed March 30, 2025, https://fujifilm-dsc.com/en/manual/x-h2s/technical_notes/spec/

41. Canon R7 reviews and AF question - Reddit, accessed March 30, 2025, https://www.reddit.com/r/canon/comments/1gn9j12/canon_r7_reviews_and_af_question/

42. Re: R7 vs R6 M2 - low light examples - Canon Community, accessed March 30, 2025, https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/R7-vs-R6-M2-low-light-examples/m-p/501896

11. Report Compiled by Google Gemini Deep Research

12. Disclaimer

The 'The Anticipated Canon EOS R7 Mark II' report was compiled by Google Gemini (Deep Research) on the request of Vernon Chalmers Photography. Vernon Chalmers Photography was not instructed by any person, public / private organisation or 3rd party to request compilation and / or publication of the report on the Vernon Chalmers Photography website.

This independent status report is based on information available at the time of its preparation and is provided for informational purposes only. While every effort has been made to ensure accuracy and completeness, errors and omissions may occur. The compiler of this The Anticipated Canon EOS R7 Mark II report (Google Gemini Deep Research) and / or Vernon Chalmers Photography (in the capacity as report requester) disclaim any liability for any inaccuracies, errors, or omissions and will not be held responsible for any decisions made based on this information.

13. Image: Canon USA

Canon Rumours Disclaimer

Canon EOS R Cameras to be Released 2025 - 2026

Latest Canon EOS R Camera Online Rumors

Canon EOS R Cameras to be Released 2025 - 2026

Expected Canon EOS R Release Dates

We should see some of the following highly anticipated / speculated Canon EOS R Cameras released during 2025 - 2026.

Please note: It is quite possible that the mentioned Canon EOS R cameras may not be released in the proposed format.

Canon EOS R Cameras to be Released 2025 - 2026

"Canon has some exciting plans for their EOS R line-up in 2025 and 2026 1! Here are some of the anticipated releases:

EOS R7 Mark II: A new iteration of the EOS R7, expected to have significant updates 2.

Retro-inspired EOS R Camera: To celebrate the 50th anniversary of the AE-1, Canon plans to release a retro-styled camera by the end of 2025 2.

Full-frame Global Shutter Sensor Camera: A new Cinema EOS camera with a global shutter sensor, positioned above the Cinema EOS C400 2.

APS-C Video-focused Camera: A new APS-C camera with enhanced video capabilities 1.

EOS R100 Mark II: Likely featuring improvements over its predecessor 2.

High Megapixel Full-frame Camera: Rumored to have a 100MP sensor, catering to photography enthusiasts 1.

It looks like Canon is aiming to cater to a wide range of photographers with these new releases!" (Source: Microsoft Copilot)

Canon Announcement Timelines 2025 - 2026

As with rumors and speculations there are no definite timelines on upcoming Canon EOS R releases. These listed releases are anticipated releases based on historic timeline correlations / market or media releases of previously introduced Canon EOS R cameras.

Canon Release Dates | Naming Conventions
Any listed Canon EOS R camera listed may / may not be released at a later date. Some may even be released with different Canon brand naming conversions.

Canon Camera EOS R (Speculative) Specifications
The speculation are of speculative / rumor nature and could change / be updated on frequent intervals No claims are made on Vernon Chalmers Photography website that any or all specifications are the final product or release specifications. Specifications and rumors will remain non-official speculative until official Canon UK announcements.

Official Canon Press Release Announcements
Rumors will be made official as soon as Canon releases a global and / or regional Canon Press Release.

"Canon EOS R Series

The EOS R series is expected to continue its focus on high performance and versatility. Future models might feature:
  • Higher resolution sensors for even more detailed images.
  • Improved autofocus systems leveraging advanced AI technology.
  • Enhanced video capabilities, possibly including 8K recording.
  • Better in-body image stabilization for sharper handheld shots.

Expected Canon EOS R Releases 2025 - 2026

Canon EOS R Full Frame | APS-C Body Expected to be Released

Canon EOS R1 X
Possible Replacement / Enhancement for the Canon EOS R1

Canon EOS R3 Mark II (Full-Frame)
Possible Replacement / Upgrade for the current Canon EOS R3

Canon EOS R6 Mark III (Full-Frame)
Possible Replacement / Enhancement for the Canon EOS R6 Mark II

Canon EOS R7 Mark II (APS-C)
Possible Replacement / Upgrade for the current Canon EOS R7

Canon EOS R10 Mark II (APS-C)
Possible Replacement / Enhancement for the Canon EOS R10

Canon EOS Rs (Full-Frame)
High Resolution Canon EOS R Full-Frame body

Canon EOS R7 C (APS-C)
To slot in above the current Canon EOS R7

Canon EOS R9 (APS-C)
To slot in between the Canon EOS R7 and the Canon EOS R10

Expected New Canon R | Powershot Camera Disclaimer:
Any information / specifications published on rumored, upcoming and anticipated Canon EOS R camera releases for 2025 - 2026 are based on expected and rumored upcoming publicly available information released of new Canon R cameras - possibly to be launched during 2025 - 2026.


Canon R5 Mark II Image: Canon USA (Vernon Chalmers for Canon as independent Media representative)

Canon Rumours Disclaimer

Canon PowerShot Cameras to be Released 2025 - 2026

Latest Canon PowerShot Camera Online Rumors

Canon PowerShot Cameras to be Released 2025 - 2026
Canon PowerShot Cameras to be Released 2025 - 2026

The Anticipated Canon EOS R7 Mark II

Canon PowerShot Cameras Rumored to be Released 2025

Canon has some exciting plans for their PowerShot cameras in 2025! Here are a couple of the rumored models:
  • Canon PowerShot V1: Expected to be announced in the first half of 2025, this camera is rumored to feature a 24MP CMOS sensor, a 16-50mm lens (35mm equivalent), and 4K video recording. It's designed to be a versatile compact camera with a 3-inch screen and a 170° viewing angle.
  • Canon PowerShot Replacement for SX70 HS: Slated for the second half of 2025, this camera is expected to have a 20MP fixed lens with a 65x zoom (21mm-1365mm focal length). The long end of the zoom range is likely to be between 600mm-800mm.

It looks like Canon is aiming to cater to both vloggers and those who need powerful zoom capabilities. (Source: Microsoft Copilot 2025)

Canon PowerShot Cameras Rumored to be Released 2026

Canon has some interesting plans for their PowerShot cameras in 2026! Here are a few anticipated releases:
  • Canon PowerShot G7X Mark IV: Expected to be a significant upgrade from its predecessor, with enhanced features and performance.
  • New High-End Compact Camera: Rumored to offer advanced features and improved image quality, catering to enthusiasts and professionals alike.
  • Entry-Level PowerShot: A more affordable model aimed at casual photographers, possibly with a streamlined, smartphone-like experience.

Canon seems to be focusing on both high-end and entry-level models, ensuring there's something for everyone. (Source: Microsoft Copilot 2025)

Canon PowerShot Series

The PowerShot series, known for its compact and user-friendly design, is likely to see:
  • Upgraded sensor technology for better low-light performance.
  • Improved connectivity options for easier sharing and remote control.
  • Enhanced image stabilization to reduce blur in photos and videos." (Source: Microsoft Copilot)

Canon Powershot Releases 2025 - 2026
  • Canon Powershot G1 X Mark IV (Large Sensor Digital Compact)
  • Possible Replacement for the current Canon Powershot G1 X Mark III
  • More Information
  • Canon Powershot SX80 HS (Long Reach Zoom Digital Compact)
  • Possible Replacement for the current Canon Powershot SX70 HS
  • More Information

Canon Announcement Timelines 2025 - 2026

As with rumors and speculations there are no definite timelines on upcoming Canon PowerShot releases. These listed releases are anticipated releases based on historic timeline correlations / market or media releases of previously introduced Canon PowerShot cameras.

Canon Release Dates | Naming Conventions

Any listed Canon Powershot camera listed may / may not be released at a later date. Some may even be released with different Canon brand naming conversions.

Canon Camera PowerShot (Speculative) Specifications

The speculation are of speculative / rumor nature and could change / be updated on frequent intervals No claims are made on Vernon Chalmers Photography website that any or all specifications are the final product or release specifications. Specifications and rumors will remain non-official speculative until official Canon US / UK announcements.

Official Canon Press Release Announcements
Rumors will be made official as soon as Canon releases a global and / or regional Canon Press Release.

Expected New Canon Powershot Camera Disclaimer:
Any information / specifications published on rumored, upcoming and anticipated Canon PowerShot camera releases for 2025 - 2026 are based on expected and rumored upcoming publicly available information released of new Canon PowerShot cameras - possibly to be launched during 2025 - 2026.

No Vernon Chalmers Photography media responsibility or ownership is taken or claimed for any Canon Powershot Camera Expected Release Dates. 

Images Source: Pixabay (Open Source)

Canon Rumours Disclaimer

Canon PowerShot SX40 HS Camera (Released: 2011)
Canon PowerShot SX40 HS Camera (Released: 2011)

30 October 2025

The Canon EOS R7 Mark II To Be More Robust

Evaluating the Rumored Canon EOS R7 Mark II: A High-Action Photography Powerhouse? Detailed Report

The Canon EOS R7 Mark II To Be More Robust
Current Canon EOS R7 Credit: Canon USA


Index:
  1. Executive Summary
  2. The Evolving Landscape of APS-C Mirrorless for Action
  3. Core Performance Metrics for High-Action Photography
  4. Video Capabilities for Dynamic Action
  5. The APS-C Advantage: Reach and Portability
  6. Lens Ecosystem for Action Photography
  7. Anticipated Advancements: R7 Mark II vs. R7
  8. Conclusion: The Verdict on the EOS R7 Mark II as a High-Action Camera
  9. Works / References Cited
  10. Report Compiler

1. Executive Summary

"The anticipated Canon EOS R7 Mark II is poised to significantly elevate the APS-C mirrorless segment, particularly for high-action photography. Building upon the robust foundation laid by its predecessor, the original EOS R7, the Mark II is generating considerable excitement among photography enthusiasts and professionals alike.1 Industry speculation suggests a substantial leap forward in technology and performance, with key anticipated features including a potentially cutting-edge stacked backside-illuminated (BSI) sensor, a sophisticated and enhanced autofocus system, and notable advancements in video recording.1 These rumored upgrades, combined with the inherent telephoto advantage of the APS-C sensor and Canon's expansive lens ecosystem, suggest a camera highly capable of meeting the rigorous demands of serious enthusiasts and professionals in sports and wildlife photography.3

The incorporation of a stacked BSI sensor in the R7 Mark II, if realized, represents a significant indicator of Canon's strategic intent to position its APS-C line for professional-grade action photography, moving beyond merely enthusiast-level performance. This technological advancement allows for extremely fast data readout from the sensor, which is crucial for minimizing rolling shutter artifacts often seen with electronic shutters, enabling significantly higher continuous shooting speeds, and accelerating autofocus calculations. While the original EOS R7, despite its capabilities, exhibited some rolling shutter effects in its 30 frames per second (fps) electronic shutter mode, a stacked sensor directly addresses this limitation, signaling a fundamental architectural change designed for peak speed and precision. This positions the R7 Mark II not merely as an improved enthusiast camera, but as a serious contender for professional action and wildlife work, fulfilling its rumored role as a "spiritual successor to the renowned EOS 7D series".1

While the Mark II promises substantial capabilities, practical considerations such as optimizing buffer performance with appropriate UHS-II V90 memory cards and managing specific in-camera processing settings, like the Digital Lens Optimizer, will remain crucial for sustained high-speed shooting.5 The potential for rolling shutter with the electronic shutter, though expected to be mitigated by a stacked sensor, will also require real-world evaluation in the Mark II's final iteration.7 

The Highly Anticipated Canon EOS R7 Mark II

2. The Evolving Landscape of APS-C Mirrorless for Action

The APS-C mirrorless camera segment continues to be a vibrant and intensely competitive arena within the broader photography market. Manufacturers are constantly pushing the boundaries of what these smaller-sensor cameras can achieve in terms of speed, autofocus, and overall performance, especially for specialized genres like action and wildlife photography.1 Canon's initial foray into this space with the EOS R7 marked a significant step, offering a compelling blend of performance and features that quickly garnered attention from enthusiasts.1 It demonstrated Canon's commitment to bringing advanced mirrorless technology to the APS-C format.

However, the impending arrival of the EOS R7 Mark II has ignited considerable speculation and anticipation across the photographic community. Rumors suggest substantial upgrades designed to elevate its standing within this competitive landscape, aiming to set a new benchmark for high-action performance.1 The Canon EOS 7D series, a line of APS-C DSLRs, was historically renowned for its robust build, exceptional speed, and suitability for demanding action and wildlife photography. The explicit mention of the EOS R7 Mark II as a "spiritual successor to the renowned EOS 7D series" 1 indicates Canon's strategic intent to reclaim or solidify its leadership in the high-performance APS-C market, specifically for action and wildlife. This is a direct challenge to competitors like Fujifilm (X-T5, X-H2S) and Sony (a6700) who have strong offerings in this space.1 By invoking the 7D legacy, Canon is signaling its target audience and its performance aspirations, implying that the R7 Mark II is designed to inherit and advance the 7D's core strengths—speed, robust autofocus, and suitability for capturing fast-moving subjects—but within the modern mirrorless framework. This strategic positioning is crucial for understanding the Mark II's potential impact and its ambition to be a top choice for this segment in the mirrorless era.3

3. Core Performance Metrics for High-Action Photography
  • Sensor and Image Processor
The original EOS R7 is built around a 32.5-megapixel APS-C CMOS sensor, which strikes a commendable balance, offering sufficient detail for large prints and cropping while maintaining good low-light performance and manageable file sizes.4 The camera is powered by Canon's DIGIC X image processor, a component crucial for responsive control, rapid image processing, and minimizing electronic viewfinder (EVF) lag, all vital for tracking fast-moving subjects.4

Rumors for the R7 Mark II suggest a potentially groundbreaking upgrade in sensor technology: a "Stacked BSI CMOS" sensor.1 While the exact resolution is still rumored to be 24.1, 32.5, or even 40 megapixels 1, the "stacked" architecture is the key differentiator. This design allows for significantly faster data readout, which is paramount for mitigating rolling shutter effects during high-speed electronic shooting and enabling more rapid autofocus calculations. The processor is rumored to be "DIGIC X or Newer" 1, indicating that Canon will either optimize the existing powerful DIGIC X or introduce an even more advanced chip to handle the increased data throughput from the new sensor.

The combination of a rumored "Stacked BSI CMOS" sensor and "DIGIC X or Newer" processor for the R7 Mark II suggests a multi-faceted performance boost beyond raw speed.1 A stacked sensor can generate a massive amount of data very quickly. For the camera to fully leverage this speed, it requires a processor capable of handling this increased throughput efficiently. This synergy allows for higher sustained burst rates, as the processor can clear the buffer faster, enabling longer bursts. It also facilitates more advanced autofocus, as faster data from the sensor allows the processor to perform more complex real-time calculations for subject detection and tracking, leading to the rumored "AI Tracking".1 This means the camera can identify, lock onto, and follow subjects with greater precision and persistence.

Furthermore, enhanced processing power can lead to more effective in-camera noise reduction at higher ISOs (critical for action in varied lighting), better dynamic range processing, and potentially more sophisticated in-camera lens corrections. For video, faster processing is essential for handling high-resolution, high-frame-rate video 1 with minimal artifacts and efficient compression. This combined technological leap isn't just about isolated specification bumps; it suggests a fundamental improvement in the camera's overall ability to process information rapidly and intelligently. This capability underpins virtually every aspect of high-action photography: maintaining focus on fast-moving subjects, capturing peak action moments without distortion, and delivering clean, high-quality images even in challenging light. It means the camera can react faster, making it a significantly more reliable and effective tool for unpredictable and demanding action scenarios.
  • Autofocus System: Precision in Motion
The EOS R7 is equipped with Canon's highly effective Dual Pixel CMOS AF II system.4 This system provides extensive coverage, tracking subjects over virtually 100% of the frame.4 A key strength for action photography is its advanced subject detection capabilities, which can accurately identify and track people (eyes/face/head/body), animals (dogs, cats, birds), and vehicles (racing cars or motorbikes).4 User feedback confirms its reliability, with the R7 being praised for locking onto a bird's eye and maintaining focus as subjects fly by or land.11 Furthermore, the R7's AF system is capable of precise focusing in challenging low-light conditions, down to -5EV.4 However, the R7's tracking can sometimes be challenged if subjects move very vigorously, rapidly change posture, or are temporarily obscured by obstructions.13
  • The R7 Mark II is rumored to feature "AI Tracking" 1, building upon the R7's already robust Dual Pixel CMOS AF II with subject detection.9 This suggests an evolution of the autofocus system, likely incorporating more advanced machine learning algorithms. In contemporary camera technology, "AI Tracking" typically refers to autofocus systems that utilize machine learning and deep learning algorithms. These algorithms enable the camera to recognize subjects more intelligently, predict their movement patterns, and maintain focus even when the subject is briefly obscured, changes its orientation rapidly, or moves erratically. They go beyond simple pattern matching to understand the nature of the subject's movement.
The introduction of "AI Tracking" in the R7 Mark II would directly target and aim to resolve the specific tracking weaknesses identified in the current R7.13 For high-action photography—whether it is a bird darting through foliage, a soccer player weaving through defenders, or a race car briefly disappearing behind a barrier—unpredictability is the norm. An AF system that can better "hold" focus through these challenging moments means a significantly higher rate of sharp, in-focus images. This translates directly into more usable shots for the photographer, less frustration in the field, and ultimately, a more reliable and effective tool for capturing fleeting, critical moments in dynamic environments. It elevates the camera's performance from capable to exceptional in the most demanding situations.
  • Continuous Shooting Speed and Buffer Management
The EOS R7 boasts impressive continuous shooting speeds, essential for capturing peak action. It can shoot at up to 15 frames per second (fps) with its mechanical shutter and a blistering 30 fps with its electronic shutter.4 The R7 Mark II is rumored to maintain these high speeds.1 While the 30fps electronic shutter is incredibly fast, it is important to note that it can introduce rolling shutter effects, particularly with very fast-moving subjects or quick camera panning, which can skew the image.7
  • For sustained bursts, buffer depth and recovery time are paramount. The R7 has a buffer capacity of 126 JPEG frames or 93 RAW frames at 30fps.4 Achieving optimal buffer performance necessitates the use of fast UHS-II V90 memory cards.5 Tests show considerable variation in buffer clearing times depending on the specific card and file type chosen.5 For instance, with top-tier UHS-II V90 cards, clearing 41 RAW shots takes approximately 6.2 seconds, while 84 CRAW shots clear in about 7.73 seconds.5
A crucial, yet often overlooked, factor impacting buffer performance on the R7 is the "Digital Lens Optimizer" (DLO) setting. If set to "high," this in-camera lens correction feature can drastically reduce the camera's write speed to an excruciating 8 MB/s, leading to buffer clearing times of 90-120+ seconds after a burst.6 Conversely, setting DLO to "standard" restores expected write speeds of around 240 MB/s, making buffer clearing almost instantaneous for many users.6 This highlights the importance of understanding and managing in-camera processing settings for optimal high-action performance. The significant impact of the "Digital Lens Optimizer" (DLO) setting on buffer clearing times reveals a hidden trade-off between in-camera image processing and sustained high-action shooting.

When DLO is set to "high," the camera's image processor is heavily burdened with complex calculations before it can write the image data to the memory card. This diversion of processing power and internal bus bandwidth directly bottlenecks the data transfer from the buffer to the card, severely reducing the effective write speed. For high-action photography, sustained bursts are critical. A full buffer means the camera slows down or stops shooting until it clears, causing missed shots. The 90-120+ second clearing time is catastrophic in any dynamic scenario. This specific finding underscores the necessity for photographers to delve beyond basic specifications and understand the intricate interplay of camera settings, processor capabilities, and memory card speeds. An action photographer unaware of this DLO nuance could wrongly attribute poor performance to a faulty camera or slow memory card, leading to frustration and missed opportunities.
  • In-Body Image Stabilization (IBIS): Steadying the Shot
The EOS R7 features a highly effective 5-axis In-Body Image Stabilizer (IBIS) system, offering up to 7-8 stops of protection from camera shake.1 This system is particularly powerful because it works collaboratively with the optical image stabilization (OIS) built into many Canon RF lenses.4 This "collaborative IS" provides an even greater combined stabilization effect, crucial for achieving sharp images, especially when shooting handheld with long telephoto lenses—a common practice in wildlife and sports photography.4 Even non-IS lenses (such as fast primes or adapted EF lenses) benefit significantly from the R7's IBIS, broadening lens compatibility and utility.4

The IBIS system offers several practical advantages for action photographers. It grants the freedom to shoot handheld even with powerful telephoto focal lengths (e.g., 400mm, 500mm), reducing the reliance on cumbersome tripods and increasing mobility in dynamic environments.15 By allowing for slower shutter speeds without introducing blur, IBIS enables photographers to use lower ISO settings in challenging light conditions (e.g., indoor sports, dawn/dusk wildlife), resulting in cleaner images with less noise.15 The IBIS system also supports specialized creative techniques. It can level sloping horizons in scenic pictures and features a dedicated "Panoramic Shot" scene mode that compensates for the swinging movement during panning.4 Crucially for action, the R7 includes a "Panning scene mode" where the camera's AF detects and tracks the moving subject while the Image Stabilizer corrects for vertical camera shake as the photographer pans. This significantly improves the success rate of achieving the desired motion blur effect in the background while keeping the subject relatively sharp.15
  • The R7's sophisticated collaborative IBIS system, especially its integration with a dedicated "Panning scene mode" 15, transforms a challenging creative technique into a more accessible and reliable feature for action photographers. Panning is a highly valued technique in action photography used to convey a sense of speed and motion, but it is notoriously difficult to execute perfectly. By actively correcting for vertical camera shake during a horizontal panning motion, the R7 directly addresses one of the most common technical challenges in achieving successful panning shots. This makes the technically demanding panning technique more forgiving and reliable, empowering photographers to consistently achieve a specific, dynamic creative effect that previously required significant skill and practice.

4. Video Capabilities for Dynamic Action

The EOS R7 is a capable hybrid camera, offering 4K/60p video capture and Full HD up to 120p for super smooth slow-motion playback.4 The camera's IBIS system works collaboratively with optical lens stabilization and can be further enhanced by Movie Digital IS for exceptionally smooth footage, appearing as if shot on a dolly or gimbal.15

However, the R7's 4K Fine mode, while high quality, can exhibit noticeable rolling shutter effects when making sharp camera movements or with very fast-moving subjects.8 Additionally, higher 4K frame rates (e.g., 60p) are often line-skipped and may not be as detailed as the oversampled 24/30p modes.8 When recording High Frame Rate (HFR) movies (119.9 fps or 100.0 fps) for slow motion, sound is notably not recorded.16 For extended video recording, especially at higher resolutions and frame rates, external recorders are sometimes recommended to mitigate potential overheating issues and to utilize larger, more cost-effective storage drives.8

The R7 Mark II is rumored to bring significant upgrades to its video capabilities, including 4K 120p and 6K RAW video recording.1 These advancements would be a major leap forward, offering higher resolution slow-motion and maximum flexibility in post-production. The rumored jump to 4K 120p and 6K RAW for the R7 Mark II, especially when contrasted with the R7's existing rolling shutter issues in 4K 8 and lack of sound in HFR 16, signifies Canon's commitment to addressing critical video limitations for action videography. These rumored video upgrades are not just specification bumps; they are targeted solutions to critical pain points for action videographers. The reduction in rolling shutter, particularly if the 4K 120p is achieved with a full or near-full sensor readout (enabled by the rumored stacked sensor), would mean cleaner footage of fast-moving subjects. The jump to 4K 120p would allow for cinematic slow-motion at a much higher resolution, while 6K RAW would provide professional-grade flexibility. This move positions the R7 Mark II not just as a stills-centric camera with video capabilities, but as a genuinely capable hybrid tool for demanding content creators who need both high-speed stills and professional-grade slow-motion video for action sports, wildlife documentaries, and other dynamic content. It suggests Canon is actively listening to user feedback and leveraging its new sensor and processor technology to make its APS-C line highly competitive in the increasingly important hybrid market.

5. The APS-C Advantage: Reach and Portability

The Canon EOS R7, built around an APS-C sized sensor, inherently provides a 1.6x telephoto crop factor.4 This means that any lens mounted on the R7 effectively gains 1.6 times its stated focal length in terms of field of view compared to a full-frame camera. For example, a 400mm lens on the R7 provides the equivalent field of view of a 640mm lens on a full-frame system. This "free" telephoto reach is a significant advantage for wildlife and sports photographers, allowing them to feel "right next to your subject" and capture "frame-filling animal portraits and powerful action pictures that are full of impact" even from a considerable distance.4

The smaller APS-C sensor format also contributes to the EOS R7's overall portability.4 This translates to smaller and lighter camera bodies and often smaller, lighter, and more affordable lenses to achieve comparable telephoto reach to full-frame systems. This reduced size and weight are highly advantageous for photographers on long wildlife trips, covering extensive air shows, or moving quickly trackside at sporting events, where a more compact and less fatiguing system is paramount.4 The inherent 1.6x crop factor of the APS-C sensor creates a significant cost-efficiency advantage for action photographers compared to full-frame systems.4 In wildlife and sports photography, achieving sufficient "reach" (long focal lengths) is often critical to fill the frame with distant or dangerous subjects. Full-frame lenses designed for extreme telephoto are typically very large, heavy, and expensive. With the 1.6x crop factor, an APS-C camera like the R7 can achieve the field of view of a much longer full-frame lens using a shorter, more compact, and less expensive APS-C or full-frame lens. This translates directly into significant cost savings and dramatically improves portability, reducing physical fatigue during long shooting sessions. The system becomes more accessible to a broader range of photographers who might not have the budget or physical capacity for top-tier full-frame telephoto setups.


6. Lens Ecosystem for Action Photography

The Canon RF mount offers a rapidly expanding and technologically advanced selection of lenses, many of which are ideally suited for the demands of high-action photography. The wide diameter and short flange distance of the RF mount allow for innovative optical designs, contributing to sharpness and performance.

For capturing fast-moving subjects in sports and wildlife, several RF lenses stand out:
  • Canon RF 100-400mm F5.6-8 IS USM: This is a versatile and relatively compact telephoto zoom lens that provides excellent reach for outdoor sports and wildlife.3 While its variable aperture means it is best suited for well-lit daytime conditions, its built-in Image Stabilization (IS) and compatibility with the R7's IBIS make it a strong contender for many action scenarios.
  • Canon RF 70-200mm F2.8 L IS USM: A professional-grade "L" series lens, this zoom offers a wide, constant f/2.8 aperture, which is invaluable for achieving fast shutter speeds in lower light (e.g., indoor sports) and for creating excellent subject isolation with blurred backgrounds.3 It boasts very fast autofocus and robust optical image stabilization 3, making it an all-around top-tier choice for both indoor and outdoor action.
  • Canon RF 100-500mm F4.5-7.1 L IS USM: This telephoto zoom lens provides even greater reach, making it highly desirable for distant wildlife or large outdoor sports venues.3 Its "L" designation signifies professional build and optical quality. It works particularly well with Canon Extender RF 1.4x for extreme telephoto needs, extending the effective focal length range to 140-700mm on the R7 Mark II.3 However, it is important to note its compatibility with teleconverters is limited to the 300-500mm zoom ranges.3
  • Consideration: Canon RF 75-300mm F4-5.6: While a budget-friendly telephoto zoom option, this lens is based on an older design with a slow autofocus motor and lacks optical image stabilization.3 For serious high-action photography, its performance limitations would likely be a significant hindrance, even with the R7's IBIS.

A critical advantage of the Canon RF system with the R7/R7 Mark II is the seamless collaboration between the camera's In-Body Image Stabilization (IBIS) and the Optical Image Stabilization (OIS) built into many RF lenses.3 This collaborative approach provides enhanced image stabilization, delivering up to 7-8 stops of shake correction.1 This synergy is invaluable for ensuring sharp images when shooting handheld with long telephoto lenses, even in challenging lighting conditions, and for facilitating creative techniques like panning. The synergy between the R7/R7 Mark II's advanced IBIS and the optical image stabilization (OIS) in RF lenses creates a powerful stabilization ecosystem that significantly expands the range of shooting conditions for action photographers.3 This means greater flexibility in choosing lenses (even non-IS primes benefit from IBIS), improved low-light performance without resorting to excessively high ISOs, and a higher probability of sharp images when shooting handheld with long telephoto lenses, which are common in action photography. For action photographers, this translates to more confident and consistent handheld shooting, reducing the need for tripods or monopods and increasing mobility and responsiveness in dynamic shooting environments. The ability to use slower shutter speeds due to superior stabilization means photographers can maintain lower ISO settings, resulting in cleaner images with less digital noise, a significant advantage when shooting action in challenging lighting.


7. Anticipated Advancements: R7 Mark II vs. R7

The original Canon EOS R7 established a strong foundation for high-action APS-C mirrorless cameras with its 32.5MP sensor, 30fps electronic shutter, and advanced Dual Pixel CMOS AF II.9 The R7 Mark II is anticipated to build upon this, not merely with incremental changes, but with several key technological leaps.1

Key comparative upgrades include:

Sensor Technology: The most significant rumored upgrade for the Mark II is the adoption of a "Stacked BSI CMOS" sensor.1 This is a major departure from the R7's standard APS-C CMOS sensor 9 and is critical for improving readout speed, reducing rolling shutter, and enabling higher performance. The rumored resolution could be 24.1, 32.5, or 40 megapixels.1

Image Processor: While the R7 already utilizes the powerful DIGIC X processor 9, the Mark II is rumored to feature a "DIGIC X or Newer".1 This suggests either an optimized version of the current chip or a completely new processor designed to handle the increased data flow from the stacked sensor and power more advanced features.

Autofocus System: The R7's Dual Pixel CMOS AF II is already highly capable with advanced subject detection.9 The Mark II is rumored to introduce "AI Tracking" 1, indicating a further evolution in its predictive and persistent autofocus capabilities, likely addressing the R7's occasional struggles with highly erratic or obstructed subjects.13

Continuous Shooting: Both models are expected to offer the same impressive continuous shooting speeds: 15fps mechanical and 30fps electronic.1 The key difference for the Mark II would be the quality of the electronic shutter performance due to the stacked sensor, potentially mitigating rolling shutter.

Video Capabilities: This is another area of substantial rumored improvement for the Mark II, with anticipated 4K 120p and 6K RAW video.1 This is a significant upgrade from the R7's 4K 60p and 1080p 120p 8, offering higher resolution slow-motion and greater post-production flexibility.

Electronic Viewfinder (EVF): The Mark II is rumored to feature a higher resolution EVF at 3.69M dots, a noticeable improvement over the R7's 2.36M dot EVF.1 A sharper EVF enhances the tracking and composition experience, especially for fast-moving subjects.

In-Body Image Stabilization (IBIS): Both the current R7 and the rumored Mark II are expected to offer highly effective 7-8 stops of in-body image stabilization 1, a feature that is already a game-changer for handheld action photography.4

The consistent rumored improvements in the R7 Mark II across multiple performance vectors, rather than isolated upgrades, suggests a holistic design philosophy aimed at creating a truly professional-grade APS-C action camera.1 Each of these rumored upgrades directly addresses a key performance area crucial for high-action photography: the stacked sensor for faster readout and reduced rolling shutter, AI Tracking AF for more precise and persistent subject tracking, 4K 120p / 6K RAW for higher quality and frame rate video, and a higher resolution EVF for improved viewing and tracking. The simultaneous nature of these upgrades implies a synergistic design: a stacked sensor feeds faster data to an AI-enhanced processor, enabling more accurate and persistent AF, which in turn supports higher quality and frame rate video.

A better EVF makes it easier for the photographer to effectively utilize these internal advancements. This isn't just a list of features; it's an integrated system designed from the ground up for peak performance in demanding, fast-paced environments. This holistic approach suggests Canon is aiming to redefine what is possible in the APS-C segment for action photography. By bringing features typically found in much more expensive professional full-frame cameras (e.g., stacked sensors in the R3) down to an APS-C body, Canon is signaling its intent to aggressively compete with and potentially surpass other brands' flagship APS-C offerings.1 This move could set a new benchmark for performance and capabilities in the high-end APS-C mirrorless market, making it a truly compelling alternative for many professional and serious enthusiast action photographers.

Canon PowerShot Cameras to be Released 2025 - 2026

8. Conclusion: The Verdict on the EOS R7 Mark II as a High-Action Camera

Based on the compelling rumors, the Canon EOS R7 Mark II is poised to be an exceptionally capable and potentially class-leading high-action camera within the APS-C mirrorless segment. Its rumored stacked BSI sensor and advanced AI Tracking autofocus represent significant technological leaps, directly addressing areas where the original R7 could be further optimized for the most demanding action scenarios, such as electronic shutter rolling shutter and persistent tracking through momentary obstructions.1 The existing R7's robust foundation, including its 32.5MP resolution, impressive 30fps electronic shutter, highly effective Dual Pixel CMOS AF II, and game-changing collaborative IBIS, provides an excellent starting point.4 The inherent APS-C crop factor continues to offer a valuable telephoto reach advantage and system portability, making it an attractive and often more cost-effective option for wildlife and sports photographers.4 The rumored video capabilities, particularly 4K 120p and 6K RAW, would further solidify its position as a formidable hybrid tool for dynamic content creation.1

While the Mark II promises significant advancements, photographers should remain mindful of practical considerations. Investing in fast UHS-II V90 memory cards will be non-negotiable for maximizing buffer depth and minimizing recovery times during sustained high-speed shooting.5 Furthermore, awareness and proper management of in-camera processing settings, such as the Digital Lens Optimizer, will be crucial to avoid performance bottlenecks.6 The potential for rolling shutter with the electronic shutter, though likely mitigated by a stacked sensor, will require real-world testing. Careful lens selection, leveraging the excellent and growing Canon RF ecosystem, will be paramount to fully unlock the camera's high-action potential.3

If the rumored specifications materialize, the Canon EOS R7 Mark II will not just be an incremental upgrade but a substantial evolution, solidifying Canon's position in the high-performance APS-C market. It is set to offer a compelling blend of speed, precision, and versatility, making it a highly attractive option for serious action and wildlife photographers." (Source: Google Gemini)

9. Works / References Cited

1. The Highly Anticipated Canon EOS R7 Mark II - Vernon Chalmers Photography, accessed May 25, 2025, https://www.vernonchalmers.photography/2025/03/the-anticipated-canon-eos-r7-mark-ii.html

2. Canon EOS R7 Mark II rumored for 2025 with these significant upgrades – watch out Fujifilm, accessed May 25, 2025, https://www.techradar.com/cameras/mirrorless-cameras/canon-eos-r7-mark-ii-rumored-for-2025-with-these-significant-upgrades-watch-out-fujifilm

3. Solved: Lense Suggestion Help for EOS R7 - Canon Community, accessed May 25, 2025, https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Lense-Suggestion-Help-for-EOS-R7/td-p/548352

4. Canon EOS R7 Camera, accessed May 25, 2025, https://www.canon.com.cy/cameras/eos-r7/

5. The Best Canon R7 Memory Cards With Speed & Buffer Tests - RF ..., accessed May 25, 2025, https://rfshooters.com/blog/cameras/canon-r7/memory-cards/

6. R7 write speed is only 8 MB/s (not a typo) : r/canon - Reddit, accessed May 25, 2025, https://www.reddit.com/r/canon/comments/16wlctn/r7_write_speed_is_only_8_mbs_not_a_typo/

7. Explaining Canon R7 Drive/Shutter Mode - YouTube, accessed May 25, 2025, https://www.youtube.com/watch?v=bDSgmVvIvuA&pp=0gcJCdgAo7VqN5tD

8. Best video settings for Canon R7 - Reddit, accessed May 25, 2025, https://www.reddit.com/r/canon/comments/1g52wn1/best_video_settings_for_canon_r7/

9. Specifications & Features - Canon EOS R7, accessed May 25, 2025, https://www.canon-europe.com/cameras/eos-r7/specifications/

10. Canon EOS R7 Camera Specifications | Sans Mirror | Thom Hogan, accessed May 25, 2025, https://www.sansmirror.com/cameras/camera-database/canon-eos-r-mirrorless/canon-eos-r7.html

11. Canon R7: One Year Later – Still the Ultimate Nature Photography Powerhouse for Beginners | CKTechCheck, accessed May 25, 2025, https://cktechcheck.com/canon-r7-one-year-later/

12. Automatic Subject Tracking Autofocus on the EOS R7 and EOS R10 - Canon Academy, accessed May 25, 2025, https://www.academy.canon-cna.com/en/fundamentals/automatic-subject-tracking-autofocus-on-the-eos-r7-and-eos-r10

13. Product Manual : EOS R7 : Selecting the AF Area - Canon, accessed May 25, 2025, https://cam.start.canon/ky/C005/manual/html/UG-05_AF-Drive_0070.html

14. EOS R7 Advanced User Guide - Canon Global, accessed May 25, 2025, https://global.canon/ja/c-museum/wp-content/uploads/2023/06/dslr901_en.pdf

15. Canon EOS R7 - In-Body Image Stabilizer (IBIS), accessed May 25, 2025, https://en.canon-cna.com/cameras/eos-r7/in-body-image-stabilizer/

16. EOS R7: High Frame Rate - Canon Knowledge Base, accessed May 25, 2025, https://support.usa.canon.com/kb/s/article/ART182576

10. Report Compiler: Google Gemini Deep Research

11. Disclaimer

The 'A Possible Canon EOS R7 Mark II To Be More Robust' report was compiled by Google Gemini (Deep Research) on the request of Vernon Chalmers Photography. Vernon Chalmers Photography was not instructed by any person, public / private organisation or 3rd party to request compilation and / or publication of the report on the Vernon Chalmers Photography website.

This independent status report is based on information available at the time of its preparation and is provided for informational purposes only. While every effort has been made to ensure accuracy and completeness, errors and omissions may occur. The compiler of this A Possible Canon EOS R7 Mark II To Be More Robust (Google Gemini Deep Research) and / or Vernon Chalmers Photography (in the capacity as report requester) disclaim any liability for any inaccuracies, errors, or omissions and will not be held responsible for any decisions made based on this information.

Canon Rumours Disclaimer

Vernon Chalmers AI Photography Approach

Vernon Chalmers’ approach toward AI in photography exemplifies a rare synthesis of philosophical depth, ethical responsibility, and technological fluency.

Vernon Chalmers Approach Toward AI Photography
Flower with Canon EOS 6D Mark II / EF 100-400mm f/4.5-5.6L IS USM Lens

A single Gazania, radiant and unfiltered - its petals alive with morning clarity. The inside of a fresh Kirstenbosch flower with its own inviting presence. A quiet nod to nature’s own intelligence.” – Vernon Chalmers

"The integration of artificial intelligence (AI) into photography has redefined both the technological and philosophical dimensions of image-making. Vernon Chalmers, a South African photographer, educator, and theorist, has contributed a nuanced and ethically grounded perspective on the role of AI within contemporary photographic practice. Rooted in his existential-phenomenological framework, Chalmers’ approach toward AI reflects a balanced synthesis of pragmatic adoption, ethical transparency, and reflective engagement with technology. This paper explores Chalmers’ approach to AI in photography through four dimensions: (1) technical integration, (2) ethical considerations, (3) philosophical implications, and (4) opportunities and threats. The discussion situates Chalmers within broader debates on the authenticity of digital imagery, the evolution of photographic ontology, and the existential implications of AI-driven creative practice. The paper concludes that Chalmers’ framework offers an essential ethical and philosophical model for future photographers navigating the intersection of human consciousness and machine intelligence.

Introduction

Artificial intelligence (AI) has become one of the most transformative forces in the history of photography. From the automation of focus and exposure systems to generative image synthesis and algorithmic post-production, AI technologies are reshaping the photographer’s relationship with the image, the subject, and the act of seeing itself (Flusser, 2000; Manovich, 2020). For Vernon Chalmers, a Cape Town–based photographer, educator, and philosophical thinker, this transformation represents not merely a technical revolution but an existential and ethical challenge. Chalmers’ approach toward AI in photography emerges from a deep engagement with phenomenology, existential philosophy, and the lived experience of photographic presence (Chalmers, 2024a).

This paper examines Chalmers’ perspective through a formal academic analysis, structured into four major sections: (1) the technical integration of AI into photography; (2) the ethical foundations guiding his practice; (3) the philosophical and existential dimensions of AI as they relate to human perception and authenticity; and (4) an assessment of the opportunities and threats that AI poses to the photographic discipline. Drawing upon Chalmers’ published reflections, educational resources, and conceptual essays (Chalmers, 2024a; 2024b; 2025a), as well as relevant philosophical and media-theoretical literature, this analysis positions his approach as a case study in responsible technological adoption.

Technical Integration: The Pragmatic Dimension of AI in Photography

Chalmers acknowledges AI as a pervasive and evolving force within modern camera systems, digital processing tools, and creative workflows. He identifies AI not as a futuristic abstraction but as a contemporary technological reality embedded in the daily operations of photography (Chalmers, 2024a). His practical engagement with AI can be understood across two main domains: camera-based automation and post-processing enhancement.

AI in Camera Systems

In Chalmers’ analysis, modern digital cameras - such as Canon’s mirrorless systems - are already deeply AI-dependent. Features such as facial recognition, eye-tracking, and predictive autofocus are powered by machine learning algorithms trained to identify and anticipate movement (Canon, 2023). Chalmers (2024a) regards these systems as natural extensions of photographic practice, particularly beneficial for his specialization in bird-in-flight photography, where precision and speed are paramount. Rather than resisting such automation, he interprets it as an augmentation of human capability: the camera becomes a collaborative agent rather than an intrusive machine.

This pragmatic acceptance aligns with Vilém Flusser’s (2000) argument that the camera functions as a “technical apparatus” that both constrains and expands creative freedom. For Chalmers, AI-enhanced autofocus embodies this paradox: it automates certain perceptual processes but also enables new forms of responsiveness to the world.

AI in Post-Processing

Chalmers extends his selective engagement with AI to the domain of post-processing. He employs AI-powered applications such as Adobe Lightroom Classic, Topaz Photo AI, and Microsoft’s integrated photo enhancement tools (Chalmers, 2024a). However, his use is guided by a clear boundary: AI may be used for “natural enhancements” only, not for synthetic generation or manipulation of subjects. The distinction he draws between enhancement and fabrication is crucial. Enhancement serves perception - it clarifies and refines the image—whereas fabrication, in his view, risks erasing the original phenomenological encounter between photographer and subject.

Equally significant is Chalmers’ commitment to transparency. He explicitly declares on his professional platforms that any photograph subjected to substantial AI processing will be clearly identified (Chalmers, 2024b). This form of disclosure represents a moral stance grounded in integrity and trust. The transparency principle aligns with emerging ethical frameworks in digital art that advocate for labeling AI-assisted content to preserve viewer autonomy (Elgammal, 2023).

Through these practices, Chalmers constructs a model of ethical pragmatism: AI is neither wholly rejected nor embraced without reflection. Instead, it is integrated under the condition that human intention, authorship, and perceptual authenticity remain central.

Ethical Considerations: Authenticity, Responsibility, and Ownership

At the core of Chalmers’ position is an ethical philosophy of photography. His reflections on AI’s ethical challenges form one of the most detailed articulations of moral responsibility within contemporary photographic discourse.

Authenticity and Photographic Truth

Chalmers’ principal ethical concern is authenticity. He warns against the proliferation of “fabricated realities” created by generative AI tools, which can produce visually convincing but ontologically false images (Chalmers, 2024b). This concern echoes the postmodern anxieties expressed by Jean Baudrillard (1994) regarding the “hyperreal” - representations that replace rather than reflect reality. In Chalmers’ view, photography must remain a truthful witness to the world, not a generator of simulated scenes divorced from lived experience.

AI’s power to manipulate visual data challenges the very premise of photographic truth. Susan Sontag (1977) once argued that a photograph’s authority rests on its indexicality—the trace of reality it captures. Generative AI, by contrast, severs this trace. Chalmers’ insistence on using AI only for enhancement, not creation, is therefore an ethical defense of photography’s ontological integrity.

Transparency and Disclosure

Chalmers (2024b) mandates that photographers disclose the use of AI when it materially affects the outcome of an image. Transparency ensures accountability and preserves the trust relationship between creator and audience. This stance aligns with broader ethical recommendations proposed by the European Commission (2022) for responsible AI use in creative industries, which emphasize disclosure, traceability, and respect for human oversight.

Transparency also serves an educational purpose: by revealing when AI has intervened, Chalmers teaches audiences to discern between images as experiential records and as computational constructs. Such awareness becomes increasingly crucial in an era of visual misinformation and deepfakes (Raji & Buolamwini, 2019).

Authorship, Ownership, and Intellectual Property

Chalmers (2024b) also addresses the emerging issue of authorship in AI-assisted photography. If an image is significantly generated by machine intelligence, who holds creative ownership—the human operator or the algorithmic system? This question, which has spurred ongoing legal and philosophical debate (Crawford, 2021), receives from Chalmers a balanced response: AI tools should remain subordinate to human creative agency. Ownership thus remains with the photographer, provided the image originates from a human-captured source.

Through this principle, Chalmers distinguishes between AI-generated art (machine creativity) and AI-assisted photography (human creativity enhanced by computation). His insistence on human-centered authorship preserves the moral and legal coherence of the photographic act.

Broader Ethical Contexts

Beyond individual integrity, Chalmers situates AI ethics within a societal context. He recognizes that automation may threaten employment in the creative sector, as AI systems increasingly perform tasks once reserved for human photographers and editors (Chalmers, 2024c). Moreover, he acknowledges the ethical risks of surveillance and privacy violations facilitated by AI-powered facial recognition. His concern resonates with the warnings of Zuboff (2019) regarding the rise of “surveillance capitalism.”

In all these respects, Chalmers’ ethics of AI photography converge on a single axiom: technological power must remain accountable to human responsibility.

Vernon Chalmers Conscious Intelligence

Philosophical Framing: Existential and Phenomenological Dimensions

To understand Chalmers’ approach fully, it must be situated within his broader philosophical orientation - what he terms Applied Existential Photography (Chalmers, 2025a). For Chalmers, photography is not merely a technical craft but a form of existential reflection—a way of engaging with being, time, and perception.

Photography as Reflective Consciousness

Drawing upon existentialist thought from Heidegger (1962) and Sartre (1943), Chalmers conceptualizes photography as an act of being-in-the-world. The photographer’s gaze is a moment of presence that mediates between self and environment. Within this framework, AI presents both an opportunity and a threat: it can extend human perception, but it can also mediate experience to such an extent that it replaces direct perception with algorithmic inference.

For Chalmers (2025a), the challenge is to ensure that AI remains a facilitator of presence rather than its substitute. He warns that if photographers rely excessively on AI automation, they risk disengaging from the act of seeing - the very essence of phenomenological photography. His stance recalls Maurice Merleau-Ponty’s (1964) notion of perception as an embodied and intentional act, grounded in the lived world rather than abstract computation.

Ontological Shifts in the Photographic Process

Chalmers (2025b) argues that AI signifies a profound ontological shift in photography. Whereas traditional photography recorded light reflected from real objects, AI now allows images to emerge from datasets and probabilistic inference. The photograph ceases to be a “trace of reality” and becomes a synthetic simulation of possibility.

This transformation challenges what Roland Barthes (1981) called the punctum - the emotional and existential “sting” of the photograph that authenticates the real. In AI-generated imagery, that punctum may be absent, replaced by calculated coherence. Chalmers’ commitment to authenticity can thus be seen as an attempt to preserve the phenomenological vitality of photography against its computational abstraction.

AI and the Stages of Intelligence

Chalmers (2025a) distinguishes between three levels of artificial intelligence: Artificial Narrow Intelligence (ANI), Artificial General Intelligence (AGI), and Artificial Superintelligence (ASI). Current photographic tools operate at the ANI level, performing domain-specific tasks like focus tracking or denoising. AGI, by contrast, would entail machines with human-equivalent reasoning, while ASI would exceed human cognition entirely.

Chalmers warns that the advent of AGI or ASI could destabilize photography’s ontological basis. If a super-intelligent system could generate infinitely realistic images without any grounding in physical reality, photography might lose its existential purpose as a witness to the world. In this scenario, photography would become a simulacrum of perception, not its expression. His concern mirrors Nick Bostrom’s (2014) philosophical argument that superintelligence may not only outthink humans but redefine the parameters of creativity itself.

Chalmers’ position thus combines technological literacy with philosophical vigilance: he acknowledges the inevitability of AI’s evolution but insists on continual ethical reflection as its counterpart.

Opportunities and Threats: Chalmers’ Balanced Assessment

Chalmers’ writings on “AI Opportunities and Threats to Photography” (2024c) reveal his dual stance: cautious optimism and reflective concern. He identifies both the potential benefits and existential risks associated with AI in photography.

Opportunities

AI offers several tangible advantages for photographers. Chalmers (2024c) highlights the following:

  • Technical Enhancement: AI-driven noise reduction, sharpening, and tonal adjustments enable photographers to achieve higher-quality results with less manual intervention.
  • Efficiency: Automated tagging, sorting, and image management streamline professional workflows.
  • Restoration and Preservation: AI can restore damaged photographs, contributing to cultural and historical preservation.
  • Accessibility: AI-based tools lower technical barriers, allowing more individuals to participate in creative production.
  • Creative Inspiration: Generative algorithms may serve as sources of conceptual exploration, inspiring new ideas without replacing human creativity.

These opportunities demonstrate Chalmers’ pragmatic acceptance of AI as an enabler of creative and pedagogical advancement.

Threats and Risks

Chalmers (2024c) simultaneously identifies critical threats:

  • Job Displacement: As AI automates editing and production, professional photographers risk losing economic stability.
  • Skill Erosion: Overreliance on automation may diminish foundational knowledge of exposure, composition, and manual technique.
  • Privacy Violations: AI’s capacity for biometric recognition poses serious privacy concerns.
  • Ethical Manipulation: Deepfake technology threatens visual credibility and can be exploited for misinformation.
  • Ontological Crisis: The replacement of real-world witnessing with AI-generated imagery endangers photography’s existential core.

This balance of optimism and caution embodies what could be termed existential pragmatism: a willingness to adapt technologically while maintaining an awareness of the human condition that grounds the photographic act.

Chalmers’ Ethical–Philosophical Framework

Synthesizing Chalmers’ discussions, one can identify a coherent ethical-philosophical framework for responsible AI integration in photography:

  • Human Agency: AI should serve as an extension of human consciousness, not its replacement.
  • Transparency: Disclosure of AI involvement preserves trust and authenticity.
  • Moderation: Use AI for enhancement, not fabrication.
  • Accountability: The photographer remains morally and legally responsible for outcomes.
  • Education: Photographers must be trained not only in technical proficiency but also in ethical reasoning.
  • Foresight: Continuous reflection on the future trajectory of AI ensures preparedness for ontological disruption.

This framework situates Chalmers’ practice within a broader humanistic tradition. Like Don Ihde’s (1990) postphenomenology, Chalmers’ philosophy acknowledges technology as mediating human-world relations, but insists that meaning and responsibility remain irreducibly human.

Implications for Photographic Practice and Education

Chalmers’ framework carries significant implications for the photographic community.

Educational Reform

As a photography educator, Chalmers advocates integrating AI literacy and ethics into photographic curricula (Chalmers, 2024a). This approach parallels global initiatives in digital literacy, which stress critical reflection on algorithmic systems (UNESCO, 2023). For Chalmers, education must go beyond teaching camera operation - it must cultivate awareness of how technology shapes perception, agency, and truth.

Professional Practice

His insistence on labeling AI-modified images anticipates potential professional standards for AI transparency in creative industries. Institutions such as the World Press Photo Foundation (2024) have begun exploring such guidelines to maintain journalistic integrity. Chalmers’ model could inform similar ethical codes within both art and documentary photography.

Philosophical Reflection

Finally, Chalmers’ existential perspective invites photographers to reflect on why they create images at all. By positioning photography as an act of being and awareness, he challenges practitioners to resist technological determinism. In doing so, he echoes Martin Heidegger’s (1977) warning that technology should never obscure the question of meaning.

Vernon Chalmers Applied Existential Photography

Conclusion

Vernon Chalmers’ approach toward AI in photography exemplifies a rare synthesis of philosophical depth, ethical responsibility, and technological fluency. His reflections transcend simplistic debates about whether AI is “good” or “bad” for photography. Instead, he asks a more fundamental question: What does it mean to see, to witness, and to create in an age of intelligent machines?

Chalmers’ answer is neither nostalgic nor naïve. He accepts AI as an inevitable and potentially enriching development, yet insists that human consciousness must remain central to the photographic act. His commitment to authenticity, transparency, and existential reflection forms a moral compass for navigating AI’s rapid evolution.

In a world increasingly saturated with algorithmically generated images, Chalmers’ philosophy of applied existential photography serves as an ethical anchor - a reminder that photography’s ultimate purpose is not the perfection of representation, but the cultivation of awareness, presence, and responsibility. As AI continues to shape the visual landscape, Chalmers’ framework provides a path forward: one where technological sophistication and philosophical integrity coexist in creative balance." (Source: ChatGPT 2025)

The Difference Between AI, AGI and ASI

References

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Chalmers, V. (2024a). Vernon Chalmers Photography AI Statement. Retrieved from https://www.vernonchalmers.photography/p/vernon-chalmers-photography-ai.html

Chalmers, V. (2024b). The ethics of AI photography. Retrieved from https://www.vernonchalmers.photography/2024/08/the-ethics-of-ai-photography.html

Chalmers, V. (2024c). AI opportunities and threats to photography. Retrieved from https://www.vernonchalmers.photography/2024/08/ai-opportunities-and-threats-to.html

Chalmers, V. (2025a). Applied existential photography: Philosophy and practice. Retrieved from https://www.vernonchalmers.photography/2025/07/applied-existential-photography.html

Chalmers, V. (2025b). The theory of modern photographic process. Retrieved from https://www.vernonchalmers.photography/2025/03/the-theory-of-modern-photographic.html

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Flusser, V. (2000). Towards a philosophy of photography. Reaktion Books.

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Heidegger, M. (1977

Image: At Kirstenbosch Garden Copyright Vernon Chalmers Photography