30 June 2025

Fresh Flowers For Sale - The Paddocks, Milnerton

A fresh selection of in-season flowers are sources as often as possible (but at least once a week Thursdays / Fridays).

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Flowers For Sale - The Paddocks, Milnerton
Fresh Flowers For Sale - The Paddocks, Milnerton

Fresh Cut Flower

Fresh cut flowers remain one of the world’s most beloved gifts, rooted deeply in personal expression - from romance to sympathy, celebration to corporate gifting. In South Africa, especially around Cape Town, local flower farms supplement imports and support regional demand via farmers’ markets, florists, and online subscription services.

Flower Selling Include:
  • Special Occasions: Valentine’s Day, Mother’s Day, Weddings, Holidays.
  • Everyday Gifting: Daily Enjoyment, Home Décor, Workplace Sentiment.
  • Cprporate and Events: Office Displays, Gala Décor, Retail Ambience.
  • Wellness Trend: Flowers as Mood Enhancers and Gifts for Mental Health.

Adderley Flowers Selling Address:

Paddocks Shopping Centre (Main Entrance)
Cnr. of Racecourse Rd, Milnerton

All flower images with the permission from Adderley Flowers. (Photographer Vernon ChalmersO
Canon Camera / Lens for Flower Photography
  • Canon EOS 6D Mark II (Full-Frame)
  • Canon EF 24-70mm f/4L IS USM lens
  • Canon Speedlite 270EX II-RT
  • Lexar Professional 64GB UHS-I 160MB/S /1066x Speed

Exposure / Focus Settings for Adderley Flowers
  • Autofocus On
  • Aperture Priority (Av) Mode
  • Aperture f8 - f/11
  • Auto ISO (4000 - 6400)
  • Shutter Speeds (Various)
  • Image Stabilisation On
  • Canon Speedlite 270EX II-RT
    Handheld

Image Post-Processing: Lightroom Classic (Ver 13.5)
  • Minor Adjustments (Exposure / Contract / Crop)
  • Spot Removal
  • RAW to JPEG Conversion

Canon Photography Training Milnerton, Cape Town

All Images CopyrightVernon Chalmers Photography

Peregrine Falcon back for Winter 2025

My Peregrine falcon neighbour is back for Winter 2025! Arnhem, Milnerton, Cape Town

Peregrine Falcon : Arnhem, Milnerton Cape Town
Peregrine Falcon : Arnhem, Milnerton Cape Town

Peregrine Falcon back for Winter 2025

 I was just getting a bit concerned of his 'slight' absence, but since last evening his regular returning behaviour is a peaceful reminder of his (calculated) behaviour.

I’m aware of their existential freedom, aware they should be in the wild in absolute freedom, solitude, and instinctual being. Being here brings excitement and some personal peace, although I would wish for a more natural habitat.

Location: Arnhem, Milnerton (Opposite Woodbridge Island)

With my trusty Canon EOS 70D / 400mm lens

Returning Peregrine Falcon to Milnerton, Woodbridge Island The Peregrine Falcon: Fastest Bird in the World

More About the Peregrine Falcon (Fastest Bird in the World)
The Peregrine Falcon (Falco peregrinus) is a remarkable bird of prey known for its speed and agility. It holds the title of the fastest animal on Earth, reaching speeds of over 320 km/h (200 mph) when diving to catch prey 1.

This falcon is found worldwide, except in extreme polar regions and dense tropical rainforests. It has a blue-grey back, barred white underparts, and a black head 2. Peregrine Falcons primarily hunt medium-sized birds, such as pigeons and ducks, striking them mid-air with incredible precision 1.

Historically, their populations declined due to pesticides like DDT, which weakened their eggshells. However, conservation efforts have helped them recover in many regions. They are now commonly seen in urban areas, nesting on tall buildings and adapting to city life 2. (Source: Microsoft Copilot 2025)

Flight and Speed of the Peregrine Falcon

Peregrine Falcon  Image Vernon Chalmers Photography Copyright

25 June 2025

Canon EOS R: Electronic vs. Mechanical Shutters

The Canon EOS R System: Differences Between Electronic and Mechanical Shutters. Up to R3 / R5

Canon EOS R: Electronic vs. Mechanical Shutters

ELECTRONIC SHUTTERS

HOW THEY COMPARE TO MECHANICAL SHUTTERS 

Abstract

Canon’s transition from DSLR to mirrorless technology through the EOS R system marks a significant technological evolution. One of the most crucial innovations in this transition is the refined implementation of shutter mechanisms—namely the mechanical shutter, electronic first curtain shutter (EFCS), and fully electronic (silent) shutter. This paper provides a comprehensive overview of the differences between these shutter modes in Canon EOS R mirrorless cameras, exploring their technical architecture, practical implications, advantages and disadvantages, and suitability for different photographic genres. The report includes references to key Canon EOS R bodies including the Canon EOS R, R5, R6, R3, and R7, with contextual examples and professional applications.

1. Introduction

The Canon EOS R series, launched in 2018 with the original Canon EOS R, signifies Canon’s full embrace of mirrorless camera technology. As part of this transition, the move away from traditional mechanical systems—such as the mirror box and entirely mechanical shutter mechanisms—has enabled more compact designs, higher burst rates, and quieter operation.

One of the most pivotal technological distinctions lies in the shutter mechanism. Unlike DSLRs that rely primarily on mechanical shutters, mirrorless cameras like the Canon EOS R series offer three shutter modes:
  • Mechanical Shutter
  • Electronic First-Curtain Shutter (EFCS)
  • Electronic Shutter (Silent Shutter)

Understanding these differences is essential for both amateur and professional photographers, particularly in terms of image quality, distortion, noise control, durability, and shooting style.

2. Mechanical Shutter: Structure and Performance

2.1 Technical Overview

A mechanical shutter uses two physical curtains that move vertically in front of the image sensor:
  • The first curtain opens to begin the exposure.
  • The second curtain closes to end the exposure.
This method has been standard in film and DSLR cameras for decades.

2.2 Mechanical Shutter in Canon EOS R Series

In the EOS R series, mechanical shutters have been refined to reduce vibrations and enhance durability:
  • EOS R: Mechanical shutter capable of 8 fps.
  • EOS R5 / R6: Up to 12 fps with mechanical shutter.
  • EOS R3: Durable mechanical shutter rated for over 500,000 cycles.

2.3 Advantages
  • Minimal rolling shutter effect: Particularly useful in high-speed or fast-action photography.
  • Natural motion rendering: Especially important for flash photography.
  • Flash compatibility: Sync speeds up to 1/200s (EOS R), 1/250s (EOS R5), or even 1/300s (EOS R3).

2.4 Disadvantages
  • Noise: Audible shutter click can be disruptive in wildlife, street, or ceremony settings.
  • Vibration: Minor camera shake, though mitigated in newer models.
  • Mechanical wear: Though rated for hundreds of thousands of cycles, shutters do wear out.

3. Electronic Shutter: Innovation and Application
  • 3.1 Technical Overview
An electronic shutter exposes the image sensor without any mechanical movement. The sensor is powered on and off digitally, capturing the image by “reading” the data line by line.

  • 3.2 Electronic Shutter in Canon EOS R Series
    • EOS R: Limited use of electronic shutter (only for silent mode, at slower frame rates).
    • EOS R5 / R6: Up to 20 fps using electronic shutter.

    • EOS R3: Up to 30 fps with minimal rolling shutter due to stacked sensor design.

3.3 Advantages
  • Silent operation: Ideal for weddings, wildlife, and street photography.
  • No mechanical wear: Extends the life of the camera.
  • High-speed shooting: Essential for action and sports photography.

3.4 Disadvantages
  • Rolling shutter distortion: Fast-moving subjects may appear skewed.
  • Banding under artificial light: Particularly with LED or fluorescent lighting.
  • Limited flash compatibility: Most Canon EOS R cameras don’t support flash with electronic shutter (except EOS R3 with specific setups).

4. Electronic First-Curtain Shutter (EFCS): Hybrid Efficiency
  • 4.1 Technical Overview
            EFCS combines the best of both shutter types:
    • The first curtain is electronic.
    • The second curtain is mechanical.

4.2 EFCS in Canon EOS R Cameras

Default shutter mode in many Canon mirrorless bodies.
  • Balances speed and image quality.
  • Reduces shutter lag and vibration.

4.3 Advantages
  • Reduced vibration: No mechanical shock from the first curtain.
  • Faster than full mechanical: Lower delay and blackout.
  • Fewer artifacts than electronic shutter.

4.4 Disadvantages
  • Incompatibility at very high shutter speeds: May produce uneven exposure above 1/2000s.
  • Not completely silent.

5. Rolling Shutter and Global Shutter Technology

  • 5.1 Rolling Shutter Explained
With rolling shutter, the sensor captures the image line by line. Fast movements (such as a propeller or golf swing) may appear skewed or bent.
  • 5.2 Canon’s Mitigation Strategies
EOS R3: Features a stacked CMOS sensor, which reduces rolling shutter significantly.

DIGIC X processor: Faster readout speeds.

5.3 Future Prospects
  • Canon is rumored to be developing global shutter sensors, which read all pixels simultaneously, eliminating distortion.

6. Practical Implications for Photographers
  • 6.1 Sports and Wildlife
Preferred: Electronic shutter (EOS R5/R3) for high FPS.

Caution: Watch for rolling shutter; R3 is best suited due to fast readout.

  • 6.2 Weddings and Ceremonies
Silent mode essential: Electronic shutter avoids disturbing the scene.

Lighting caution: Use mechanical shutter under artificial lights to avoid banding.

  • 6.3 Studio and Flash Photography
Essential: Mechanical or EFCS for consistent flash sync.

Avoid: Electronic shutter unless using the Canon EOS R3 with special flash setups.

  • 6.4 Street and Documentary
Discreet shooting: Electronic shutter is preferable.

Compromise: EFCS if lighting conditions or subject movement require.

7. Shutter Modes Comparison Table

Canon EOS R: Electronic vs. Mechanical Shutters

8. Canon EOS R Series Examples and Use Cases
  • 8.1 Canon EOS R
    • Entry mirrorless model.
    • Limited silent shutter performance.
    • Best to use mechanical or EFCS.
  • 8.2 Canon EOS R5 / R6
    • Advanced FPS options.
    • 20 fps electronic, 12 fps mechanical.
    • Professional-grade silent shutter.
  • 8.3 Canon EOS R3

    • Stacked sensor nearly eliminates rolling shutter.
    • 30 fps electronic shutter.
    • Full electronic shutter usable with flash under specific conditions.

8.4 Canon EOS R7 (APS-C)
    • 15 fps mechanical / 30 fps electronic.
    • Excellent hybrid solution for action and bird photography.
    • Rolling shutter more noticeable than on R3.

9. Limitations and Considerations

9.1 Firmware Updates
  • Canon regularly updates firmware to enhance shutter performance (e.g., adding flash compatibility or improving readout speed).
9.2 Sensor Design
  • Stacked sensors are crucial for minimizing electronic shutter issues.
  • Expect stacked sensors to become more standard in future EOS R models.

9.3 Professional Workflow

Many professionals configure shutter mode based on shooting context:
  • Sports: Electronic.
  • Studio: Mechanical.
  • Wedding: EFCS or Electronic.

10. Future of Shutter Technology in Mirrorless Cameras

Canon’s move toward global shutter, AI-assisted exposure, and completely silent shooting environments means the mechanical shutter may eventually be phased out. However, until electronic shutter artifacts are entirely eliminated and flash compatibility becomes universal, mechanical shutters will remain a vital component for many professionals.

Canon EOS R6 First Impressions and Sample Images

11. Conclusion

The Canon EOS R system offers photographers a highly flexible suite of shutter options, catering to diverse photographic needs. Mechanical shutters provide reliability and compatibility, especially for flash photography. EFCS offers a hybrid approach with balanced advantages, while electronic shutters deliver blazing speed and complete silence—albeit with limitations.

Professional photographers must understand the capabilities and constraints of each shutter mode to make context-appropriate choices, especially in areas like sports, weddings, studio, and wildlife photography. Canon’s innovations, particularly in the EOS R3’s stacked sensor, demonstrate how these technologies continue to evolve.

Ultimately, the future of shutter technology lies in global shutters and sensor advancements, but until then, choosing the right shutter mode for the right scenario remains essential.
References

Canon Inc. (2020). Canon EOS R5 Specifications. Retrieved from https://www.canon.com

Canon Inc. (2021). Canon EOS R3 Technical White Paper. Retrieved from https://www.canon.com

Canon USA. (2021). EOS R Series Camera Lineup. Retrieved from https://www.usa.canon.com

Hagen, J. (2021). Understanding Rolling Shutter vs. Global Shutter. Photography Life. Retrieved from https://photographylife.com/rolling-vs-global-shutter

Kelby, S. (2022). The Canon EOS R5 Field Guide. Peachpit Press.

Rockwell, K. (2021). Canon EOS R3 Review. Retrieved from https://www.kenrockwell.com

Report Compiler: ChatGPT 2025

Disclaimer

The 'Canon EOS R: Electronic vs. Mechanical Shutters' report was compiled by ChatGPT 2025 on the request of Vernon Chalmers Photography. Vernon Chalmers Photography was not instructed by any person, public / private organisation or 3rd party to request compilation and / or publication of the report on the Vernon Chalmers Photography website.

This independent status report is based on information available at the time of its preparation and is provided for informational purposes only. While every effort has been made to ensure accuracy and completeness, errors and omissions may occur. The compiler of this Canon EOS R: Electronic vs. Mechanical Shutters report (ChatGPT 2025 and / or Vernon Chalmers Photography (in the capacity as report requester) disclaim any liability for any inaccuracies, errors, or omissions and will not be held responsible for any decisions made based on this information.

Image / Diagram: Created by Microsoft Copilot 2025

17 June 2025

Canon EOS R1 / EOS R5 Mark II Firmware Updates

EOS R1 and EOS R5 Mark II: Powerful new firmware and system updates for professional news and sports photographers


London, UK, 17 July 2025 – Canon today announces firmware updates for the EOS R1 and EOS R5 Mark II, designed to refine performance in high-speed news and sports environments and further streamline workflows, alongside further enhancements across its mirrorless camera line-up. These updates1 reflect Canon’s continued commitment to professional users and news agencies demanding reliability, speed, and innovation in every frame.

Sports and action photography

In response to the evolving needs of sports photographers, Canon introduces a series of enhancements to boost performance and accuracy:

• EVF Viewfinder priority
Enhanced electronic viewfinder responsiveness to eliminate EVF turning-on lag when camera is raised to eye (applicable to EOS R1).
• Panning Assist
Now further refined for the EOS R1 to provide stabilisation for smooth, dynamic panning – ideal for motorsports and fast-moving subjects.
• Pre-Continuous Shooting Adjustment
Allows the number of shots taken using pre capture to be selected in the camera’s menu from 1 to 20 (on EOS R1) or 1 to 15 (on EOS R5 Mark II).
• Auto Focus Through Nets
Advanced AI-driven autofocus now intelligently locks onto subjects through obstacles like nets or fences.
• Flickerless Shooting – Always Detection
Canon’s highly praised auto-detection and warning system for 100/120 Hz flicker, first seen in the EOS R3, is now seamlessly integrated into both the EOS R1 and R5 Mark II with the latest firmware update, working continuously to alert users of exposure issues under artificial lighting.

Workflow improvements for fast-paced environments

Designed for high-pressure environments where speed and accuracy are critical, Canon is introducing new tools to streamline the professional workflow:

• Support for high capacity CFexpress Cards: Enables cards up to 8TB to be used for longer shooting sessions without the need to swap storage.
• C2PA Authenticity: Integrated support for the C2PA standard for photo authenticity verification – initially available exclusively for registered news agencies.
• Auto Protection for Rated Photos: Automatically locks images with specified rating to prevent accidental deletion – available across the EOS R5, EOS R3, and EOS R6 Mark II.
• FTP Transfer order update: The transfer order has been modified to suit agency preferences, with voice memos now being sent before images.

General system and usability upgrades

With usability and customisation at the forefront, Canon has implemented multiple refinements across the system:

• Button Customisation – Airplane Mode: Allows quick disabling of Wi-Fi for travel or secure environments.
• Exposure Simulation with Flash: Now supported across a wide range of bodies including the EOS R1, EOS R5 Mark II, EOS R3, EOS R6 Mark II, and EOS R8.
• IBIS (In-body Image Stabilisation) and Peripheral Coordinated Control IS Support: Now enabled on the EOS R5 Mark II for smoother stabilisation with compatible lenses.
• Improved Servo AF When Zooming: Enhanced autofocus tracking during zooming motions on the EOS R3 and EOS R6 Mark II.

EOS R50

A new firmware released for the EOS R50 adds support for the RF-S 3.9mm F3.5 STM DUAL FISHEYE and the RF-S 7.8mm F4 STM DUAL lenses.

New accessories for action sports

Canon today also announced the EL-1 (Ver.2), an updated Speedlite flash delivering lightning-fast recycle times, long continuous flash burst and advanced wireless communication. With both radio and optical triggering, users can control the EL-1 (Ver.2) wirelessly from anywhere in the scene, and preview flash outputs through the built-in bi-colour LED modelling light.

These updates reaffirm Canon’s commitment to delivering advanced functionality to professional users, responding to the demands of an ever-changing imaging landscape. For a full breakdown of the new firmware benefits and supported models2, please visit: https://www.canon-europe.com/support/consumer/products/cameras/eos/

15 June 2025

How to Photograph Flowers

A Comprehensive Guide: Flower Photography is a Blend of Science, Technology, and Art

How to Photograph Flowers

Abstract

Flower photography is one of the most accessible yet complex genres in the field of nature and macro photography. It demands not only technical proficiency with the camera and related equipment but also a deep appreciation for natural light, composition, and detail. This paper provides a comprehensive overview of how to photograph flowers effectively, covering aspects such as gear selection, composition, lighting, camera settings, post-processing, and artistic intention. Drawing upon both academic research and practitioner insights, this paper serves as a practical and theoretical guide for both amateur and professional photographers seeking to capture the beauty of flowers.


Flowers, Arnhem, Milnerton : Canon EOS 6D / 70-300mm Lens + Extension Tube
Flowers, Arnhem, Milnerton : Canon EOS 6D / 70-300mm Lens + Extension Tube

Introduction

Flower photography is an enduring subject in visual arts, celebrated for its aesthetic appeal, symbolic meaning, and creative potential. From botanical documentation to expressive fine art, photographing flowers offers both scientific and emotional resonance. Despite their ubiquity, flowers present unique challenges: their fragility, sensitivity to light and wind, and the demand for detail-oriented focus often require specialized approaches (Peterson, 2018). This paper explores these techniques and tools with a focus on achieving optimal visual impact.

Late Summer's Day Flowers : With Canon Speedlite Flash, Milnerton
Late Summer's Day Flowers : With Canon Speedlite Flash, Milnerton

1. Equipment Essentials
  • 1.1 Cameras
While virtually any camera can be used to photograph flowers, digital single-lens reflex (DSLR) and mirrorless cameras offer the highest degree of control and image quality. Full-frame sensors are preferred for their ability to capture fine detail and dynamic range (Kelby, 2022).

  • 1.2 Lenses
Macro lenses are the gold standard in flower photography. With a 1:1 reproduction ratio, they allow for true close-ups where the subject is rendered life-size on the sensor (Busch, 2020). Popular focal lengths include 60mm, 100mm, and 180mm. Longer focal lengths provide more working distance, which is advantageous for not disturbing the subject and for background compression.

1.3 Tripods and Supports

A tripod is essential for stabilizing the camera, especially when using slower shutter speeds in low-light conditions or when doing focus stacking (Freeman, 2017). A ball head with fine adjustments, and occasionally a focusing rail, enhances precision.
  • 1.4 Lighting Gear
Natural light is ideal for flower photography; however, reflectors and diffusers can help control it. For indoor or controlled lighting, ring lights or twin macro flashes are effective tools for even, shadowless illumination (Hedgecoe, 2012).

Early Morning Wildflowers : Kirstenbosch Garden, Cape Town
Early Morning Wildflowers : Kirstenbosch Garden, Cape Town

2. Composition Techniques

2.1 Rule of Thirds and Golden Ratio

The rule of thirds is a fundamental composition technique that can enhance the visual balance of a flower photograph. Positioning the flower off-center encourages the viewer’s eye to explore the entire frame (Peterson, 2018). The golden ratio, more complex but often more aesthetically pleasing, can guide both placement and framing.
2.2 Background Management

The background should complement, not distract from, the flower. Using a wide aperture helps blur the background through shallow depth of field. Alternately, neutral backdrops or black velvet can be used in studio settings for high contrast (Freeman, 2017).
2.3 Framing and Perspective

Shooting at eye level with the flower, rather than from above, offers a more intimate perspective. Backlighting, side lighting, and unusual angles such as shooting from below can also yield creative results (Kelby, 2022).


Tiny Flower Close to the Ground : Canon Full-Frame at 400mm, Kirstenbosch Garden
Tiny Flower Close to the Ground : Canon Full-Frame at 400mm, Kirstenbosch Garden

3. Lighting Considerations
  • 3.1 Natural Light
Early morning and late afternoon—the golden hours—are ideal for flower photography. The soft light minimizes harsh shadows and brings out petal texture (Busch, 2020). Overcast conditions are also favorable, as clouds act as natural diffusers.
  • 3.2 Artificial Light
When natural light is unavailable or uncontrollable, artificial lighting like LED panels or macro ring lights can be used. Controlling light intensity and direction is crucial to maintain a natural appearance (Hedgecoe, 2012).
  • 3.3 Reflectors and Diffusers
Simple tools like white cards, silver reflectors, or translucent diffusers can dramatically change how light interacts with the subject. Reflectors can fill in shadows, while diffusers soften harsh light, enhancing the flower’s delicacy.

Arum Lilly, Table Bay Nature Reserve, Cape Town (400mm Lens)
Arum Lilly, Table Bay Nature Reserve, Cape Town (400mm Lens)

4. Camera Settings
  • 4.1 Aperture
Aperture affects depth of field, a key consideration in flower photography. Wider apertures (f/2.8–f/5.6) isolate the subject with beautiful bokeh, while narrower apertures (f/11–f/16) keep more of the flower in sharp focus (Peterson, 2018).
  • 4.2 Shutter Speed
Since flowers can move with the wind, fast shutter speeds (1/250s and above) are often required. Alternatively, when using a tripod and in still conditions, slower speeds can be used for more light and depth (Freeman, 2017).
  • 4.3 ISO
To maintain image clarity, the ISO should be kept as low as possible—ideally ISO 100 or 200. High ISO can introduce noise, especially detrimental in close-up details (Kelby, 2022).
  • 4.4 White Balance
Auto white balance usually works well, but for more control, custom white balance or presets (e.g., daylight, cloudy) can be used to achieve consistent color tones (Busch, 2020).

Flower with Waterdrop : With Canon Macro Lens / Canon Speedlite Flash
Flower with Waterdrop : With Canon Macro Lens / Canon Speedlite Flash

5. Techniques for Different Flower Types
  • 5.1 Macro Photography
Macro photography allows for exploring details invisible to the naked eye—stamens, dew drops, petal textures. Use a dedicated macro lens, tripod, and focus stacking for sharpness across the image plane (Freeman, 2017).

  •  5.2 Wide-Angle Floral Landscapes

Wide-angle lenses can capture flowers in their environment, giving context to their surroundings. This is useful in fields or gardens where the interaction between flora and background is part of the story (Kelby, 2022).
  • 5.3 Abstracts and Close Details
Creative photographers often abstract flower forms, focusing on lines, colors, and patterns. Selective focus and intentional blur can create painterly effects (Hedgecoe, 2012).

With Canon Macro Lens / Canon Speedlite Flash : Milnerton, Cape Town
With Canon Macro Lens / Canon Speedlite Flash : Milnerton, Cape Town

6. Focus Techniques
  • 6.1 Manual Focus
Autofocus can struggle with close-ups and shallow depth of field. Manual focus, often aided by focus peaking in mirrorless cameras or magnified live view, allows for precise control (Busch, 2020).
  • 6.2 Focus Stacking
In macro photography, depth of field is extremely shallow. Focus stacking—taking multiple images focused at different depths and blending them in software—results in a fully sharp image (Freeman, 2017).

Yellow Roses with Canon SX40 HS / Canon Speedlite Flash, Milnerton
Yellow Roses with Canon PowerShot SX40 HS / Canon Speedlite Flash, Milnerton

7. Post-Processing
  • 7.1 RAW Editing
Shooting in RAW format allows greater flexibility in post-processing. Adjustments in exposure, white balance, and clarity are critical to enhance the subtle details of flower images (Peterson, 2018).
  • 7.2 Color and Contrast Adjustments
Flowers often require fine-tuning of saturation and contrast to accurately reflect their natural appearance. Over-processing can lead to unrealistic results (Kelby, 2022).
  • 7.3 Sharpening and Noise Reduction
Selective sharpening, especially on petal edges or central details, can enhance visual impact. Noise reduction may be necessary if high ISO was used (Busch, 2020).

Small Wildflower with EF 400mm f/5.6L : Woodbridge Island, Cape Town
Small Wildflower with EF 400mm f/5.6L : Woodbridge Island, Cape Town

8. Ethical and Environmental Considerations

Photographers must respect nature. Avoid trampling other plants or disturbing wildlife while setting up shots. In botanical gardens, follow all posted rules. Avoid the temptation to pluck or move flowers unless permitted (Hedgecoe, 2012)

9. Artistic Expression

Flower photography can transcend documentation to become expressive art. Elements such as mood, color psychology, symbolism, and minimalist aesthetics contribute to a photograph's narrative and emotional impact (Freeman, 2017).

Wildflower with Canon EOS 7D Mark II / 400mm Lens : Woodbridge Island
Wildflower with Canon EOS 7D Mark II / 400mm Lens : Woodbridge Island

10. Case Studies
  • 10.1 Fine Art Macro Photographer: Kathleen Clemons
Clemons uses Lensbaby optics and wide apertures to create ethereal, dreamlike images of flowers, focusing on emotional response over technical perfection (Clemons, 2021).
10.2 Botanical Documentation: Harold Davis

Harold Davis integrates multiple exposures and high-dynamic-range techniques to produce highly detailed botanical prints for both scientific and artistic purposes (Davis, 2018).

Cut Flowers (Canon 24-70mm Lens / Speedlite Flash) : Paddocks, Milnerton
Cut Flowers (Canon 24-70mm Lens / Speedlite Flash) : Paddocks, Milnerton

Conclusion

Flower photography is a blend of science, technology, and art. It requires understanding camera gear, mastering light, composing thoughtfully, and developing a personal vision. With the right tools and techniques, any photographer can capture the intricate beauty of flowers, whether for artistic purposes, botanical study, or personal fulfillment. As digital photography evolves, so too do the creative possibilities for floral imagery." (Source: ChatGPT 2025)

Daisies, Philadelphia, Cape Town : 6D Mark II. ISO 5000, EF 24-70mm Lens
Daisies, Philadelphia, Cape Town : 6D EOS Mark II. ISO 5000, EF 24-70mm Lens

References

Busch, D. D. (2020). David Busch’s Canon EOS R5/R6 Guide to Digital Photography. Rocky Nook.

Clemons, K. (2021). Creative Flower Photography: An Interview with Kathleen Clemons. Retrieved from https://www.naturephotographers.network

Davis, H. (2018). Photographing Flowers: Exploring Macro Worlds with Harold Davis. Focal Press.

Freeman, M. (2017). The Photographer's Eye: Composition and Design for Better Digital Photos. Focal Press.

Hedgecoe, J. (2012). The Art of Digital Photography. DK Publishing.

Kelby, S. (2022). The Digital Photography Book: Part 1 (2nd ed.). Rocky Nook.

Peterson, B. (2018). Understanding Exposure (4th ed.). Amphoto Books.

Top Image: Created by Microsoft Copilot 2025

All Other Images: Vernon Chalmers Photography Copyright

01 June 2025

Canon EOS 7D Mark II Long-Term Use and Experience

Long-Term Use and Experience of my Favourite Canon Camera: Canon EOS 7D Mark II

Little Egret : Canon EOS 7D Mark II / Canon EF 400mm f5.6L USM Lens

From a Birds / Birds in Flight Photography Perspective (Original Article 2018)Predominately with the Canon EF 400mm f/5.6L USM Lens

Canon EOS 7D Mark II Application / Suitability 2025

In the beginning: Entry-level body and zoom lenses
During 2013 I became seriously interested in photographing birds in flight around Woodbridge Island, Cape Town. With the very close proximity to the Milnerton Lagoon and relative close access to most bird species I started out with the Canon EOS 700D and a variety of Canon 70-300mm lenses, eventually settling with the Canon EF 400mm f/5.6L USM super telephoto lens.

Also Read: Canon EOS 7D Mark II for Birds in Flight Photography

Deciding on the  longer Canon EF 400mm f/5.6L USM Prime Telephoto Lens
I did a few months of extensive research before purchasing the Canon EF 400mm f/5.6L USM lens with a decision based on; autofocus speed, image quality, price, weight and lack of Image Stabilization (not required for Birds in Flight Shutter Speeds between 1/3200 - 1/4000s). This lens served me very well through four EOS bodies and I still use this lens for my Birds in Flight Photography - exclusivity paired with the Canon EOS 7D Mark II. Its probably my best long-term purchase (ROI) and will keep it for any future body upgrade pairings.

Common Starling : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Common Starling : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Upgrading from the Canon EOS 70D
During 2014 I started shooting birds in flight around Woodbridge Island with the very responsive Canon EOS 70D paired with the EF 400mm f/5.6L lens and for all in-flight purposes I was more than satisfied with the results (ito Auto-focus, larger viewfinder, image quality, tracking and the EOS 70D's 7 fps).

I also purchased a second EOS 70D for maintaining an exclusive Birds in Flight pairing while using the second EOS 70D and the Canon EOS 6D for my low light, landscape and macro / close-up photography workshops and projects.

Early 2015 my Birds in Flight Photography at Woodbridge Island was recognized by one of our local Cape Town retailers and they provided me (via Canon South Africa) with a Canon EOS 7D Mark II / EF 100-400mm f/4.5-5.6L IS II USM lens for a week of testing and writing an article - of which I published shortly after the test period on my Canon Camera News website. The weather was not great, but I managed to do various shoots at two Cape Town locations. The Canon EOS 7D Mark II article is now available here on my new Vernon Chalmers Photography website: First Impressions and Test Shoots Cape Town

Canon EOS 7D Mark II Birds in Flight Photography Cape Town Image Gallery / Samples

Pied Kingfisher : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Pied Kingfisher : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Birds in Flight Workshops with Canon EOS 7D Mark II
During this time I also arranged for the facilitation of my first Birds in Flight Photography Workshop Cape Town (which was sponsored by Canon South Africa via the Canon retailer). I traded one of my EOS 70D's for a new Canon EOS 7D Mark II, studied and practiced the 65-Point AF System for a few weeks and I was good to go for the workshop and to facilitate private training for Canon photographers who started upgrading to the Canon EOS 7D Mark II from the older Canon EOS 7D and EOS 70D's.

The First Impression and Test Shoots Cape Town article will have all my personal views and findings of the Canon EOS 7D Mark II as the current Canon flagship APS-C body. I still maintain the same views and impressions and although Nikon (as one other brand) became very competitive with the Nikon D500 I still believe the Canon EOS 7D Mark II (also as part of the EOS system wrt lenses et al) is still one of the best Birds in Flight / Action Photography APS-C bodies on the market today.

Water Thicknee : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Water Thicknee : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Canon Zoom vs Prime Lens (Birds in Flight)
I've used the Canon EF 100-400mm f/4.5-5.6L IS II USM zoom lens on Canon South Africa's own Canon EOS 7D Mark II and during my field review of one of my workshop delegate's Canon EOS 80D and I can in all objectivity say that the AF and tracking speed of the Canon EF 400mm f/5.6L USM lens is just (by a small margin in my opinion) more responsive than the Canon EF 100-400mm f/4.5-5.6L IS II USM lens.

Globally reported Canon EOS 7D Mark II AF issues
After the launch of the Canon EOS 7D Mark II in September 2014 there were a fair amount of complaints with the AF-system under certain conditions (ito sharpness and focus issues experienced with various lenses). I've read countless real world test articles, blog posts and comments on various websites. Some photographers really struggled and in some cases had their cameras exchanged. For some its still an ongoing challenge and the online discussions about the AF focus accuracy (under certain conditions) with some of the bodies are still active.

Canon EOS 7D Mark II Key Features and Specifications

The Canon EOS 7D Mark II is a semi-professional DSLR camera that was released in 2014. It features a 20.2-megapixel APS-C CMOS sensor, 10 frames per second continuous shooting, and a robust build with weather sealing 1 2.

This camera is particularly well-regarded for sports and wildlife photography due to its fast burst rate and durable design 1.

Some key specifications include:
  • 65-point all cross-type autofocus system: This helps in achieving precise focus, especially in fast-moving scenarios 2.
  • Dual DIGIC 6 processors: These provide fast image processing and improved performance2.
  • Full HD video recording at 60 fps: Ideal for capturing high-quality videos3.
  • Built-in GPS: Useful for geotagging your photos1.
Even though it’s a decade old, the 7D Mark II still offers great value, especially for those on a budget or new to sports and wildlife photography 1.

Egyptian Goose Canon : EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Egyptian Goose Canon : EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Canon EOS 7D Mark II 'Out Of Box' Shooting
Straight out of the box my Canon EOS 7D Mark II body performed as expected (on many of the factory default-settings).

Up to today, more than two years later, the camera and AF-System is performing exactly the same it did when I captured my first 10 fps high-speed burst with this camera - Egyptian goose taking flight.

My Canon EOS 7D Mark II / EF 400mm f/5.6L USM lens pairing is still exclusively used for Birds in Flight photography and my other two EOS bodies are used for everything else.

I still have great pleasure going out to Woodbridge Island shooting the Canon EOS 7D Mark II and I still use this body (and AF-System) as benchmark for all my Birds in Flight Photography training and workshops - as it is in many ways the same as the Canon two 65-Point AF-systems Deployed on the Full Frame Canon EOS 5D Mark III, EOS 5Ds (R) and EOS-1D X. Now we also have the upgraded 65-Point System in the Canon EOS 5D Mark IV / Canon EOS-1D X Mark II.

Pied Kingfisher : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Pied Kingfisher : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Perched Birds with Canon EOS 7D Mark II
I capture a fair amount of perched birds with this pairing and am quite comfortable to use the same Manual and AF-settings I will for my Birds in Flight Photography. From time to time (depending on the opportunity) I may use Av mode for a few captures, but the majority of the time I don't change anything - just to keep it simple and quick - and to always have my preferred Manual settings as the primary default setup when going out for a shoot.

I have no immediate plans for replacing this body, but are keeping my eye on the possible release of a Canon EOS 7D Mark III - which disappointingly did not happen. Read more in the below conclusion about a possible future Canon EOS R7 Mark II. I will probably (eventually) replace my Canon EOS 6D with the R6 (or equivalent). I am still more than satisfied with the EOS 6D for low light, landscape and some portraiture / fashion work. The Canon EOS 7D Mark II will replace my EOS 70D when the 'best body for purpose' is announced (as similar as possible to the APS-C Canon EOS 7D Mark II. Looking forward for some macro and close-up photography projects once the EOS 7D Mark II is semi-retired from Birds in Flight photography.

Red-Eyed Dove Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Red-Eyed Dove Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

In conclusion
Birds in Flight Photography is in many ways a skill to be mastered irrespective of the camera body used. When I acquired the Canon EOS 7D Mark II I knew what my requirements were; more responsive AF-system, faster fps, two memory card slots, a more robust and configurable EOS body than the Canon EOS 70D - to be used with the same Canon EF 400mm f/5.6L USM lens.

The EOS 7D Mark II is still considered an advanced high-performance and action-orientated Canon EOS DSLR body. It most definitely met most of my requirements and expectations. Today it is still Canon's highest performing action photography EOS APS-C body in Canon's DSLR range. Its not perfect, I personally would have preferred a stop or two better low light / ISO performance for my Birds in Flight photography, but its not really a major issue, I just shoot in good light (as I live right next to my Woodbridge Island shooting environment).

Yellow-Billed Duck : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens
Yellow-Billed Duck : Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

With a 300mm+ lens pairing (considering individual good light shooting conditions) and adequate photography skills the Canon EOS 7D Mark II Birds in Flight photographer will perform very well against most Canon EOS Full Frame DSLR offerings on the market today.

Towards the future...
The Canon EOS 7D Mark III Canon EOS R7 Mark II will have to be another game changer for the Canon engineers to match / exceed the high expectations and shooting standards of most current Canon EOS 7D Mark II photographers. In some regards many of my students (and many other photographers found solace in migrating to the Canon EOS R7. There was such high anticipation for the Canon EOS Mark III. During this wait Canon develop the EOS R System to also cater APS-C fast-action bodies and released the Canon EOS R7 (as possibly the first EOS R 'r eal replacement' for the evergreen Canon EOS 7D Mark II. I'm personally looking forward to the release of a possible Canon EOS R7 Mark II. Currently I am still happy to shoot Birds in Flight with the Canon EOS 7D Mark II.

Article and Image Copyright: Vernon Chalmers (Purchased 2015 / Updated 2025). This Canon EOS 7D Mark II is still in active Birds in Flight Photography use.  

Canon EOS 7D Mark II - Birds in Flight Photo Gallery View

Birds in Flight Photography Cape Town View

Hadeda Ibis - Canon EOS 7D Mark II / EF 400mm f/5.6L USM Lens

Canon Photography Training Milnerton Woodbridge Island | Kirstenbosch Cape Town