30 June 2025

Peregrine Falcon back for Winter 2025

My Peregrine falcon neighbour is back for Winter 2025! Arnhem, Milnerton, Cape Town

Peregrine Falcon : Arnhem, Milnerton Cape Town
Peregrine Falcon : Arnhem, Milnerton Cape Town

Peregrine Falcon back for Winter 2025

 I was just getting a bit concerned of his 'slight' absence, but since last evening his regular returning behaviour is a peaceful reminder of his (calculated) behaviour.

I’m aware of their existential freedom, aware they should be in the wild in absolute freedom, solitude, and instinctual being. Being here brings excitement and some personal peace, although I would wish for a more natural habitat.

Location: Arnhem, Milnerton (Opposite Woodbridge Island)

With my trusty Canon EOS 70D / 400mm lens

Returning Peregrine Falcon to Milnerton, Woodbridge Island The Peregrine Falcon: Fastest Bird in the World

More About the Peregrine Falcon (Fastest Bird in the World)
The Peregrine Falcon (Falco peregrinus) is a remarkable bird of prey known for its speed and agility. It holds the title of the fastest animal on Earth, reaching speeds of over 320 km/h (200 mph) when diving to catch prey 1.

This falcon is found worldwide, except in extreme polar regions and dense tropical rainforests. It has a blue-grey back, barred white underparts, and a black head 2. Peregrine Falcons primarily hunt medium-sized birds, such as pigeons and ducks, striking them mid-air with incredible precision 1.

Historically, their populations declined due to pesticides like DDT, which weakened their eggshells. However, conservation efforts have helped them recover in many regions. They are now commonly seen in urban areas, nesting on tall buildings and adapting to city life 2. (Source: Microsoft Copilot 2025)

Flight and Speed of the Peregrine Falcon

Peregrine Falcon  Image Vernon Chalmers Photography Copyright

15 June 2025

How to Photograph Flowers

A Comprehensive Guide: Flower Photography is a Blend of Science, Technology, and Art

How to Photograph Flowers

Abstract

Flower photography is one of the most accessible yet complex genres in the field of nature and macro photography. It demands not only technical proficiency with the camera and related equipment but also a deep appreciation for natural light, composition, and detail. This paper provides a comprehensive overview of how to photograph flowers effectively, covering aspects such as gear selection, composition, lighting, camera settings, post-processing, and artistic intention. Drawing upon both academic research and practitioner insights, this paper serves as a practical and theoretical guide for both amateur and professional photographers seeking to capture the beauty of flowers.


Flowers, Arnhem, Milnerton : Canon EOS 6D / 70-300mm Lens + Extension Tube
Flowers, Arnhem, Milnerton : Canon EOS 6D / 70-300mm Lens + Extension Tube

Introduction

Flower photography is an enduring subject in visual arts, celebrated for its aesthetic appeal, symbolic meaning, and creative potential. From botanical documentation to expressive fine art, photographing flowers offers both scientific and emotional resonance. Despite their ubiquity, flowers present unique challenges: their fragility, sensitivity to light and wind, and the demand for detail-oriented focus often require specialized approaches (Peterson, 2018). This paper explores these techniques and tools with a focus on achieving optimal visual impact.

Late Summer's Day Flowers : With Canon Speedlite Flash, Milnerton
Late Summer's Day Flowers : With Canon Speedlite Flash, Milnerton

1. Equipment Essentials
  • 1.1 Cameras
While virtually any camera can be used to photograph flowers, digital single-lens reflex (DSLR) and mirrorless cameras offer the highest degree of control and image quality. Full-frame sensors are preferred for their ability to capture fine detail and dynamic range (Kelby, 2022).

  • 1.2 Lenses
Macro lenses are the gold standard in flower photography. With a 1:1 reproduction ratio, they allow for true close-ups where the subject is rendered life-size on the sensor (Busch, 2020). Popular focal lengths include 60mm, 100mm, and 180mm. Longer focal lengths provide more working distance, which is advantageous for not disturbing the subject and for background compression.

1.3 Tripods and Supports

A tripod is essential for stabilizing the camera, especially when using slower shutter speeds in low-light conditions or when doing focus stacking (Freeman, 2017). A ball head with fine adjustments, and occasionally a focusing rail, enhances precision.
  • 1.4 Lighting Gear
Natural light is ideal for flower photography; however, reflectors and diffusers can help control it. For indoor or controlled lighting, ring lights or twin macro flashes are effective tools for even, shadowless illumination (Hedgecoe, 2012).

Early Morning Wildflowers : Kirstenbosch Garden, Cape Town
Early Morning Wildflowers : Kirstenbosch Garden, Cape Town

2. Composition Techniques

2.1 Rule of Thirds and Golden Ratio

The rule of thirds is a fundamental composition technique that can enhance the visual balance of a flower photograph. Positioning the flower off-center encourages the viewer’s eye to explore the entire frame (Peterson, 2018). The golden ratio, more complex but often more aesthetically pleasing, can guide both placement and framing.
2.2 Background Management

The background should complement, not distract from, the flower. Using a wide aperture helps blur the background through shallow depth of field. Alternately, neutral backdrops or black velvet can be used in studio settings for high contrast (Freeman, 2017).
2.3 Framing and Perspective

Shooting at eye level with the flower, rather than from above, offers a more intimate perspective. Backlighting, side lighting, and unusual angles such as shooting from below can also yield creative results (Kelby, 2022).


Tiny Flower Close to the Ground : Canon Full-Frame at 400mm, Kirstenbosch Garden
Tiny Flower Close to the Ground : Canon Full-Frame at 400mm, Kirstenbosch Garden

3. Lighting Considerations
  • 3.1 Natural Light
Early morning and late afternoon—the golden hours—are ideal for flower photography. The soft light minimizes harsh shadows and brings out petal texture (Busch, 2020). Overcast conditions are also favorable, as clouds act as natural diffusers.
  • 3.2 Artificial Light
When natural light is unavailable or uncontrollable, artificial lighting like LED panels or macro ring lights can be used. Controlling light intensity and direction is crucial to maintain a natural appearance (Hedgecoe, 2012).
  • 3.3 Reflectors and Diffusers
Simple tools like white cards, silver reflectors, or translucent diffusers can dramatically change how light interacts with the subject. Reflectors can fill in shadows, while diffusers soften harsh light, enhancing the flower’s delicacy.

Arum Lilly, Table Bay Nature Reserve, Cape Town (400mm Lens)
Arum Lilly, Table Bay Nature Reserve, Cape Town (400mm Lens)

4. Camera Settings
  • 4.1 Aperture
Aperture affects depth of field, a key consideration in flower photography. Wider apertures (f/2.8–f/5.6) isolate the subject with beautiful bokeh, while narrower apertures (f/11–f/16) keep more of the flower in sharp focus (Peterson, 2018).
  • 4.2 Shutter Speed
Since flowers can move with the wind, fast shutter speeds (1/250s and above) are often required. Alternatively, when using a tripod and in still conditions, slower speeds can be used for more light and depth (Freeman, 2017).
  • 4.3 ISO
To maintain image clarity, the ISO should be kept as low as possible—ideally ISO 100 or 200. High ISO can introduce noise, especially detrimental in close-up details (Kelby, 2022).
  • 4.4 White Balance
Auto white balance usually works well, but for more control, custom white balance or presets (e.g., daylight, cloudy) can be used to achieve consistent color tones (Busch, 2020).

Flower with Waterdrop : With Canon Macro Lens / Canon Speedlite Flash
Flower with Waterdrop : With Canon Macro Lens / Canon Speedlite Flash

5. Techniques for Different Flower Types
  • 5.1 Macro Photography
Macro photography allows for exploring details invisible to the naked eye—stamens, dew drops, petal textures. Use a dedicated macro lens, tripod, and focus stacking for sharpness across the image plane (Freeman, 2017).

  •  5.2 Wide-Angle Floral Landscapes

Wide-angle lenses can capture flowers in their environment, giving context to their surroundings. This is useful in fields or gardens where the interaction between flora and background is part of the story (Kelby, 2022).
  • 5.3 Abstracts and Close Details
Creative photographers often abstract flower forms, focusing on lines, colors, and patterns. Selective focus and intentional blur can create painterly effects (Hedgecoe, 2012).

With Canon Macro Lens / Canon Speedlite Flash : Milnerton, Cape Town
With Canon Macro Lens / Canon Speedlite Flash : Milnerton, Cape Town

6. Focus Techniques
  • 6.1 Manual Focus
Autofocus can struggle with close-ups and shallow depth of field. Manual focus, often aided by focus peaking in mirrorless cameras or magnified live view, allows for precise control (Busch, 2020).
  • 6.2 Focus Stacking
In macro photography, depth of field is extremely shallow. Focus stacking—taking multiple images focused at different depths and blending them in software—results in a fully sharp image (Freeman, 2017).

Yellow Roses with Canon SX40 HS / Canon Speedlite Flash, Milnerton
Yellow Roses with Canon SX40 HS / Canon Speedlite Flash, Milnerton

7. Post-Processing
  • 7.1 RAW Editing
Shooting in RAW format allows greater flexibility in post-processing. Adjustments in exposure, white balance, and clarity are critical to enhance the subtle details of flower images (Peterson, 2018).
  • 7.2 Color and Contrast Adjustments
Flowers often require fine-tuning of saturation and contrast to accurately reflect their natural appearance. Over-processing can lead to unrealistic results (Kelby, 2022).
  • 7.3 Sharpening and Noise Reduction
Selective sharpening, especially on petal edges or central details, can enhance visual impact. Noise reduction may be necessary if high ISO was used (Busch, 2020).

Small Wildflower with EF 400mm f/5.6L : Woodbridge Island, Cape Town
Small Wildflower with EF 400mm f/5.6L : Woodbridge Island, Cape Town

8. Ethical and Environmental Considerations

Photographers must respect nature. Avoid trampling other plants or disturbing wildlife while setting up shots. In botanical gardens, follow all posted rules. Avoid the temptation to pluck or move flowers unless permitted (Hedgecoe, 2012)

9. Artistic Expression

Flower photography can transcend documentation to become expressive art. Elements such as mood, color psychology, symbolism, and minimalist aesthetics contribute to a photograph's narrative and emotional impact (Freeman, 2017).

Wildflower with Canon EOS 7D Mark II / 400mm Lens : Woodbridge Island
Wildflower with Canon EOS 7D Mark II / 400mm Lens : Woodbridge Island

10. Case Studies
  • 10.1 Fine Art Macro Photographer: Kathleen Clemons
Clemons uses Lensbaby optics and wide apertures to create ethereal, dreamlike images of flowers, focusing on emotional response over technical perfection (Clemons, 2021).
10.2 Botanical Documentation: Harold Davis

Harold Davis integrates multiple exposures and high-dynamic-range techniques to produce highly detailed botanical prints for both scientific and artistic purposes (Davis, 2018).

Cut Flowers (Canon 24-70mm Lens / Speedlite Flash) : Paddocks, Milnerton
Cut Flowers (Canon 24-70mm Lens / Speedlite Flash) : Paddocks, Milnerton

Conclusion

Flower photography is a blend of science, technology, and art. It requires understanding camera gear, mastering light, composing thoughtfully, and developing a personal vision. With the right tools and techniques, any photographer can capture the intricate beauty of flowers, whether for artistic purposes, botanical study, or personal fulfillment. As digital photography evolves, so too do the creative possibilities for floral imagery." (Source: ChatGPT 2025)

Daisies, Philadelphia, Cape Town : 6D Mark II. ISO 5000, EF 24-70mm Lens
Daisies, Philadelphia, Cape Town : 6D Mark II. ISO 5000, EF 24-70mm Lens

References

Busch, D. D. (2020). David Busch’s Canon EOS R5/R6 Guide to Digital Photography. Rocky Nook.

Clemons, K. (2021). Creative Flower Photography: An Interview with Kathleen Clemons. Retrieved from https://www.naturephotographers.network

Davis, H. (2018). Photographing Flowers: Exploring Macro Worlds with Harold Davis. Focal Press.

Freeman, M. (2017). The Photographer's Eye: Composition and Design for Better Digital Photos. Focal Press.

Hedgecoe, J. (2012). The Art of Digital Photography. DK Publishing.

Kelby, S. (2022). The Digital Photography Book: Part 1 (2nd ed.). Rocky Nook.

Peterson, B. (2018). Understanding Exposure (4th ed.). Amphoto Books.

Top Image: Created by Microsoft Copilot 2025

All Other Images: Vernon Chalmers Photography Copyright

Canon EOS R9 Future Potential

The Canon EOS R9 is Shaping up to be More Than "Just An Incremental Upgrade"


Executive Summary

The rumored Canon EOS R9 is poised to significantly impact the digital imaging market, particularly within the APS-C mirrorless segment. Anticipated for a 2025 release with a projected price around $2,500, the R9 is expected to emerge as Canon's new APS-C flagship. Its core strengths are rumored to include a cutting-edge stacked APS-C sensor, enabling superior speed, reduced rolling shutter, and enhanced autofocus performance. The camera is also expected to offer 8K video recording, robust weather sealing, and professional-grade connectivity features like dual card slots (SD and CFexpress).

While these specifications position the R9 as a formidable contender against rivals like the Sony a6700 and Fujifilm X-H2S, critical considerations remain. The camera's ability to manage heat during prolonged 8K video recording will be paramount, given historical challenges with other Canon R-series bodies. Furthermore, the maturity and expansion of Canon's RF-S lens ecosystem will be crucial for the R9 to fully realize its potential as a professional-grade system. If Canon effectively addresses these challenges, the EOS R9 could redefine expectations for APS-C mirrorless cameras, offering a compelling blend of power, portability, and advanced capabilities for a wide spectrum of users, from passionate hobbyists to seasoned content creators and semi-professionals.

1. Introduction: The Anticipated Arrival of the Canon EOS R9

The landscape of digital imaging continues its dynamic evolution, with mirrorless camera systems driving much of the innovation. Canon, a long-established leader in photographic technology, is reportedly preparing to introduce a significant new contender to its EOS R lineup: the highly anticipated EOS R9. This report undertakes a comprehensive analysis of the potential impact and capabilities of this rumored camera.

The EOS R9 is widely speculated to assume the role of Canon's next flagship APS-C mirrorless camera. Its intended purpose appears to be bridging the gap between advanced enthusiast-level performance and the rigorous demands of professional use. By offering a suite of advanced capabilities within a more compact and potentially more accessible form factor than its full-frame counterparts, the R9 aims to carve out a distinct niche in the market.

This report will meticulously examine the rumored specifications of the EOS R9, analyze its strategic placement within Canon's broader ecosystem, assess its competitive standing against key rivals, and critically evaluate the indispensable role of the RF-S lens system in unlocking the camera's full capabilities.

2. Rumored Specifications and Features: A Deep Dive

This section provides a meticulous examination of the leaked and rumored specifications of the Canon EOS R9, offering detailed context and analysis for each key feature.
  • 2.1. Sensor and Image Quality
The Canon EOS R9 is anticipated to feature either a 32.5-megapixel (MP) APS-C sensor or, more notably, a new stacked APS-C sensor.1 Should Canon opt for a sensor similar to that found in the existing EOS R7, the image quality is expected to be very good.1 However, circulating reports of a "slightly better sensor" or a "new stacked APS-C sensor" hint at potential enhancements in detail rendition, low-light performance, and readout speed.1

The integration of a stacked APS-C sensor, if confirmed, would represent a substantial technological advancement for Canon's crop-sensor line. Stacked sensors are characterized by their architecture, which integrates the image signal processor and ultra-fast DRAM memory directly onto the same silicon as the photosites.5 This innovative design dramatically reduces the distance electronic signals must travel, leading to significantly faster readout speeds compared to conventional CMOS or even backside-illuminated (BSI) CMOS sensors.5 This accelerated readout directly translates into several performance benefits. For instance, it actively mitigates undesirable effects such as "rolling shutter" or "Jello effects" in video, and "shutter distortion" when capturing fast-moving subjects using high-speed electronic shutters.6 This capability is of critical importance for professional videography and high-speed still photography. Moreover, the rapid data acquisition and processing afforded by a stacked sensor directly enhance autofocus performance, improving focus speed, accuracy, and subject recognition, particularly for subjects in rapid motion.5 This constitutes a crucial advantage for photographers specializing in sports and wildlife. While stacked sensors are already prevalent in high-end full-frame cameras like the Sony a9, Canon R3, and Nikon Z9 5, their inclusion in an APS-C camera such as the R9 would establish a new benchmark for the segment, delivering flagship-level speed performance without the associated cost of a full-frame system.

Beyond speed, the underlying BSI (Backside Illuminated) design, which forms the foundation of stacked sensors, inherently contributes to improved image quality. BSI sensors arrange components such that light-sensitive photosites are positioned further forward on the die, allowing more light to reach the sensor.5 This typically results in superior sensitivity, enhanced dynamic range, and reduced image noise, often providing approximately an f-stop improvement in noise performance compared to standard CMOS chips.5 Consequently, a BSI CMOS sensor at ISO 12800 can exhibit noise levels comparable to a standard CMOS chip at ISO 6400.5 This combination of high speed and improved low-light capabilities makes the R9 a highly balanced option for "hybrid shooters" who demand excellence in both still photography and video production across various lighting conditions.7

  • 2.2. Video Capabilities
The R9 is rumored to support 8K video recording at 30 frames per second (fps).2 This represents a significant leap in video resolution for an APS-C camera. To accommodate the demanding data rates of high-resolution video, the inclusion of dual card slots—one SD and one CF Express—is highlighted as highly beneficial for efficiently managing 8K video files and high-resolution RAW images.8

However, the pursuit of high-resolution video in compact camera bodies often presents a persistent challenge: overheating. Canon's R-series cameras, notably the EOS R5, have faced well-documented issues with thermal management during extended 8K and high frame rate 4K recording.9 The fundamental physics dictate that high-quality video recording, particularly 8K, demands substantial processing power, which in turn generates significant heat within a confined camera body.9 "Hybrid" cameras, designed for both stills and video, typically lack the dedicated active cooling systems (such as internal fans and heatsinks) found in specialized professional cinema cameras like the Canon R5 C or Panasonic S1H.9 This absence is often a design compromise aimed at achieving smaller size and lower manufacturing cost. The Canon EOS R5's initial release demonstrated severe limitations on 8K and 4K recording times, necessitating lengthy recovery periods after overheating events.10 While subsequent firmware updates have mitigated some of these issues for the R5 9, the core thermal management remains a design hurdle for compact bodies. Therefore, if the R9 indeed offers 8K video in a compact APS-C form factor, it will likely encounter similar thermal challenges unless Canon has implemented a new, highly effective passive or active cooling solution. The true utility of its 8K feature will depend heavily on practical, real-world recording limits and recovery times, rather than merely its theoretical capability. For professional videographers, overheating can be a significant impediment, leading to missed shots and disrupted workflows.10 The R9's potential in 8K will be judged by its usability for extended takes, not just its presence on the specification sheet.

The inclusion of dual card slots, specifically one SD and one CFexpress, is not merely a convenience but a critical necessity for managing 8K video and high-resolution RAW files. Both 8K video and high-resolution RAW images generate exceptionally large file sizes.8 CFexpress cards offer significantly faster write speeds compared to traditional SD cards, which is indispensable for sustained high-bitrate video recording and continuous high-speed burst photography. Beyond speed, dual card slots provide crucial redundancy through simultaneous backup recording and enhance workflow flexibility, allowing for separate storage of RAW and JPEG files or video and stills.8 These are considered professional-grade features that are vital for reliability and efficient operations. For a camera positioned as a high-end tool for "serious creators" 13, dual card slots are a fundamental requirement, especially when handling demanding formats like 8K video, indicating Canon's understanding of contemporary professional workflow needs.

  • 2.3. Autofocus System
The R9 is rumored to incorporate Canon's "advanced Dual Pixel CMOS Autofocus II" 2 further enhanced with "AI enhanced autofocus" capabilities.4 This sophisticated system is engineered for "lightning-fast" performance, exceptional accuracy, and ease in capturing dynamic, fast-moving subjects.14 Canon's Dual Pixel CMOS AF II system is known for its "incredible servo AF cases utilizing eye, body, face, head, animal, and vehicle subject detection".14

The rumored stacked sensor, as discussed in Section 2.1, and the advanced Dual Pixel CMOS AF II with AI enhancements work in powerful synergy to elevate autofocus performance. A stacked sensor provides significantly faster readout speeds.5 Autofocus systems, particularly those with sophisticated subject tracking capabilities, are highly dependent on rapid data acquisition from the sensor. This swift data flow allows the camera to analyze the scene, accurately identify subjects, and predict their movement with greater precision.5 The "AI enhanced autofocus" 4 implies the integration of sophisticated algorithms that continuously learn and improve subject recognition and tracking. These algorithms require fast, continuous data streams from the sensor to perform optimally and deliver their full potential. The combined effect of these technologies means that the R9 is expected to not only capture many photos in rapid succession but, more importantly, to capture a high proportion of in-focus photos.5 This capability positions the R9 as a strong contender for demanding photographic scenarios such as sports, wildlife, and fast-paced events. Canon's autofocus systems are generally highly regarded, and if the R9 integrates these advanced features with a stacked sensor, it could offer best-in-class autofocus for an APS-C camera, potentially outperforming rivals like the Fujifilm X-T5 in challenging tracking scenarios.16

  • 2.4. Performance and Build
The R9 is anticipated to deliver "exceptional performance" with a rumored 20 frames per second (fps) burst mode.2 It is also expected to feature 5-axis in-body image stabilization (IBIS) 2, which can work in conjunction with stabilized lenses for "coordinated IS," potentially offering up to 8 stops of shake correction.14 In terms of durability, the R9 is rumored to boast "full weather sealing potentially tougher than the R seven" 8, making it resilient against "rain, dust, snow" 8 and suitable for "challenging outdoor environments".17 It is consistently described as possessing a "robust build".4 Furthermore, speculation suggests a "new and improved battery system allowing for extended shooting sessions without needing frequent recharges".17

The strong emphasis on full weather sealing and a robust build indicates Canon's intention to position the R9 not merely as an enthusiast camera, but as a reliable tool for demanding professional applications. Users such as "adventure photographers" 8 and those who frequently find themselves "working on location" 17 require cameras that can withstand harsh environmental conditions. Features like enhanced weather sealing 8 and durable construction 4 directly address these needs, significantly reducing the risk of equipment failure in adverse environments. This level of durability, combined with high-speed performance, makes the R9 a compelling option for wildlife, sports, and documentary photographers who frequently operate outdoors. This suggests Canon is serious about offering a truly "pro-grade" APS-C option, rather than simply a scaled-down full-frame body.

The inclusion of 5-axis IBIS, especially when combined with lens stabilization, provides substantial benefits for both still photography and video capture. For still photographers, IBIS enables sharper handheld shots at slower shutter speeds, which is invaluable in low-light conditions or when using non-stabilized lenses. For videographers, IBIS effectively smooths out handheld footage, reducing the necessity for external gimbals in certain shooting scenarios, a feature particularly valuable for "hybrid shooters".7 Canon has consistently enhanced IBIS across its R series, with firmware updates introducing features like IBIS High Resolution shots.12 The R9 inheriting this robust stabilization system positions it favorably. Ultimately, improved stabilization directly enhances the user's ability to capture high-quality content in diverse shooting conditions, contributing to a more "immersive shooting experience".18

  • 2.5. Connectivity and Ergonomics
On the connectivity front, the R9 is expected to feature Wi-Fi 6 and Bluetooth 5.2, facilitating "faster tethered shooting and seamless file transfers".8 As previously noted, dual card slots (one SD, one CF Express) are also rumored.8 While specific details regarding the R9's ergonomics are presently limited, there are mentions of a "new body design philosophy".19 Canon generally places a high priority on usability and ergonomics in its EOS R System, with designs engineered for optimal balance, a secure hold, and intuitive control placement.18

Enhanced connectivity features like Wi-Fi 6 and Bluetooth 5.2, coupled with dual card slots, are fundamental for modern professional workflows. High-resolution images and 8K video generate exceptionally large files.8 Faster wireless transfer capabilities significantly reduce "waiting on massive RAW or 8K video files" 8, which can be a bottleneck in fast-paced professional environments. Improved tethered shooting 8 is essential for studio photography and controlled settings, enabling immediate review and adjustments. The dual card slots (SD and CFexpress) provide both critical data redundancy and the necessary speed for high-bitrate recording.8 These features collectively indicate that Canon is designing the R9 with the practical needs of working professionals and serious content creators in mind, aiming to improve efficiency and reliability in the field.

The mention of a "new body design philosophy" 19, though vague, could address past criticisms regarding the ergonomics of some of Canon's existing crop-sensor mirrorless bodies. Some users have found current Canon crop bodies, such as the R10 and R50, to be somewhat "Goofy chunky" with a "huge grip" and "cheap" buttons, expressing a preference for "smaller and flatter in body sizes" or designs akin to the EOS M6 Mark II.19 Ergonomics significantly influence the user's experience and comfort, particularly during extended shooting sessions.18 A refined "new body design philosophy" could translate into a more compact, balanced, or tactile design that appeals to a broader range of users, including those who prefer smaller cameras or prioritize a more "classic" feel.16 A well-received new body design could enhance the R9's overall appeal and differentiate it from current models, potentially attracting users from other systems, such as Fujifilm, which is known for its tactile controls.16

3. Market Positioning: The APS-C Flagship Contender

This section analyzes the anticipated placement of the Canon EOS R9 within Canon's mirrorless hierarchy and its intended market segment.

The Canon EOS R9 is widely anticipated to be released sometime in 2025, with early reports suggesting a development announcement in mid-2025.1 Its rumored launch price is approximately $2,500 8, which is notably higher than the EOS R7's launch price of $1,499.8

Within Canon's existing hierarchy, the R9 is expected to be the "next big thing in Canon's APS-C mirrorless lineup" 3 and the designated "flagship APS-C camera".3 Reports suggest it will be positioned "between the EOS R7 and EOS R10" from a price perspective.23 Canon's current naming convention generally places models with higher numbers lower in terms of features and price, with the EOS R7 being a notable exception as a high-speed APS-C model that "nudged its way up among the lower ranks of the full-frame cameras".24 The R7 and the full-frame R8 are currently positioned equally at an MSRP of $1,499.24

The R9 is expected to appeal to a broad spectrum of users, ranging from "passionate hobbyists to seasoned content creators" 7, including "semi-professional photographers" 13 and existing users of the EOS R7 or EOS RP seeking an upgrade.3 It is positioned as a "serious tool for serious creators".13 There is significant speculation that the R9 "could set a new standard for APS-C mirrorless cameras" 8 and potentially "dethrone the much loved EOS R7".4 Some rumors even suggest it could be an "R5 killer" 8, implying it might offer a compelling alternative to Canon's higher-end full-frame models for certain users.

The rumored $2,500 price point for an APS-C camera, which is significantly higher than the R7's launch price, clearly indicates Canon's strategic intent to establish a new, higher-performance tier within its APS-C lineup. This substantial price gap suggests a corresponding leap in features and capabilities. The rumored 8K video, stacked sensor, and advanced autofocus 1 serve to justify this higher price by offering performance previously reserved for full-frame or specialized cinema cameras. This strategic move allows Canon to capture a segment of users who desire cutting-edge technology and robust build quality but prefer the smaller form factor and cost-effectiveness of APS-C lenses, or who find full-frame flagships prohibitively expensive. This signifies Canon's commitment to the APS-C segment as a viable platform for high-end creative work, extending beyond mere entry-level or enthusiast use.

The R9's rumored capabilities and price point position it at a "crossroads" 24 between APS-C and lower-tier full-frame cameras such as the EOS R8 ($1,499) and even the R6 Mark II ($2,499). With 8K video and a stacked sensor, the R9 could offer performance aspects that rival or even surpass some full-frame cameras in specific areas like high-speed burst shooting or video resolution.2 At $2,500, the R9 is priced similarly to the R6 Mark II 24, which is a well-regarded full-frame hybrid workhorse. This pricing strategy compels potential buyers to weigh the benefits of a high-end APS-C system (such as smaller lenses and potentially faster autofocus or burst rates due to the crop factor) against those of a full-frame system (like superior low-light performance and shallower depth of field). While it is unlikely to entirely displace the R5 Mark II (a 45MP full-frame all-rounder 24), the R9 could indeed be an "R5 killer" 8 for specific user niches. For example, a sports or wildlife photographer prioritizing maximum reach (due to the APS-C crop factor) and high-speed burst shooting with excellent autofocus, or a videographer who values 8K resolution in a more compact body, might find the R9 a more cost-effective and practical solution than a full-frame R5. This creates a compelling decision point for consumers: whether to opt for a top-tier APS-C camera with bleeding-edge speed and video capabilities, or a mid-tier full-frame camera with inherent low-light advantages. The R9's success will depend on how effectively Canon communicates its unique value proposition to these diverse user segments.

4. Competitive Landscape Analysis

This section compares the rumored Canon EOS R9 against its primary rivals, encompassing both other brands and internal competition within Canon's own lineup.

4.1. Direct APS-C Rivals

Sony a6700:
Released in July 2023, the Sony a6700 features a 26MP BSI CMOS APS-C sensor, a BIONZ XR processor, 11fps continuous shooting, 759 autofocus (AF) points, 4K 120p video (oversampled from 6K), 5-axis IBIS, a single UHS-II SD card slot, and weather sealing, with an MSRP of $1,398.25 The R9, with its rumored 32.5MP or new stacked APS-C sensor 1, 8K video 2, and advanced Dual Pixel CMOS AF II 2, could represent a significant upgrade for users of the R7 or RP 3, potentially offering superior image quality, faster performance, and enhanced video capabilities.3

The rumored stacked sensor in the R9 1 would serve as a key differentiator against the Sony a6700's BSI CMOS sensor.25 Stacked CMOS technology represents an advancement over BSI CMOS, primarily in terms of readout speed.5 While the a6700 is a capable camera with 11fps continuous shooting and 4K 120p video, the R9's stacked sensor could enable even faster burst rates (rumored 20fps 2) and potentially offer superior rolling shutter control and more consistent AF tracking for extremely fast subjects.5 Furthermore, the R9's rumored 8K video capability 2 would surpass the a6700's 4K 120p 26, although the practical usability of 8K will depend on effective overheating management. This technological edge could position the R9 as a more premium, performance-oriented APS-C option, justifying its higher rumored price of $2,500 compared to the a6700's $1,398.

Fujifilm X-T5:
The Fujifilm X-T5, released in November 2022, features a 40.2MP X-Trans CMOS 5 HR APS-C sensor, an X-Processor 5, 15fps mechanical and 20fps electronic (with a 1.29x crop) burst shooting, 117 AF points (Intelligent Hybrid AF), 6.2K 30p video, 7.0 stops of IBIS, dual SD (UHS-II) card slots, and weather sealing, with an MSRP of $1,699.28 While the X-T5 boasts higher resolution (40.2MP versus the R9's rumored 32.5MP), image quality comparisons between the R7 (which may share a similar sensor to the R9) and the X-T5 indicated that they were "very close" in sharpness, with Fujifilm often preferred for color reproduction.16 The R7's autofocus was noted as "much stronger" than the X-T5's in some tests.16 Ergonomically, the X-T5 offers a tactile experience with numerous physical dials, whereas Canon's R7 (and likely the R9) relies more on internal controls and menus.16

The X-T5's higher resolution is a significant advantage, but the R9's potential stacked sensor and Canon's advanced AF system could offer a distinct performance profile. The X-T5's 40.2MP sensor provides exceptional detail 16, but the R9's rumored stacked 32.5MP sensor 1 would prioritize speed and readout performance over raw pixel count, which is more beneficial for high-speed action and video. Canon's Dual Pixel AF II system is highly regarded, and if the R9's system is further enhanced by a stacked sensor, it could maintain an advantage in autofocus tracking, which is crucial for fast-moving subjects.16 The R9's rumored 8K video capability would surpass the X-T5's 6.2K 2, providing a higher resolution ceiling for videographers. In terms of workflow, the R9's rumored dual card slots (SD + CFexpress) offer a more robust solution for handling high-bitrate files compared to the X-T5's dual SD slots.8 Ultimately, the choice between the R9 and X-T5 will depend on user priorities: raw resolution and tactile controls (X-T5) versus bleeding-edge speed, advanced AF, and higher video resolution (R9).

Fujifilm X-H2S:
The Fujifilm X-H2S, released in May 2022, is a direct competitor in the high-end APS-C segment, already featuring a stacked sensor. Its specifications include a 26.16MP Stacked X-Trans CMOS 5 HS APS-C sensor, an X-Processor 5, a blazing 40fps electronic and 15fps mechanical burst rate, Intelligent Hybrid AF with subject detection, 6.2K 30p and DCI 4K 120p video, 7.0 stops of IBIS, dual card slots (CFexpress Type B + SD UHS-II), and weather sealing, with an MSRP of $2,499.30 While Fujifilm's AF system is capable, some users have expressed that Sony's (and Canon's R6 Mark II) AF systems are superior, particularly for consistent hit rates on fast-moving targets.33

The R9 and X-H2S represent the pinnacle of APS-C performance, making this a direct head-to-head competition. Both cameras utilize stacked APS-C sensors, indicating a shared focus on speed.1 The X-H2S boasts a remarkable 40fps burst mode 30, which is higher than the R9's rumored 20fps.2 However, the R9's rumored 8K video capability 2 surpasses the X-H2S's 6.2K.31 In terms of autofocus, while the X-H2S has a strong system, some feedback suggests that Canon's (and Sony's) AF systems might offer more consistent tracking, particularly for video or complex scenarios.33 The R9's "AI enhanced autofocus" 4 could further refine this aspect. The ultimate choice between these two cameras may come down to brand loyalty, the respective lens ecosystems (RF-S versus Fuji X-mount), and ergonomic preferences.21 Fujifilm's renowned film simulations are also a significant draw for many users.30 The R9's success in this segment could hinge on whether its 8K implementation is more robust and its AF system delivers a higher "hit rate" than the X-H2S, especially given their similar price points.

Nikon Z50 II:
The Nikon Z50 II features a 20.9MP APS-C CMOS sensor, an EXPEED 7 processor, up to 30fps continuous shooting (at full resolution), 209/231 AF points, UHD 4K 60fps video, digital image stabilization (for video only), and a single UHS-II SD card slot, with an MSRP of $859.95.34 The Z50 II is positioned more as an enthusiast-level camera compared to the R9's rumored flagship status. Its resolution is lower, and it lacks in-body image stabilization (IBIS).34 The R9's expected improvements in low-light performance and still photography could make it a more balanced option for hybrid shooters.7

The Z50 II is not a direct competitor to the R9's high-end aspirations. The R9's rumored 32.5MP/stacked sensor, 8K video, 5-axis IBIS, and advanced autofocus 1 significantly outperform the Z50 II's 20.9MP sensor, 4K 60p video, and lack of IBIS.34 The Z50 II's much lower price point reflects its positioning as an entry-to-mid-level APS-C camera, whereas the R9 is clearly targeting a premium segment. Additionally, Nikon's Z-mount APS-C lens lineup is relatively limited, which could be a factor for users considering a high-end APS-C body. Therefore, the R9 is designed to compete with cameras like the Sony a6700 and Fujifilm X-H2S, not the Z50 II, which serves a different, more budget-conscious segment of the market.

4.2. Internal Competition within Canon

The Canon EOS R9 is widely viewed as a compelling upgrade path for existing R7 users.3 The R7 itself is a capable high-speed APS-C camera, featuring a 32.5MP sensor, up to 30fps electronic shutter, 4K60 video (with a crop), and dual UHS-II memory card slots.14 It launched with a price of $1,499.8 Another relevant internal competitor is the Canon EOS R8, positioned equally with the R7 at $1,499.24 The R8 is a full-frame camera that offers improved low-light performance due to its larger sensor, though Canon made compromises on processing power and buffer size to meet its price point.24 The Canon EOS R6 Mark II, a full-frame hybrid workhorse priced at $2,499 24, also presents a significant internal comparison, offering a 24.2MP sensor, 40fps electronic shutter, 6K oversampled uncropped 4K video, and robust IBIS.14 Speculation also includes the R9 being an "R5 killer" 8, with the R5 Mark II (45MP full-frame, $4,299) considered a versatile all-rounder.24

Canon's decision to introduce the R9 at a higher price point suggests a strategic segmentation of its APS-C market. This move creates a clear upgrade path for existing R7 users while simultaneously pushing the performance envelope for crop-sensor cameras. The R9's rumored stacked sensor, 8K video, and AI-enhanced autofocus 1 offer "transformative" improvements over the R7's already strong capabilities.13 This provides a compelling incentive for R7 users who "found [themselves] wishing for more resolution, more video features, more lowlight performance, more everything" 13 to upgrade within the Canon APS-C system rather than switching brands or migrating to full-frame. By offering a clear high-end APS-C option, Canon aims to retain its existing APS-C user base and prevent them from migrating to competitors like Fujifilm (X-H2S) or Sony (a6700) for advanced features.

The R9's positioning at a similar price point to the full-frame R6 Mark II 24 compels a re-evaluation of the traditional APS-C versus full-frame debate for many users. For roughly the same cost as a full-frame R6 Mark II, the R9 offers a stacked APS-C sensor and 8K video. This means potential buyers must weigh the inherent benefits of a larger sensor (superior low-light performance, shallower depth of field) against the R9's potential for superior speed, extended reach (due to the crop factor), and higher video resolution within a more compact system. While the R9 will not replace the R5 Mark II for all professional needs, it could indeed be an "R5 killer" 8 for specific niches. For instance, a sports or wildlife photographer requiring maximum reach and high-speed burst shooting with excellent autofocus, or a videographer prioritizing 8K resolution in a more compact body, might find the R9 a more cost-effective and practical solution than a full-frame R5. The choice is also heavily influenced by the lens ecosystem; users already invested in RF-S lenses or those who prefer smaller, lighter APS-C glass might find the R9 more appealing than transitioning to heavier and more expensive full-frame RF lenses. This internal competition allows Canon to cater to diverse user preferences and budget considerations, ensuring a strong offering across various market segments.

5. The RF-S Lens Ecosystem: A Crucial Factor

This section discusses the current state and future outlook of Canon's RF-S lens lineup and its critical importance for the EOS R9.

RF-S lenses are specifically designed for Canon's APS-C mirrorless cameras, including the R100, R50, R10, and R7, utilizing the RF mount. These lenses inherently apply a 1.6x crop factor to the focal length. Notably, RF lenses, which are designed for full-frame cameras, are also compatible with APS-C bodies.37 The current RF-S lens lineup is relatively limited, primarily consisting of kit lenses such as the RF-S 18-45mm F4.5-6.3 IS STM, a versatile RF-S 18-150mm F3.5-6.3 IS STM, and a telephoto RF-S 55-210mm F5-7.1 IS STM.37

Looking ahead, Canon is expected to significantly broaden its RF and RF-S lens lineup in 2025.39 This expansion is anticipated to include at least 3-4 new RF-S lenses, with rumors specifically mentioning "higher-end RF-S constant aperture zooms".39 There is speculation about an RF-S f/2.8 constant aperture zoom (e.g., a 15-xxmm f/2.8, which would be equivalent to a 24-70mm full-frame lens).39 Additionally, there are hopes for an RF-mount version of the popular EF-M 32mm f/1.4 STM.39 Canon has previously stated a goal of releasing approximately eight lenses per year.39

The success and full potential of a high-performance APS-C body like the EOS R9 are heavily contingent upon the availability of a robust and professional-grade RF-S lens ecosystem. A camera body is only as effective as the lenses available for it; high-end camera bodies require high-end lenses to fully exploit their sensor and autofocus capabilities. The current RF-S lineup, while functional for general use, lacks the "professional-grade" constant aperture zooms and fast primes that serious creators and professionals expect for a flagship camera.37 This forces users to adapt larger, heavier, and often more expensive full-frame RF lenses, which can negate some of the size and weight advantages inherent to an APS-C system. Competitors like Fujifilm, for example, possess a more mature and comprehensive native APS-C lens lineup, including a "trinity" of f/2.8 zooms and various fast primes, which serves as a significant draw for their users. Without a strong native RF-S lens lineup, potential R9 users, particularly those transitioning from other systems or seeking a truly compact professional setup, might feel constrained, even if the camera body itself is excellent. Therefore, Canon's commitment to releasing "higher-end RF-S constant aperture zooms" 39 is not merely a rumor but a strategic imperative for the R9 to truly thrive and compete effectively in the high-end APS-C market. The R9's success will serve as a bellwether for Canon's long-term vision for its APS-C mirrorless system.

Canon's simultaneous push for "more affordable full-frame" cameras (such as the R8) and a "high-end crop" camera (the R9) creates a strategic tension concerning lens development. Developing new lenses requires substantial research and development investment, and Canon has a stated goal of releasing approximately eight lenses per year.39 If Canon prioritizes "affordable full-frame" options and their accompanying RF lenses 40, it could inadvertently slow the development of a comprehensive, high-end RF-S lineup. This could lead users to opt for an R8 paired with more affordable RF lenses 40 if the high-end RF-S lenses for the R9 are slow to materialize or are perceived as not offering sufficient value over full-frame alternatives. The R9's performance in the market will send a strong signal to Canon regarding the demand for premium APS-C systems and the necessity of a dedicated, high-quality RF-S lens roadmap to support it. A successful launch and adoption of the R9 could accelerate the development of the RF-S lens ecosystem.

6. Future Potential and Strategic Recommendations

The Canon EOS R9 is shaping up to be a highly impactful release, poised to redefine the capabilities expected from an APS-C mirrorless camera.
  • Strengths of the Canon EOS R9:
    • Cutting-Edge Sensor Technology: The rumored stacked APS-C sensor promises significant advancements in speed, low-light performance, and rolling shutter control.1High-Resolution
    • Video: Its 8K video recording capability positions it at the forefront of APS-C video cameras.2
    • Advanced Autofocus: The AI-enhanced Dual Pixel CMOS AF II system is expected to ensure superior subject tracking and accuracy, particularly for dynamic scenes.2
    • Robust Build and Ergonomics: Full weather sealing and durable construction indicate a camera designed for demanding outdoor and professional environments, enhancing reliability.4
    • Professional Workflow Features: Dual card slots (SD and CFexpress) and advanced connectivity (Wi-Fi 6, Bluetooth 5.2) are crucial for efficient professional workflows, especially with large file sizes.8

Challenges and Considerations:

  • Overheating Management: The historical challenge of overheating with 8K video in Canon R series bodies remains a critical concern that must be effectively addressed for the R9 to offer sustained high-resolution video recording.9RF-S Lens
  • Ecosystem Maturity: The current limited availability of high-end, professional-grade native RF-S lenses could constrain the R9's full potential and overall user experience. This gap may force users to rely on larger, more expensive full-frame RF lenses, diminishing the size and weight advantages of an APS-C system.37
  • Price Point Justification: At approximately $2,500, the R9 enters a highly competitive market segment. Its value proposition will need to be strongly justified against both rival APS-C flagships and Canon's own similarly priced full-frame offerings like the R6 Mark II.

Overall Market Impact and Canon's Strategy:
The EOS R9 has the potential to "redefine the APS-C mirrorless market" 4 by establishing a new standard for performance and features within the crop-sensor segment. Its introduction reinforces Canon's commitment to the APS-C line as a viable professional tool, moving beyond its traditional role as an entry point to full-frame systems. The camera's ultimate success will depend on Canon's ability to deliver on the rumored features, particularly robust 8K video performance without significant thermal limitations, and to rapidly expand the high-end RF-S lens lineup to support its advanced capabilities.

Recommendations for User Segments:
  • For Passionate Hobbyists and Advanced Enthusiasts: The R9 offers a compelling upgrade path from existing APS-C cameras like the R7 or RP 3, providing access to professional-grade features without the full-frame premium. Its blend of performance, portability, and pricing makes it an attractive "compact yet powerful creative tool".7
  • For Content Creators and Videographers: The rumored 8K video and advanced autofocus make it highly appealing for video production.2 These users should closely monitor real-world overheating tests upon release and assess if the 8K implementation meets their specific workflow needs for continuous recording.
  • For Semi-Professionals and Action Photographers (Sports, Wildlife): The stacked sensor, high burst rates, and advanced autofocus 1 make the R9 a formidable tool for capturing fast-moving subjects. The APS-C crop factor also provides inherent telephoto reach, which is advantageous for wildlife and sports photography. These users should carefully consider the availability of suitable RF-S telephoto lenses.
  • For Potential Full-Frame Buyers (e.g., considering R6 Mark II, R8): The R9 offers a strong alternative for those who prioritize speed, video resolution, and a more compact system, and who may not require the ultimate low-light performance or shallow depth of field inherent to full-frame sensors. The decision will largely hinge on specific shooting priorities and existing or planned lens investments.

7. Concluding Thoughts:

The Canon EOS R9 is shaping up to be more than "just an incremental upgrade".7 If Canon successfully delivers on its rumored specifications, particularly in the critical areas of thermal management and comprehensive lens support, the R9 could indeed become a "game-changer".22 It has the potential to solidify Canon's position at the forefront of professional camera technology within the APS-C segment. This camera represents a significant step forward, reinforcing Canon's commitment to innovation and user-centered design in the rapidly evolving mirrorless market.

8. Works / References Cited

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The Canon EOS R5 May Be Plagued by Overheating Issues in Both 8K and 4K Modes, accessed June 6, 2025, https://petapixel.com/2020/07/10/the-canon-eos-r5-may-be-plagued-by-overheating-in-both-8k-and-4k-modes/

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9. Report Compiler: Google Gemini Deep Research

10. Disclaimer

The 'Canon EOS R9 Future Potential ' report was compiled by Google Gemini (Deep Research) on the request of Vernon Chalmers Photography. Vernon Chalmers Photography was not instructed by any person, public / private organisation or 3rd party to request compilation and / or publication of the report on the Vernon Chalmers Photography website.

This independent status report is based on information available at the time of its preparation and is provided for informational purposes only. While every effort has been made to ensure accuracy and completeness, errors and omissions may occur. The compiler of this Canon EOS R9 Future Potential report (Google Gemini Deep Research) and / or Vernon Chalmers Photography (in the capacity as report requester) disclaim any liability for any inaccuracies, errors, or omissions and will not be held responsible for any decisions made based on this information.

01 June 2025

Canon EOS 7D Mark II Long-Term Use and Experience

Long-Term Use and Experience of my Favourite Canon Camera: Canon EOS 7D Mark II

Little Egret : Canon EOS 7D Mark II / Canon EF 400mm f5.6L USM Lens

From a Birds / Birds in Flight Photography Perspective (Original Article 2018)Predominately with the Canon EF 400mm f/5.6L USM Lens

Canon EOS 7D Mark II Application / Suitability 2025

In the beginning: Entry-level body and zoom lenses
During 2013 I became seriously interested in photographing birds in flight around Woodbridge Island, Cape Town. With the very close proximity to the Milnerton Lagoon and relative close access to most bird species I started out with the Canon EOS 700D and a variety of Canon 70-300mm lenses, eventually settling with the Canon EF 400mm f/5.6L USM super telephoto lens.

Also Read: Canon EOS 7D Mark II for Birds in Flight Photography

Deciding on the  longer Canon EF 400mm f/5.6L USM Prime Telephoto Lens
I did a few months of extensive research before purchasing the Canon EF 400mm f/5.6L USM lens with a decision based on; autofocus speed, image quality, price, weight and lack of Image Stabilization (not required for Birds in Flight Shutter Speeds between 1/3200 - 1/4000s). This lens served me very well through four EOS bodies and I still use this lens for my Birds in Flight Photography - exclusivity paired with the Canon EOS 7D Mark II. Its probably my best long-term purchase (ROI) and will keep it for any future body upgrade pairings.

Common Starling : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Common Starling : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Upgrading from the Canon EOS 70D
During 2014 I started shooting birds in flight around Woodbridge Island with the very responsive Canon EOS 70D paired with the EF 400mm f/5.6L lens and for all in-flight purposes I was more than satisfied with the results (ito Auto-focus, larger viewfinder, image quality, tracking and the EOS 70D's 7 fps).

I also purchased a second EOS 70D for maintaining an exclusive Birds in Flight pairing while using the second EOS 70D and the Canon EOS 6D for my low light, landscape and macro / close-up photography workshops and projects.

Early 2015 my Birds in Flight Photography at Woodbridge Island was recognized by one of our local Cape Town retailers and they provided me (via Canon South Africa) with a Canon EOS 7D Mark II / EF 100-400mm f/4.5-5.6L IS II USM lens for a week of testing and writing an article - of which I published shortly after the test period on my Canon Camera News website. The weather was not great, but I managed to do various shoots at two Cape Town locations. The Canon EOS 7D Mark II article is now available here on my new Vernon Chalmers Photography website: First Impressions and Test Shoots Cape Town

Canon EOS 7D Mark II Birds in Flight Photography Cape Town Image Gallery / Samples

Pied Kingfisher : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Pied Kingfisher : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Birds in Flight Workshops with Canon EOS 7D Mark II
During this time I also arranged for the facilitation of my first Birds in Flight Photography Workshop Cape Town (which was sponsored by Canon South Africa via the Canon retailer). I traded one of my EOS 70D's for a new Canon EOS 7D Mark II, studied and practiced the 65-Point AF System for a few weeks and I was good to go for the workshop and to facilitate private training for Canon photographers who started upgrading to the Canon EOS 7D Mark II from the older Canon EOS 7D and EOS 70D's.

The First Impression and Test Shoots Cape Town article will have all my personal views and findings of the Canon EOS 7D Mark II as the current Canon flagship APS-C body. I still maintain the same views and impressions and although Nikon (as one other brand) became very competitive with the Nikon D500 I still believe the Canon EOS 7D Mark II (also as part of the EOS system wrt lenses et al) is still one of the best Birds in Flight / Action Photography APS-C bodies on the market today.

Water Thicknee : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Water Thicknee : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Canon Zoom vs Prime Lens (Birds in Flight)
I've used the Canon EF 100-400mm f/4.5-5.6L IS II USM zoom lens on Canon South Africa's own Canon EOS 7D Mark II and during my field review of one of my workshop delegate's Canon EOS 80D and I can in all objectivity say that the AF and tracking speed of the Canon EF 400mm f/5.6L USM lens is just (by a small margin in my opinion) more responsive than the Canon EF 100-400mm f/4.5-5.6L IS II USM lens.

Globally reported Canon EOS 7D Mark II AF issues
After the launch of the Canon EOS 7D Mark II in September 2014 there were a fair amount of complaints with the AF-system under certain conditions (ito sharpness and focus issues experienced with various lenses). I've read countless real world test articles, blog posts and comments on various websites. Some photographers really struggled and in some cases had their cameras exchanged. For some its still an ongoing challenge and the online discussions about the AF focus accuracy (under certain conditions) with some of the bodies are still active.

Canon EOS 7D Mark II Key Features and Specifications

The Canon EOS 7D Mark II is a semi-professional DSLR camera that was released in 2014. It features a 20.2-megapixel APS-C CMOS sensor, 10 frames per second continuous shooting, and a robust build with weather sealing 1 2.

This camera is particularly well-regarded for sports and wildlife photography due to its fast burst rate and durable design 1.

Some key specifications include:
  • 65-point all cross-type autofocus system: This helps in achieving precise focus, especially in fast-moving scenarios 2.
  • Dual DIGIC 6 processors: These provide fast image processing and improved performance2.
  • Full HD video recording at 60 fps: Ideal for capturing high-quality videos3.
  • Built-in GPS: Useful for geotagging your photos1.
Even though it’s a decade old, the 7D Mark II still offers great value, especially for those on a budget or new to sports and wildlife photography 1.

Egyptian Goose Canon : EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Egyptian Goose Canon : EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Canon EOS 7D Mark II 'Out Of Box' Shooting
Straight out of the box my Canon EOS 7D Mark II body performed as expected (on many of the factory default-settings).

Up to today, more than two years later, the camera and AF-System is performing exactly the same it did when I captured my first 10 fps high-speed burst with this camera - Egyptian goose taking flight.

My Canon EOS 7D Mark II / EF 400mm f/5.6L USM lens pairing is still exclusively used for Birds in Flight photography and my other two EOS bodies are used for everything else.

I still have great pleasure going out to Woodbridge Island shooting the Canon EOS 7D Mark II and I still use this body (and AF-System) as benchmark for all my Birds in Flight Photography training and workshops - as it is in many ways the same as the Canon two 65-Point AF-systems Deployed on the Full Frame Canon EOS 5D Mark III, EOS 5Ds (R) and EOS-1D X. Now we also have the upgraded 65-Point System in the Canon EOS 5D Mark IV / Canon EOS-1D X Mark II.

Pied Kingfisher : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Pied Kingfisher : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Perched Birds with Canon EOS 7D Mark II
I capture a fair amount of perched birds with this pairing and am quite comfortable to use the same Manual and AF-settings I will for my Birds in Flight Photography. From time to time (depending on the opportunity) I may use Av mode for a few captures, but the majority of the time I don't change anything - just to keep it simple and quick - and to always have my preferred Manual settings as the primary default setup when going out for a shoot.

I have no immediate plans for replacing this body, but are keeping my eye on the possible release of a Canon EOS 7D Mark III - which disappointingly did not happen. Read more in the below conclusion about a possible future Canon EOS R7 Mark II. I will probably (eventually) replace my Canon EOS 6D with the R6 (or equivalent). I am still more than satisfied with the EOS 6D for low light, landscape and some portraiture / fashion work. The Canon EOS 7D Mark II will replace my EOS 70D when the 'best body for purpose' is announced (as similar as possible to the APS-C Canon EOS 7D Mark II. Looking forward for some macro and close-up photography projects once the EOS 7D Mark II is semi-retired from Birds in Flight photography.

Red-Eyed Dove Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Red-Eyed Dove Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

In conclusion
Birds in Flight Photography is in many ways a skill to be mastered irrespective of the camera body used. When I acquired the Canon EOS 7D Mark II I knew what my requirements where; more responsive AF-system, faster fps, two memory card slots, a more robust and configurable EOS body than the Canon EOS 70D - to be used with the same Canon EF 400mm f/5.6L USM lens.

The EOS 7D Mark II is without any doubt one of the most advanced high-performance and action-orientated Canon EOS DSLR body. It most definitely met most of my requirements and expectations. Today it is still Canon's highest performing action photography EOS APS-C body in Canon's DSLR range. Its not perfect, I personally would have preferred a stop or two better low light / ISO performance for my Birds in Flight photography, but its not really a major issue, I just shoot in good light (as I live right next to my Woodbridge Island shooting environment).

Yellow-Billed Duck : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Yellow-Billed Duck : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

With a 300mm+ lens pairing (considering individual good light shooting conditions) and adequate photography skills the Canon EOS 7D Mark II Birds in Flight photographer will perform very well against most Canon EOS Full Frame DSLR offerings on the market today.

Towards the future...
The Canon EOS 7D Mark III Canon EOS R7 Mark II will have to be another game changer for the Canon engineers to match / exceed the high expectations and shooting standards of most current Canon EOS 7D Mark II photographers. In some regards many of my students (and many other photographers found solace in migrating to the Canon EOS R7. There was such high anticipation for the Canon EOS Mark III. During this wait Canon develop the EOS R System to also cater APS-C fast-action bodies and released the Canon EOS R7 (as possibly the first EOS R 'r eal replacement' for the evergreen Canon EOS 7D Mark II. I'm personally looking forward to the release of a possible Canon EOS R7 Mark II. Currently I am still happy to shoot Birds in Flight with the Canon EOS 7D Mark II.

Article and Image Copyright: Vernon Chalmers (Purchased 2015 / Updated 2025). This Canon EOS 7D Mark II is still in active Birds in Flight Photography use.  

Canon EOS 7D Mark II - Birds in Flight Photo Gallery View

Birds in Flight Photography Cape Town View

Hadeda Ibis - Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Canon Photography Training Milnerton Woodbridge Island | Kirstenbosch Cape Town