Canon Photography Training Milnerton, Cape Town

Photography Training / Skills Development Milnerton, Cape Town and Cape Peninsula

Personalised Canon EOS / Canon EOS R Training for Different Learning Levels

Fast Shutter Speed / Action Photography Training Woodbridge Island, Cape Town

Vernon Chalmers Photography Approach

Vernon Canon Photography Training Cape Town 2026

"If you’re looking for Canon photography training in Milnerton, Cape Town, Vernon Chalmers Photography offers a variety of cost-effective courses tailored to different skill levels and interests. They provide one-on-one training sessions for Canon EOS DSLR and EOS R mirrorless cameras, covering topics such as:

• Introduction to Photography
• Bird and Flower Photography
• Macro and Close-Up Photography
• Landscape and Long Exposure Photography
• Canon Speedlite Flash Photography

Training sessions can be held at various locations, including Woodbridge Island and Kirstenbosch Botanical Gardens, or even in the comfort of your own home or garden. (Microsoft Copilot)

Canon EOS / EOS R Camera and Photography

Cost-Effective Private Canon EOS / EOS R Camera and Photography tutoring / training courses in Milnerton, Cape Town - or in the comfort of your home / garden anywhere in the Cape Peninsula.

Tailor-made (individual) learning programmes are prepared for specific Canon EOS / EOS R camera and photography requirements with the following objectives:

• Individual Needs / Gear analysis
• Canon EOS camera menus / settings
• Exposure settings and options
• Specific genre applications and skills development
• Practical shooting sessions (where applicable)
• Post-processing overview
• Ongoing support
  
  

Image Post-Processing / Workflow Overview
As part of my genre-specific photography training, I offer an introductory overview of post-processing workflows (if required) using Adobe Lightroom, Canon Digital Photo Professional (DPP) and Topaz Photo AI. This introductory module is tailored to each delegate’s JPG / RAW image requirements and provides a practical foundation for image refinement, image management, and creative expression - ensuring a seamless transition from capture to final output.

Canon Camera / Lens Requirements
Any Canon EOS / EOS R body / lens combination is suitable for most of the training sessions. During initial contact I will determine the learner's current skills, Canon EOS system and other learning / photographic requirements. Many Canon PowerShot camera models are also suitable for creative photography skills development.

Camera and Photgraphy Training Documentation
All Vernon Chalmers Photography Training delegates are issued with a folder with all relevant printed documentation  in terms of camera and personal photography requirements. Documents may be added (if required) to every follow-up session (should the delegate decide to have two or more sessions).

2026 Vernon Chalmers Photography Training Rates 

Cabbage White Butterfly Woodbridge Island - Canon EF 100-400mm Lens

Learning Photography from the comfort of your Own Cape Town Home / Garden More Information

Bird / Flower Photography Training Kirstenbosch National Botanical Garden More Information

Photography Private Training Classes Milnerton, Cape Town

• Introduction to Photography / Canon Cameras More
• Bird / Flower Photography Training Kirstenbosch More
• Birds in Flight / Bird Photography Training More
• Canon Speedlite Flash Photography Training More
• Macro / Close-Up Photography More
• Landscape / Long Exposure Photography More

Training / demonstrations are done on the client's own Canon EOS bodies attached to various Canon EF / other brand lenses covering wide-angle to zoom focal lengths.

Canon EOS System / Menu Setup and Training Cape Town

2025 Individual Photography Training Session Cost / Rates

From R850-00 per four hour session for Introductory Canon EOS / EOS R photography in Milnerton, Cape Town. Practical shooting sessions can be worked into the training. A typical training programme of three training sessions is R2 450-00.

From R900-00 per four hour session for developing . more advanced Canon EOS / EOS R photography in Milnerton, Cape Town. Practical shooting sessions can be worked into the training. A typical training programme of three training sessions is R2 600-00.

Three sessions of training to be up to 12 hours+ theory / settings training (inclusive: a three hours practical shoot around Woodbridge Island if required) and an Adobe Lightroom informal assessment / of images taken - irrespective of genre. 

Canon EOS Cameras / Lenses / Speedlite Flash Training
All Canon EOS cameras from the EOS 1100D to advanced AF training on the Canon EOS 80D to Canon EOS-1D X Mark III. All Canon EOS R Cameras. All Canon EF / EF-S / RF / RF-S and other Canon-compatible brand lenses. All Canon Speedlite flash units from Canon Speedlite 270EX to Canon Speedlite 600EX II-RT (including Macro Ring Lite flash models).

Intaka Island Photography Canon EF 100-400mm f/4.5-5.6L IS II USM Lens

Advanced Canon EOS Autofocus Training (Canon EOS / EOS R)
For advanced Autofocus (AF) training have a look at the Birds in Flight Photography workshop options. Advanced AF training is available from the Canon EOS 7D Mark II / Canon EOS 5D Mark III / Canon EOS 5D Mark IV up to the Canon EOS 1-DX Mark II / III. Most Canon EOS R bodies (i.e. EOS R7, EOS R6, EOS R6 Mark II, EOS R5, EOS R5 Mark II, EOS R3, EOS R1) will have similar or more advanced Dual Pixel CMOS AF Systems. Contact me for more information about a specific Canon EOS / EOS R AF System.

Cape Town Photography Training Schedules / Availability
From Tuesdays - during the day / evening and / or over weekends.

Canon EOS / Close-Up Lens Accessories Training Cape Town

Core Canon Camera / Photography Learning Areas

• Overview & Specific Canon Camera / Lens Settings
• Exposure Settings for M / Av / Tv Modes
• Autofocus / Manual Focus Options
• General Photography / Lens Selection / Settings
• Transition from JPG to RAW (Reasons why)
• Landscape Photography / Settings / Filters
• Close-Up / Macro Photography / Settings
• Speedlite Flash / Flash Modes / Flash Settings
• Digital Image Management

Practical Photography / Application

• Inter-relationship of ISO / Aperture / Shutter Speed
• Aperture and Depth of Field demonstration
• Low light / Long Exposure demonstration
• Landscape sessions / Manual focusing
• Speedlite Flash application / technique
• Introduction to Post-Processing

Tailor-made Canon Camera / Photography training to be facilitated on specific requirements after a thorough needs-analysis with individual photographer / or small group.

• Typical Learning Areas Agenda
• General Photography Challenges / Fundamentals
• Exposure Overview (ISO / Aperture / Shutter Speed)
• Canon EOS 70D Menus / Settings (in relation to exposure)
• Camera / Lens Settings (in relation to application / genres)
• Lens Selection / Technique (in relation to application / genres)
• Introduction to Canon Flash / Low Light Photography
• Still Photography Only

Above Learning Areas are facilitated over two  three sessions of four hours+ each. Any additional practical photography sessions (if required) will be at an additional pro-rata cost.

Fireworks Display Photography with Canon EOS 6D : Cape Town

From Woodbridge Island : Canon EOS 6D / 16-35mm Lens

Existential Photo-Creativity : Slow Shutter Speed Abstract Application

Perched Pied Kingfisher : Canon EOS 7D Mark II / 400mm Lens

Long Exposure Photography: Canon EOS 700D / Wide-Angle Lens

Birds in Flight (Swift Tern) : Canon EOS 7D Mark II / 400mm lens

Persian Cat Portrait : Canon EOS 6D / 70-300mm f/4-5.6L IS USM Lens

Fashion Photography Canon Speedlite flash : Canon EOS 6D @ 70mm

Long Exposure Photography Canon EOS 6D : Milnerton

Close-Up & Macro Photography Cape Town : Canon EOS 6D

Panning / Slow Shutter Speed: Canon EOS 70D EF 70-300mm Lens

Long Exposure Photography Cape Town Canon EOS 6D @ f/16

Canon Photography Training Session at Spier Wine Farm

Canon Photography Training Courses Milnerton Woodbridge Island | Kirstenbosch Garden

Vernon Chalmers Photography Philosophical Enquiry

A Phenomenological, Existential, and Ethical Praxis: Vernon Chalmers’ philosophical enquiry in photography offers a compelling model for understanding image-making as a lived, reflective, and ethical practice.

"This essay examines the philosophical inquiry embodied in the photographic practice of South African photographer and educator Vernon Chalmers. Far from treating photography as mere technique or product, Chalmers positions it as a lived philosophical practice that integrates phenomenology, existentialism, contemplative presence, ethical responsibility, and educational intentionality. Drawing from Chalmers’ published writings and documented teachings, this paper situates his practice within a broader intellectual tradition shaped by Husserl, Merleau-Ponty, Sartre, Heidegger, and logotherapeutic psychology. The discussion unfolds across thematic sections addressing phenomenological foundations, existential temporality, colour and perception, ethical commitments to the nonhuman, Conscious Intelligence (CI), pedagogical implications, and critical reflections on technology and authenticity. This analysis demonstrates that Chalmers’ philosophy of photography constitutes a sustained inquiry into perception, being, and meaning in contemporary visual culture.

Introduction

Photography, historically perceived as an art form dedicated to representation, has in recent decades been subject to philosophical re-conceptualisation. Vernon Chalmers, a Cape Town - based photographic educator and practitioner, offers a distinctive contribution to this discourse by framing photography as an existential and phenomenological inquiry into the conditions of perception and presence. His body of work and accompanying pedagogical writings articulate a philosophy of photography that emphasises embodied awareness, intentional seeing, and ethical engagement with both human and nonhuman worlds. Unlike approaches that prioritise aesthetic spectacle or technical mastery alone, Chalmers’ enquiry foregrounds the lived experience of the photographer, situating the act of photographing as a praxis - an integrated process of awareness, reflection, and creative expression. (Vernon Chalmers Photography)

This philosophical orientation can be understood as a synthesis of phenomenology, existentialism, and environmental aesthetics. Where phenomenology directs attention to the structure of experience itself, existentialism foregrounds freedom, responsibility, and authenticity. Chalmers’ photography merges these traditions into a practice in which each image records not just a visual fact but the conscious engagement of a perceiver with the world’s unfolding presence.

Phenomenological Foundations of Chalmers’ Practice

At the heart of Chalmers’ approach is a phenomenological insistence that photography is lived experience rather than a purely visual or technological operation. Phenomenology, as established by Edmund Husserl and later expanded by Maurice Merleau-Ponty, insists that perception is not the passive reception of sensory data but an embodied engagement with phenomena as they present themselves to consciousness. Husserl’s notion of intentionality - consciousness always being of something - underpins Chalmers’ belief that photography is inherently directed and meaningful. (Vernon Chalmers Photography)

Chalmers extends this insight by conceiving of the camera as an extension of the perceiving body. In his philosophy, the act of photographing requires full bodily presence and attentiveness to light, colour, motion, and spatial relations. This aligns with Merleau-Ponty’s (1962) assertion that perception is not merely sensory but a bodily “intertwining” of subject and world: the perceiver is in the world rather than above or outside it. Photography, in this frame, becomes a mode of embodied perception - a way of dwelling in the world that reveals the world’s texture and meaning through intentional seeing. (Vernon Chalmers Photography)

Indeed, Chalmers’ own reflections underscore that photography is not reducible to technique or device; instead, the camera becomes a phenomenological instrument that mediates between the perceiver and the world. He writes that the camera is no longer merely a device but “a pulse, a breath, a witness to the slow unfolding of a consciousness that no longer rushes” in the process of creation. (Vernon Chalmers Photography)

Existential Contours: Presence, Freedom, and Temporality

While phenomenology informs the structure of perception in Chalmers’ work, existentialism provides its metaphysical and ethical compass. Existential philosophers such as Jean-Paul Sartre and Martin Heidegger locate human meaning in authenticity, choice, and the confrontation with one’s own finitude. Chalmers’ philosophy resonates with this tradition, emphasising presence, freedom, and reflective engagement with the now. (Vernon Chalmers Photography)

In practice, photographing birds in flight serves as an embodied metaphor for human existential conditions. Birds in motion resist fixity; they are transient, dynamic, and unpredictable. Capturing such moments demands a synthesis of attentiveness, timing, and openness to emergent phenomena. For Chalmers, this is not merely a technical challenge but an existential encounter that places the photographer in a direct relation with impermanence and possibility. (Vernon Chalmers Photography)

This emphasis on temporality is crucial. Each photograph captures a fragment of time that can never be re-experienced in exactly the same way. From an existential viewpoint, this reflects Heidegger’s notion of Dasein - being-toward-death and the inherent transience of all experience. The photograph becomes a trace that acknowledges the fleeting nature of presence. It is a mark of consciousness encountering the now and affirming existence against the backdrop of impermanence. (Vernon Chalmers Photography)

Moreover, existential philosophy emphasises freedom accompanied by responsibility. Chalmers’ practice teaches that photographers must make intentional choices about what to frame and how to engage with subjects. These choices are not neutral; they shape the meaning and ethical valence of the images produced. In this sense, photography becomes “a moral act” - one that invites reflection on the responsibilities of seeing and representing the world. (Vernon Chalmers Photography)

Colour, Light, and the Aesthetics of Embodied Perception

Chalmers’ philosophy also places significant emphasis on colour and light as core elements of the photographic encounter. Conventional photographic paradigms often treat colour as a descriptive quality to be manipulated for aesthetic effect. In contrast, Chalmers approaches colour as a phenomenological signifier - a medium through which presence and affect are registered without melodrama. (Vernon Chalmers Photography)

This approach resonates with Merleau-Ponty’s later work on colour, where colour is not a property of objects but an expressive dimension of embodied perception. Chalmers’ use of colour, therefore, is not decorative; it serves as an existential register of atmospheric and affective conditions. The delicate tonal gradients of early morning light, the reflective shimmer of water, and the iridescent hues of avian feathers all anchor the photographer (and viewer) in the felt immediacy of experience. (Vernon Chalmers Photography)

Chalmers describes the pursuit of light not in terms of technical perfection but as a metaphor for presence - the luminous intersection of time, space, and awareness. The aesthetic effect of his images is thus inseparable from their philosophical intention: to evoke not just visual beauty but the experience of being present in a world that reveals itself through attentive seeing. (Vernon Chalmers Photography)

Conscious Intelligence (CI): An Integrative Framework

One of the most significant frameworks within Chalmers’ philosophical inquiry is what he terms Conscious Intelligence (CI). CI is more than mindfulness; it is a praxis that synthesises phenomenological awareness, existential authenticity, and ethical creativity. Chalmers defines CI as “a pragmatic orientation in honouring authentic photography, awareness, and the existential mind in the age of Artificial Intelligence.” (Vernon Chalmers Photography)

CI is a strategic response to contemporary challenges in visual culture, especially the proliferation of digital technologies that can automate or mimic perceptual tasks. While recognising the utility of digital tools, Chalmers cautions against allowing technology to eclipse intentional consciousness. True photographic intelligence, he argues, arises from the embodied and reflective engagement of the human photographer. (Vernon Chalmers Photography)

The praxis of CI unfolds through stages that begin with preparation and attunement to rhythm and light, move into embodied engagement with motion and subject, and culminate in reflective meaning-making that integrates perception with self-knowledge. This process mirrors philosophical accounts of tacit knowledge as described by Michael Polanyi and the phenomenological reciprocity between self and world articulated by Merleau-Ponty. (Vernon Chalmers Photography)

Importantly, CI also includes an ethical dimension: the obligation to treat subjects - particularly nonhuman beings - with respect and care. This accords with Emmanuel Levinas’ notion of responsibility to the Other, where authentic seeing acknowledges alterity rather than objectifying it. In Chalmers’ praxis, photographers are urged to recognise the vulnerability and autonomy of their subjects, thereby enacting an eco-phenomenological consciousness that integrates aesthetic and ethical commitments. (Vernon Chalmers Photography)

Pedagogy and Photography as Philosophical Education

Chalmers’ philosophical enquiry extends beyond personal practice into pedagogical engagement. His educational approach emphasises awareness before technique, encouraging learners to cultivate perceptual presence and reflective capacity as the basis for skilful photography. Workshops and mentorships are structured not around formulaic recipes for technical success but around practices that foster mindful observation and philosophical reflection. (Vernon Chalmers Photography)

This approach aligns with educational theories that regard contemplative practice as foundational to creativity and self-awareness. Drawing on mindfulness traditions and existential psychology, Chalmers frames photography as a dialogue with being - a process that develops not only visual acuity but also self-understanding and personal meaning. (Vernon Chalmers Photography)

For participants, this holistic pedagogy offers psychological as well as artistic benefits. Chalmers has integrated principles of Viktor Frankl’s logotherapy - the search for meaning through purposeful engagement - into his instructional model, using photographic practice as a vehicle for personal transformation and emotional resilience. (Vernon Chalmers Photography)

This educational philosophy thus intersects with existential psychology, where confronting the conditions of existence - freedom, finitude, responsibility - becomes part of the learning process. Photography becomes more than a craft; it becomes a tool for life-world inquiry.

Ethical Engagement and Environmental Responsibility

Chalmers’ philosophical enquiry also involves a robust ethical dimension, particularly in his engagement with natural subjects and ecosystems. Rather than commodifying nature for spectacle, his images invite empathy, care, and ecological awareness. This ethical stance is consistent with environmental aesthetics, which emphasises perceptual engagement and moral consideration toward nonhuman entities. (Vernon Chalmers Photography)

In practice, this means treating birds, landscapes, and other subjects not as objects of domination but as partners in a perceptual and ethical exchange. Each image thus becomes an invitation to recognise the world’s intrinsic value and fragility - an ethical appeal embedded in aesthetic experience. Such an orientation challenges extractive or exploitative modes of seeing, urging viewers to consider the consequences of their representational choices. (Vernon Chalmers Photography)

Critical Reflections: Technology and Authenticity

While Chalmers embraces technological tools, he remains critical of trends that prioritise technical perfection or automated image-making at the expense of authentic presence. Drawing on thinkers such as Walter Benjamin and Byung-Chul Han, Chalmers cautions that digital proliferation can lead to hypervisibility - a condition where images multiply while attention dissipates. (Vernon Chalmers Photography)

Chalmers’ concept of CI situates technology as a mediator of consciousness rather than its substitute. Drawing on post-phenomenological insights, he maintains that the camera can extend perceptual capacities without alienating the photographer from experience. Authenticity, therefore, arises not from rejecting technology but from using it in a way that honours embodied awareness and intentionality. (Vernon Chalmers Photography)

Conclusion

Vernon Chalmers’ philosophical enquiry in photography offers a compelling model for understanding image-making as a lived, reflective, and ethical practice. Grounded in phenomenology and existentialism, and enriched by contemplative and educational perspectives, his approach reorients photography from mere representation to meaningful engagement with the world. Through Conscious Intelligence, Chalmers articulates a praxis that integrates awareness, perception, ethical responsibility, and technological mediation in ways that restore human presence to the centre of visual culture.

In an era characterised by rapid image proliferation and increasing automation, Chalmers’ philosophy serves as a reminder that the essence of photography lies not in mechanical reproduction but in reflective seeing. His work challenges photographers and viewers alike to reconsider what it means to be present, to perceive deeply, and to bear ethical witness through the act of photographing. Ultimately, his philosophical enquiry reclaims photography as a mode of existential engagement - a practice that reveals not just the world but the self in its luminous unfolding." (ChatGPT 2025)

References

Barone, T., & Eisner, E. W. (2012). Arts-based research. Sage.

Benjamin, W. (1968). The work of art in the age of mechanical reproduction. Schocken.

Frankl, V. E. (2006). Man’s search for meaning. Beacon Press. (Original work published 1946)

Han, B.-C. (2017). The disappearance of the contemplative. Polity.

Husserl, E. (1970). The crisis of European sciences and transcendental phenomenology. Northwestern University Press.

Merleau-Ponty, M. (1962). Phenomenology of perception. Routledge.

Sartre, J.-P. (1992). Being and nothingness. Washington Square Press.

Sontag, S. (1977). On photography. Farrar, Straus and Giroux.

Levinas, E. (1969). Totality and infinity. Duquesne University Press.

Chalmers, V. (2025a). Vernon Chalmers’ Photography Philosophy. Retrieved from Vernon Chalmers Photography website. (Vernon Chalmers Photography)

Chalmers, V. (2025b). Vernon Chalmers Applied Existential Photography. Retrieved from Vernon Chalmers Photography website. (Vernon Chalmers Photography)

Chalmers, V. (2025c). Vernon Chalmers CI Photography Praxis. Retrieved from Vernon Chalmers Photography website. (Vernon Chalmers Photography)

Chalmers, V. (2025d). Vernon Chalmers on Photography and Presence. Retrieved from Vernon Chalmers Photography website. (Vernon Chalmers Photography)

Chalmers, V. (2025e). Vernon Chalmers Sense of Self Photography. Retrieved from Vernon Chalmers Photography website. (Vernon Chalmers Photography)

Relevance of the Canon EOS 7D Mark II 2026

The Relevance of the Canon EOS 7D Mark II for Birds in Flight and Wildlife Photography in 2026

"The Canon EOS 7D Mark II, introduced in 2014, remains a subject of significant interest within wildlife photography communities, particularly among enthusiasts and semi-professional practitioners focusing on birds in flight (BIF). Nearly twelve years post-release, the 7D Mark II continues to be discussed for its high continuous-shooting frame rate, extensive autofocus system, robust build quality, and versatile reach. This essay evaluates the camera’s relevance in 2026 by exploring technical specifications, performance attributes, and comparative context relative to contemporary mirrorless alternatives. It critically examines the 7D Mark II’s strengths and limitations, interpreting current field use cases, technological evolution, and economic considerations for photographers prioritizing BIF and wildlife work.

Canon EOS 7D Mark II Long-Term Use and Experience

Introduction

Birds in flight and wildlife photography represent two of the more technically demanding genres of still imaging due to rapid subject movement, frequently unpredictable environmental conditions, and the need for precise autofocus tracking and effective reach. The Canon EOS 7D Mark II has often been cited historically as a budget-friendly DSLR system that offered pro-level performance within an APS-C format, with a 65-point all cross-type autofocus system and sustained burst shooting up to 10 frames per second (fps) — features that drove its popularity among action photographers since its release. (Wikipedia)

However, by 2026, camera technology — particularly mirrorless systems — has advanced with sensor-based autofocus improvements such as eye- and animal-detection AF, expanded frame coverage, and higher continuous shooting rates. These developments raise important questions about the continued relevance of the 7D Mark II, especially in a landscape dominated by more modern cameras such as Canon’s EOS R line. This paper investigates whether the 7D Mark II retains practical relevance for BIF and wildlife photographers in 2026, focusing on technological performance, practical field utility, and value considerations.

Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Technical Capabilities

Sensor and Image Processing

The Canon EOS 7D Mark II is built around a 20.2-megapixel APS-C CMOS sensor paired with dual DIGIC 6 image processors. This configuration delivers native ISO performance from 100 to 16,000, expandable up to 51,200, enabling respectable performance across a range of lighting conditions. (Wikipedia) While both resolution and dynamic range are modest compared to many modern cameras, the sensor’s pixel density remains adequate for wildlife applications where reach and sharpness are crucial.

One enduring strength of the APS-C format is the effective focal length advantage afforded by the 1.6× crop factor: a 400 mm lens on the 7D Mark II behaves like a 640 mm lens in 35 mm-equivalent terms. This inherent “reach” is especially valuable in wildlife photography, where distance to subject is often constrained by terrain, animal behavior, or disturbance sensitivity. (Photography Talk)

Autofocus and Continuous Shooting

The 7D Mark II’s autofocus system consists of 65 all cross-type AF points, with sophisticated subject tracking derived from Canon’s 1D X series technology. This enables rapid acquisition and tracking of moving subjects, a characteristic feature for genres such as BIF photography where speed and focus precision are paramount. (Photography Talk)

Coupled with a maximum burst rate of 10 fps and a substantial buffer capacity, the camera is capable of capturing sustained sequences of action — a technical advantage that remains competitive among many entry-level and mid-range camera systems. The ability to sustain continuous shooting with minimal buffer rollover is particularly beneficial when tracking erratically moving birds or rapidly changing behavioral sequences typical of wildlife scenarios.

Ergonomics and Build Quality

The physical design of the 7D Mark II aligns with Canon’s traditional DSLR ergonomics, featuring a weather-sealed magnesium alloy body rated for professional-level use. (Wikipedia) This rugged construction is an asset for photographers operating in harsh environments, where rain, dust, and physical wear are common operational hazards.

The optical viewfinder with 100 % frame coverage also provides a reliable and immediate view of the subject, which many photographers appreciate for real-time action tracking, particularly in bright conditions where LCD-based framing can be challenging.

Birding with the Canon 7D Mark II Woodbridge Island

Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Continued Practical Relevance in 2026

Strengths for Birds in Flight Photography

Despite rapid progress in imaging technology, the Canon EOS 7D Mark II retains several characteristics that justify its relevance to photographers specializing in BIF in 2026. The combination of high frame rate, extensive autofocus point coverage, and APS-C sensor reach creates a practical platform for capturing dynamic aerial subjects. This setup allows photographers to acquire high-impact sequences without the need for excessively expensive super-telephoto lenses. (Photography Talk)

Field reports and contemporary reviews often highlight the camera’s ability to deliver sharp, well-timed frames in action-intensive contexts, noting that its autofocus performance — though dated relative to newer systems — continues to hold its own against many comparable DSLR models. (Fivercam)

Limitations Compared to Modern Mirrorless Systems

However, the 7D Mark II also exhibits clear limitations when evaluated against current mirrorless alternatives. The absence of advanced sensor-based autofocus features (such as subject and eye detection), reduced sensor resolution compared with contemporary APS-C models, and lack of in-body image stabilization constrain its performance envelope among today’s high-end competitors. For example, cameras like the Canon EOS R7 Mark II and other latest mirrorless models are designed with significantly enhanced autofocus subject recognition, faster frame rates, and improved low-light capabilities specifically tuned for fast-action photography. (Vernon Chalmers Photography)

Furthermore, while the optical viewfinder provides immediacy, it lacks the sophisticated overlay guidance and preview capabilities of an electronic viewfinder (EVF) system, which can aid in exposure assessment, focus confirmation, and real-time histogram monitoring — functions increasingly valued by wildlife photographers.

Economic and Accessibility Considerations

One compelling aspect of the 7D Mark II’s relevance lies in its affordability and availability on the used market. As camera hardware ages, high-quality units become more accessible to enthusiasts on tighter budgets. Given that many wildlife photographers allocate a significant portion of their investment toward lenses rather than bodies, the 7D Mark II’s used pricing presents an entry point into high-performance wildlife photography with minimal capital expenditure. (Will Goodlet Photography)

For hobbyists or semi-professional photographers who prioritize telephoto reach and frame rate over advanced autofocus technologies, the 7D Mark II remains a viable tool — particularly when paired with quality telephoto lenses that maximize the APS-C crop factor advantage.

Birds and Butterfly with Canon EOS 7D Mark II

Use Case Scenarios in 2026

The relevance of the Canon EOS 7D Mark II in 2026 depends heavily on the specific use case. For photographers focused on amateur and intermediate fieldwork, especially where budget constraints preclude investment in the newest mirrorless models, the 7D Mark II continues to offer a capable platform. Its robustness and reliability make it a trusted companion for long field days in varying environmental conditions, particularly where optical viewfinding and rapid mechanical response are beneficial.

Conversely, professional photographers or those seeking best-in-class performance for competitive wildlife imagery may find mirrorless solutions more satisfying due to significant advancements in autofocus intelligence, high-resolution sensors, and hybrid photo/video capabilities. Systems such as Canon’s more recent APS-C mirrorless lineup provide subject detection and broader focus coverage that reduce missed focus events — a notable limitation under certain BIF conditions with the 7D Mark II’s optical AF system.

Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Comparative Lens Considerations

The continued relevance of the 7D Mark II is further influenced by lens ecosystems. Canon’s extensive range of EF and EF-S telephoto lenses remains compatible with the camera, ensuring access to a diverse portfolio of optical tools without needing an adapter. Telephoto zooms such as the 100–400 mm L IS II maintain excellent optical performance on the APS-C format and retain autofocus functionality even when used with teleconverters — a key consideration for maximizing subject reach in wildlife photography. (Prints4Sure)

However, newer mirrorless systems with native RF mount lenses offer modern designs featuring image stabilization and advanced optical corrections, often outperforming legacy optics in sharpness and autofocus responsiveness. These improvements can significantly affect the capture of small, fast-moving subjects, such as passerines in flight, under varied lighting conditions.

Vernon Chalmers still a Canon EOS 7D Mark II User

Conclusion

In conclusion, the Canon EOS 7D Mark II retains relevance for birds in flight and wildlife photography in 2026, particularly among amateur enthusiasts and cost-conscious professionals. Its enduring strengths — high frame rate, capable autofocus array, APS-C reach advantage, and rugged construction — continue to serve action-oriented shooters effectively. However, the camera’s performance must be contextualized within the broader evolution of imaging technology: modern mirrorless systems with higher sensor resolutions, advanced autofocus subject detection, and rich feature sets offer compelling alternatives that outpace the 7D Mark II in many technical respects.

Ultimately, the 7D Mark II remains relevant where its core strengths align with practical needs, particularly in budget-constrained scenarios or for photographers who value its specific combination of speed, durability, and optical reach. For those seeking cutting-edge performance in autofocus precision and hybrid imaging workflows, newer mirrorless offerings represent the forward-looking choice in the field of wildlife photography." (ChatGPT 2025)

References

Canon EOS 7D Mark II. (n.d.). Wikipedia. Retrieved December 2025, from https://en.wikipedia.org/wiki/Canon_EOS_7D_Mark_II (Wikipedia)

Why Canon 7D Mark II Is Ideal for Wildlife Photography. (2025). PhotographyTalk. Retrieved December 2025, from https://www.photographytalk.com/why-the-canon-7d-mark-ii-is-a-wildlife-photographers-best-budget-camera (Photography Talk)

Used Canon EOS 7D Mark II Review: Still a Pro-Level APS-C Beast. (2025). Fivercam. Retrieved December 2025, from https://fivercam.com/en/photography/article/used-canon-eos-7d-mark-ii-review-still-a-pro-level-aps-c-beast/93 (Fivercam)

Canon 7D Mark II Meets 100-400mm L IS II: A Match Made for Wildlife and Sports. (2025). Prints4Sure. Retrieved December 2025, from https://www.prints4sure.com/blogs/news/canon-7d-mark-ii-meets-100-400mm-l-is-ii-a-match-made-for-wildlife-and-sports (Prints4Sure)

Canon EOS R7 Mark II vs EOS 7D Mark II. (2025). Vernon Chalmers Photography. Retrieved December 2025, from https://www.vernonchalmers.photography/2025/12/canon-eos-r7-mark-ii-vs-eos-7d-mark-ii.html (Vernon Chalmers Photography)

Is The 7D Mark II Still Relevant For Wildlife & Bird Photography? – Will Goodlet. (2025). WillGoodlet.com. Retrieved December 2025, from https://willgoodlet.com/blog/canon-eos-7d-mark-ii-still-good (Will Goodlet Photography)

Canon EOS 6D Series Relevance 2026

The Relevance of the Canon EOS 6D and EOS 6D Mark II in 2026 as Full-Frame DSLR Bodies

"The rapid transition from digital single-lens reflex (DSLR) cameras to mirrorless systems has significantly reshaped the photographic industry. Despite this technological shift, legacy DSLR models continue to occupy meaningful roles within specific photographic communities. This paper examines the relevance of the Canon EOS 6D and Canon EOS 6D Mark II as full-frame camera bodies in 2026. Through technical evaluation, historical analysis, and market contextualisation, the study assesses image quality, autofocus capability, video functionality, ergonomics, ecosystem compatibility, and long-term usability. Particular attention is given to the continued viability of these cameras within still-photography disciplines, educational environments, and cost-conscious professional workflows. While acknowledging the limitations imposed by aging technology and declining manufacturer support, the paper concludes that the EOS 6D series retains contextual relevance as a full-frame photographic platform, especially within the secondary market and EF-mount ecosystem.

Introduction

The evolution of digital camera technology over the past decade has been characterised by a decisive shift from DSLR systems toward mirrorless architectures. This transition has been driven by advances in sensor design, autofocus algorithms, electronic viewfinders, and hybrid photo-video capabilities. Canon, one of the most influential manufacturers in the imaging industry, has largely redirected its research and development efforts toward its RF-mount mirrorless lineup. Nevertheless, legacy DSLR models continue to be used, traded, and debated within photographic communities.

Among these models, the Canon EOS 6D and its successor, the EOS 6D Mark II, occupy a distinct position as entry-level full-frame DSLRs designed to bridge enthusiast and professional markets. Released in 2012 and 2017 respectively, these cameras were not flagship bodies even at launch; rather, they prioritised image quality, portability, and affordability. In 2026, their relevance must be evaluated against contemporary expectations shaped by mirrorless innovation, computational photography, and multimedia convergence.

This paper argues that the relevance of the EOS 6D series in 2026 is not absolute but contextual. By examining their technical capabilities, operational characteristics, ecosystem compatibility, and market positioning, the analysis demonstrates that these cameras continue to serve specific photographic needs despite broader technological obsolescence.

Canon EOS 6D for Great Action Photography

Historical Context and Design Philosophy

The Canon EOS 6D: Entry-Level Full-Frame Access

The Canon EOS 6D was introduced in 2012 as one of the most affordable full-frame DSLRs available at the time (Wikipedia contributors, 2025a). Equipped with a 20.2-megapixel CMOS sensor and DIGIC 5+ image processor, the camera was designed to deliver high image quality in a compact and relatively lightweight body. Notably, it incorporated built-in Wi-Fi and GPS—features that were uncommon among full-frame DSLRs at the time of release.

The EOS 6D’s autofocus system consisted of 11 AF points, with a single highly sensitive cross-type point at the centre. While limited by contemporary standards, this configuration was sufficient for general photography, particularly in low-light conditions, where the central point demonstrated strong performance. The camera’s positioning reflected Canon’s intention to attract advanced enthusiasts seeking full-frame image quality without the cost or complexity of professional bodies.

The relevance of the Canon EOS 6D Mark II

The Canon EOS 6D Mark II: Incremental Modernisation

Released in 2017, the Canon EOS 6D Mark II represented an evolutionary rather than revolutionary update (Wikipedia contributors, 2025b). The sensor resolution increased to 26.2 megapixels, supported by a DIGIC 7 processor. One of the most significant enhancements was the introduction of Dual Pixel CMOS autofocus, enabling smoother and more accurate focusing during live view and video recording (Canon Asia, 2024).

Additional updates included a fully articulated touchscreen, improved continuous shooting speed (6.5 frames per second), and expanded wireless connectivity. Despite these improvements, the camera retained an optical viewfinder and EF mount, reinforcing continuity with Canon’s DSLR heritage rather than signalling a transition toward mirrorless design principles.

Imaging Performance in a 2026 Context

Sensor Quality and Image Output

From a purely photographic standpoint, both the EOS 6D and 6D Mark II remain capable of producing high-quality still images in 2026. The full-frame sensors provide advantages in dynamic range, tonal gradation, and depth-of-field control that continue to be relevant for landscape, portrait, and fine-art photography. Canon’s colour science, particularly in skin tones, remains a frequently cited strength (CameraReviews.com, 2025).

However, when compared to contemporary mirrorless sensors featuring backside-illumination, stacked architectures, and faster readout speeds, the 6D series demonstrates clear limitations. Dynamic range recovery at low ISO, high-ISO noise control, and exposure latitude are surpassed by modern full-frame mirrorless cameras (TechRadar, 2025). These limitations become most apparent in demanding post-processing workflows rather than in standard photographic output.

Autofocus Capabilities and Practical Limitations

Autofocus performance represents one of the most significant differentiators between the EOS 6D series and modern mirrorless systems. The original 6D’s AF system is fundamentally outdated by 2026 standards, particularly for moving subjects. The 6D Mark II offers meaningful improvement with 45 cross-type points, but AF coverage remains concentrated near the frame centre (ePhotozine, 2025).

In contrast, mirrorless cameras employ near-full-frame AF coverage combined with subject-recognition algorithms, including face, eye, and animal detection. Consequently, the 6D series is poorly suited to wildlife, sports, and action photography in 2026, while remaining competent for static or controlled shooting environments.

Video Functionality and Hybrid Limitations

Video capability is a domain in which the EOS 6D series demonstrates pronounced obsolescence. Neither model supports 4K recording, and video features are limited to Full HD formats with relatively modest codec options. The absence of Canon Log profiles, advanced HDMI output, and professional audio monitoring restricts these cameras’ utility for contemporary video production (Canon Asia, 2024).

In an era where hybrid still-video workflows are increasingly common, this limitation significantly narrows the relevance of the 6D series. For photographers whose work is exclusively still-based, the absence of modern video features may be inconsequential; however, for content creators and multimedia professionals, it constitutes a critical drawback.

Birds and Butterfly with Canon EOS 6D Mark II

Ergonomics, Optical Viewfinders, and Operational Experience

Despite technological limitations, the EOS 6D and 6D Mark II retain advantages in ergonomics and operational simplicity. Optical viewfinders provide a real-time, lag-free viewing experience that some photographers continue to prefer over electronic viewfinders. Additionally, DSLR battery life remains superior to that of most mirrorless systems, particularly in extended field use (Digital Camera World, 2025).

The physical layout of controls, combined with the tactile feedback of DSLR operation, supports a shooting experience that emphasises intentionality and manual control. For photographers trained in optical systems, these characteristics contribute to sustained preference and continued relevance.

Ecosystem Compatibility and Market Dynamics

The Enduring EF Mount Ecosystem

One of the most significant factors sustaining the relevance of the EOS 6D series is compatibility with Canon’s EF lens mount. Decades of EF lens development have produced a vast ecosystem encompassing affordable consumer lenses and professional L-series optics. This compatibility allows photographers to maximise the value of existing lens investments without transitioning to RF-mount systems.

Moreover, EF lenses remain usable on Canon’s mirrorless bodies via adapters, reinforcing their long-term value. The continued production of third-party EF-mount lenses further indicates sustained demand within the DSLR ecosystem (Digital Camera World, 2025).

Secondary Market Viability

By 2026, the EOS 6D and 6D Mark II are primarily available through the used and refurbished market. Their depreciated cost positions them as accessible full-frame options for students, educators, and budget-conscious photographers. This economic accessibility is central to their continued relevance, particularly in regions where new mirrorless equipment remains prohibitively expensive.

Canon EOS 6D Mark II and Canon EF 24-70mm f/4L IS USM Lens

Use-Case Relevance in 2026

The EOS 6D series remains relevant for specific photographic applications. These include landscape photography, portraiture, studio work, archival documentation, and photographic education. In such contexts, image quality, ergonomics, and reliability outweigh the need for advanced autofocus or video capabilities.

Conversely, for action photography, wildlife, sports, and hybrid content creation, the limitations of the 6D series significantly reduce its suitability. Thus, relevance must be evaluated relative to intended use rather than technological novelty.

Milnerton Canon EOS 6D: Flea Market Photography

Conclusion

In 2026, the Canon EOS 6D and EOS 6D Mark II occupy a transitional space between historical significance and functional utility. While they no longer represent cutting-edge photographic technology, they continue to offer meaningful value within defined contexts. Their relevance is sustained by full-frame image quality, optical viewfinder ergonomics, EF-mount compatibility, and affordability within the secondary market.

However, the absence of modern autofocus intelligence, advanced video functionality, and ongoing manufacturer support constrains their applicability in contemporary professional workflows. As such, the relevance of the EOS 6D series in 2026 is best understood as contextual, selective, and purpose-driven, rather than universal." (Source: ChatGPT 2025)

References

CameraReviews.com. (2025). Canon EOS 6D vs. Canon EOS 6D Mark II comparison. https://www.camerareviews.com/compare/canon-eos-6d-vs-canon-eos-6d-mark-ii/

Canon Asia. (2024). EOS 6D Mark II: Specifications and product overview. https://asia.canon/en/consumer/eos-6d-mark-ii-body/

Digital Camera World. (2025). DSLR vs mirrorless cameras: Current relevance and future trends. https://www.digitalcameraworld.com/features/dslr-vs-mirrorless-cameras-how-do-they-compare

ePhotozine. (2025). Canon EOS 6D Mark II review. https://www.ephotozine.com/article/canon-eos-6d-mark-ii-expert-review-31095

TechRadar. (2025). The best Canon cameras for photographers in 2025. https://www.techradar.com/

Wikipedia contributors. (2025a). Canon EOS 6D. https://en.wikipedia.org/wiki/Canon_EOS_6D

Wikipedia contributors. (2025b). Canon EOS 6D Mark II. https://en.wikipedia.org/wiki/Canon_EOS_6D_Mark_II

The Cape to Rio Yacht Race 2025

Cape2Rio 2025: A Transatlantic Test of Endurance, Heritage, and Modern Ocean Racing

The Cape to Rio Yacht Race 2025 Live Tracking >>

"The Cape to Rio Yacht Race 2025 (commonly branded as Cape2Rio 2025) represents one of the most demanding and prestigious ocean racing challenges in the Southern Hemisphere. Scheduled to start on 27 December 2025 from Table Bay, Cape Town, and conclude in Rio de Janeiro, Brazil, the race spans approximately 3,300 nautical miles across the South Atlantic Ocean. It is widely regarded as the longest continent-to-continent yacht race in the Southern Hemisphere, and one of the most historically significant blue-water events in global offshore sailing (Cape2Rio Race Organising Authority [C2R], 2025, https://cape2riorace.com).

The 2025 edition continues a tradition dating back to 1971, blending elite offshore competition with amateur participation, technological innovation, environmental engagement, and cultural exchange between Africa and South America. As with previous editions, Cape2Rio 2025 is not simply a race against the clock, but a prolonged examination of seamanship, strategic navigation, endurance, and collective resilience.

Organisational Structure and Governance

The Royal Cape Yacht Club (RCYC) serves as the Organising Authority (OA) for Cape2Rio 2025, operating in conjunction with South African Sailing (SAS) and the Iate Clube do Rio de Janeiro (ICRJ). This tri-institutional structure ensures compliance with international sailing regulations while maintaining local and regional governance standards (RCYC, 2025, https://rcyc.co.za).

The formal framework of the race is outlined in the Notice of Race (NoR), which confirms the warning signal at 13:55 (SAST) on 27 December 2025 and a race time limit of 27 January 2026 (Cape2Rio Race Organising Authority, 2025, https://cape2riorace.com/wp-content/uploads/2024/07/NoR-C2R-2025-final-V3.pdf). The NoR defines eligibility requirements, safety standards, measurement rules, and class divisions, ensuring parity and safety across a diverse fleet.

Fleet structure for Cape2Rio 2025 includes monohull and multihull divisions, as well as short-handed categories for single- and double-handed crews. Performance is assessed under recognised handicapping systems such as ORC International and ORC Club, allowing boats of varying size and design to compete on corrected time (World Sailing, 2024, https://www.sailing.org).

The South Atlantic Route and Strategic Complexity

The Cape to Rio course is renowned for its strategic depth and meteorological uncertainty. After departing Table Bay, yachts typically head northwest into the South Atlantic High-Pressure System, a vast atmospheric feature that heavily influences wind strength and direction. Navigators must decide whether to sail a longer western arc in search of stronger trade winds or pursue a more direct route that may risk prolonged calms (LV Yachting, 2025, https://lvyachting.com/events/cape-2-rio-race).

This strategic dilemma lies at the heart of Cape2Rio’s reputation. Unlike coastal races where tactical decisions are revised hourly, the Cape2Rio demands long-range commitment to routing decisions that may not reveal their success or failure for days. Weather modelling, satellite forecasts, and onboard interpretation all play decisive roles, but so too does experience and intuition.

Sea states across the South Atlantic can range from long-period swells to confused cross seas, and crews must manage sail selection, fatigue, and equipment reliability over weeks rather than days. These conditions elevate Cape2Rio beyond a conventional offshore race into a true oceanic expedition (International Council of Yacht Clubs [ICOYC], 2025, https://www.icoyc.org/news/cape2rio-2025-the-countdown-to-an-iconic-ocean-crossing).

Fleet Composition and International Participation

As of late 2025, organisers confirmed at least eleven registered entries, with expectations that the fleet could expand to approximately 30 yachts prior to the final deadline (Cape2Rio Race Organising Authority, 2025, https://cape2riorace.com). The fleet reflects a broad cross-section of the offshore sailing community, including seasoned racers, club-level competitors, and purpose-driven adventure crews.

Representative Entries

Notable confirmed entries include:

• African Skimmer, a Dudley Dix 40 monohull with structural and rigging upgrades tailored for offshore performance (Cape2Rio, 2025, https://cape2riorace.com).

• Alexforbes Angel Wings, crewed by sailors from the RCYC Sailing Academy as part of a structured youth development programme (Alexforbes, 2025, https://invest.alexforbes.com).

• Atalanta, a returning competitor with experience in past editions. Cape2RioRaceAudaz II, another committed long-distance offshore entry. Cape2RioRace

• Esperança, representing Veleiros do Sul Yacht Club in Porto Alegre, Brazil, reinforcing the race’s transcontinental character (Cape2Rio, 2025, https://cape2riorace.com).

• Fryd, Lifgun, MOST2Rio, Serendipity, Summertime, and SV Vineta, each with stories of personal and racing commitment. Cape2RioRace

• Solitaire, a yacht combining competitive ambition with advocacy for disability awareness and social responsibility (Solitaire Campaign, 2025, https://www.solitairecape2rio.com).

These entries illustrate the dual identity of Cape2Rio as both a competitive sporting event and a platform for personal narratives, advocacy, and cross-cultural exchange.

Headline Sponsorship and Youth Development

The announcement of Alexforbes as headline sponsor for Cape2Rio 2025 marked a significant milestone for the race. The partnership extends beyond branding into active support for youth development and transformation within South African sailing (Alexforbes, 2025, https://invest.alexforbes.com/za/en/blogs/publish/alexforbes-named-headline-sponsor-for-iconic-cape2rio-2025-race).

The Alexforbes Angel Wings initiative is particularly noteworthy. The crew consists primarily of young sailors from under-resourced communities, selected for aptitude and trained intensively by the RCYC Sailing Academy. Their participation underscores a shift in offshore sailing culture toward inclusivity and long-term athlete development.

Alexforbes executives have emphasised the alignment between offshore racing and corporate values such as strategic planning, resilience, and disciplined execution — attributes inherent to both financial management and ocean sailing (Alexforbes, 2025, https://invest.alexforbes.com).

Scientific Collaboration and Environmental Stewardship

Cape2Rio 2025 also reflects a broader evolution in ocean racing through its partnership with The International SeaKeepers Society. Participating yachts are invited to contribute to the SeaKeepers DISCOVERY Programme, collecting oceanographic data during their passage (SeaKeepers Society, 2025, https://www.seakeepers.org/community-engagement/cape2rio-launch).

This data supports the Nippon Foundation–GEBCO Seabed 2030 Project, an ambitious global initiative aimed at mapping the entire ocean floor by 2030. Offshore racing yachts, capable of reaching remote ocean regions, provide a unique platform for such data collection (GEBCO, 2024, https://seabed2030.org).

The integration of scientific objectives into Cape2Rio transforms the race into a form of citizen science, reinforcing the notion that elite sport can coexist with environmental responsibility and knowledge production.

Public Engagement and Cultural Visibility

The official launch of Cape2Rio 2025 took place at the RCYC Regatta Centre in early 2025, attended by sailors, sponsors, civic leaders, and media representatives. The event reaffirmed Cape Town’s role as a global maritime hub and celebrated the race’s contribution to the city’s sporting identity (SeaKeepers Society, 2025, https://www.seakeepers.org).

Public engagement remains central to the race’s appeal. The start in Table Bay is expected to attract spectators from vantage points such as Bloubergstrand and Granger Bay, while digital tracking platforms allow global audiences to follow the fleet’s progress in real time (Events in Cape Town, 2025, https://eventsincapetown.com/events/cape2rio).

Cultural and Sporting Significance

Since its inception in 1971, the Cape to Rio Yacht Race has held a unique position within offshore sailing. Unlike many modern races dominated by professional syndicates, Cape2Rio continues to embrace a hybrid identity, welcoming both elite and amateur crews (South African Ocean Racing Trust, 2024, https://www.saort.co.za).

For participants, the race often represents a career milestone or a defining personal achievement. Weeks at sea foster intense interpersonal dynamics, demanding cooperation, trust, and psychological resilience. These human dimensions contribute to Cape2Rio’s enduring mythology within the sailing community.

Challenges and Expectations for 2025

Despite its prestige, Cape2Rio faces challenges common to modern offshore racing: rising costs, logistical complexity, and the need to balance accessibility with safety and performance standards. Nevertheless, confirmed entries and sponsorship commitments indicate sustained enthusiasm for the event (ICOYC, 2025, https://www.icoyc.org).

Typical crossing times range from three to four weeks, depending on weather systems and routing success. While record-breaking performances remain possible, for many crews success is defined simply by completing the crossing safely and competitively.

History of the Cape to Rio Yacht Race

Conclusion

The Cape to Rio Yacht Race 2025 stands as a compelling synthesis of tradition and innovation. It combines transatlantic endurance racing with youth development, scientific collaboration, and cultural exchange. Under the stewardship of the Royal Cape Yacht Club and its partners, the race continues to evolve while preserving the core values that have defined it for more than five decades.

As the fleet departs Cape Town in December 2025, it carries not only sails and supplies, but also the weight of history, ambition, and collective aspiration. Cape2Rio 2025 is ultimately a testament to humanity’s enduring relationship with the ocean — one defined by challenge, curiosity, and shared endeavour." Source: ChatGPT 2025)

References

Alexforbes. (2025). Alexforbes named headline sponsor for iconic Cape2Rio 2025 race. https://invest.alexforbes.com/za/en/blogs/publish/alexforbes-named-headline-sponsor-for-iconic-cape2rio-2025-race

Cape2Rio Race Organising Authority. (2025). Cape to Rio Yacht Race official website. https://cape2riorace.com

Cape2Rio Race Organising Authority. (2025). Notice of Race: Cape2Rio 2025. https://cape2riorace.com/wp-content/uploads/2024/07/NoR-C2R-2025-final-V3.pdf

Events in Cape Town. (2025). Cape2Rio Yacht Race. https://eventsincapetown.com/events/cape2rio

GEBCO. (2024). Seabed 2030 Project. https://seabed2030.org

International Council of Yacht Clubs. (2025). Cape2Rio 2025: The countdown to an iconic ocean crossing. https://www.icoyc.org/news/cape2rio-2025-the-countdown-to-an-iconic-ocean-crossing

LV Yachting. (2025). Cape to Rio Race overview. https://lvyachting.com/events/cape-2-rio-race

Royal Cape Yacht Club. (2025). About RCYC. https://rcyc.co.za

SeaKeepers Society. (2025). Cape2Rio launch and marine research partnership. https://www.seakeepers.org/community-engagement/cape2rio-launch

World Sailing. (2024). Offshore racing and ORC measurement. https://www.sailing.org

Images: Copyright Free: Pixabay

Cape to Rio 2025